[Booking Contact]
luca@k4bookings.com

[About]

Coming from a diverse music background, Gina´s passion has always been the dancefloor.  As a passionate dancer before she started DJing in Berlin, then immersed herself in growing a loyal wide audience and keeping listeners on many sweet places engaged with her aesthetic of the slower side of underground dance music.

Gina is telling melodic deep stories and her devotion to the music speaks through her captivating and powerful sets. 
- But it´s all about the groove, when she’s dropping some low-tempo-deep-house-joints.

After 10 years in Germany's capital, Gina moved to her new adopted city Leipzig to start a club project with two of her best friends - ost:end is the lived utopia of many different cultural workers, curators, producers and DJ´s.

What started as an idea for a club is now a record label, a booking agency and an event collective with an incredible output. Whether it's sets, releases, live talks or events - the ost:end shapes Leipzig's club culture in its own way.

Bookings - International/Rest of the World 
roman.trystram@caa.com

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

Nervous / Union Records (IT)/ Go Deeva / 
Abracadabra / Switch Lab / King Street Sounds  /
Sudam / Wired / Made in Miami / Redolent / 
Pulse Wave / Transa Records / Beat 100.9 fm / Sunset Gathering  

Aaron Sevilla es un DJ y productor mexicano con creciente presencia en la cultura techno mexicana y latina; caracterizado por sus mezclas orgánicas y enérgicas se abrió paso hasta conseguir residencias en clubes tan icónicos como AM Local, Americana Club Social y Janis en la Ciudad de México. Ha tenido oportunidad de compartir su música en eventos de prestigio mundial como Burning Man Project (2019), Medusa Sunbeach (México 2019) y Ultra Music Festival (México 2018), logrando así compartir escenario con grandes estrellas: entre las que destacan Carl Cox, Dubfire, Tale of Us, Jamie Jones, Luciano, Marco Carola, Claptone…

Su carrera comenzó en el año 2012, y en 2013 Sevilla realizó un viaje por Europa que enriquecería enormemente su conocimiento y contacto con diversos temas relacionados con la música. Rumbo a 2015, Aaron vuelve a la Ciudad de México a reanudar sus actividades de producción y presentaciones en vivo, a la par que desarrolla el proyecto Pulse Wave como una agencia integral de soluciones para productores de música electrónica incluyendo bookings, radio shows, promoción de eventos, plataforma de streaming, entre otras. Mediante tal agencia ayuda a potenciar las carreras de artistas como Oliver Koletzki, Rafa Barrios, Chus, Yaya, Ameme, De la Swing, Maga, Oscar L, entre otros; a la vez que acumula múltiples experiencias sobre la industria musical.

Con el tiempo además ha sido apoyado por artistas de talla internacional como Black Coffee, Simone Vitullo, Richie Hawtin, Peppe Citarella, Natema, Mijangos y otros. Así, desde 2021 Aaron ha ocupado diferentes posiciones en las listas principales de las tiendas de música electrónica más relevantes, incluido el #1 en Afro House Chart en Beatport y el #1 en el ranking Afro Latin Traxsource.

Ya en 2018 incursiona por primera vez con presentaciones en el extranjero, haciendo vibrar tierra colombiana en uno de los clubes de mayor relevancia a nivel mundial: Baum Bogotá. Durante el tiempo de confinamiento continúa trabajando con presentaciones en línea de impacto global, ahora conduce un radio show en la estación de música electrónica más importante de México: Beat 100.9 FM, y se encamina hacia el futuro encendiendo fiestas cada vez más grandes en lugares cada vez más interesantes. Sevilla es ahora considerado uno de los talentos más prometedores de la escena underground mexicana según DJMAGmx.

Booking: hello@undundbooking.com

---> New Dates arrived <---
19.o7.25 Stuttgart @ Friedas Pier (Ger)
25.o7.15 New York @House of Yes (Usa)
28.o7.25 Feel Festival (bei Finsterwalde) (Ger)
31.o7.25 Bozen @Shabernack  Party (Italy)
o9.o8.25 Berlin @Zuckerzauber (Ger)
17.o8.25 Bucht der Träumer Festival (Ger)
24.o8.25 - o1.o9.25 Burning Man (Usa)
o5.o9.25 - o7.o9.25 Mystic Creatures Ferstival (Poland)

14./15.12.24 Zermatt (Swiss)
24.12.24 Bau 122 (Finsterwalde Germany)
28.12.24 Gardens of Babylon (Amsterdam)
31.12.24 Stil vor Talent NYE @ Sage Club Berlin
01.01.25 Mystic Creatures NYE @ Festsaal Berlin 
01.12.23 Kassel, Graf Karl (Ger)
02.12.23 Kater Blau Berlin (Ger)
10.12.23 Renate Berlin (Ger)
15.12.23 Halle, Endlos (Ger)
24.12.23 Bau 122 Finsterwalde (Ger)
25.12.23 Bahnwärter Thiel München (Ger)
27.12.23 Welsickendorf b. Jüterbog (Ger)
01.01.24 Freidas Pier Stuttgard (Ger)

19.08.23 Echolon Festival (Ger)
20.08.23 Mjut (Leipzig, Ger)
01.09.23 Gardens of Babylon (NL)
02.09.23 Wannda Circus Open Air München (Ger)
07.09.23 The Island Festival (Croatia)
10.09.23 Mystic Creatures Festival (Poland)
23.09.23 Fabric London (UK)


--2022--
26.06.22 Casa Reia Lisbon
(Portugal)
01.07. -03.07.22 Fusion Festival
(Germany)
09.07.22 Wildeburg Festival (NL)
10.07.22 Calypso Bulbosa
(Belgien)
16.07.22 Diaccialone Festival (Italy)
17.07.22 Feel Festival (Germany)
22.07.22 Summer Contrast Festival
(Poland)
24.07.22 Kamiwaza Festival (FRA)
28.07.22 TBA Tunis (Tunesien)
31.07.22 The Monastery (Germany)
-------
17.02.22 Tel Aviv
20.02.22 New York apollo Studios Brooklyn
25.02.22 New York Gospelclub Soho

19.06.21 Berlin @ Holzmarkt
26.06.21 Garbicz Festival (Poland)
03.07.21 Cottbus @ Prima Wetter
04.07.21 Tübingen @ Fou Malade Open Air
10.07.21 Wiesbaden @ Schloss Freudenberg
11.07.21 Rostock @ Klostergarten
17.07.21 Wilde Möhre Festival (near Berlin)
18.07.21 Nation of Godwana Festival (near Berlin)
24.07.21 Moskau (Rus)
28.07.21 Ibiza (Spain)
31.07.21 Unter uns Festival (near Berlin)
06.08.21 Summer Contest Festival (Poland)
07.08.21 Wien (Austria)
13.08.21 BLüchen Festival(near Hamburg)
15.08.21 Leipzig @ Westhafen
21.08.21 Praerie Festival 
22.08.21 PAngea Festival
27.+28.08 tba München
05.09.21 La Nature Festival (Belgium)

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Check out my very first fans on SoundCloud! - https://bit.ly/4bkp7pP

MANAGEMENT:
Danny Rukasin and Brandon Goodman

BOOKING:
Tom Windish and Sara Bollwinkel
BillieEilishBooking@paradigmagency.com

PUBLICITY:
Alex Baker
alexandra@highrisepr.com

kid loca is following