Noah And The Whale - The First Days Of Spring - Live In Amsterdam

OLD ONE

Isla

“I Feel Love” is a warm, heartfelt country love song that captures the quiet, everyday ways someone can make life brighter. Carried by calming, harmonic melodies and gentle acoustic tones, the song expresses deep gratitude for all the small and meaningful things she does the support, the kindness, the moments of comfort that often go unspoken but never unnoticed.

With its soothing sound and honest lyrics, “I Feel Love” celebrates a love that feels steady, grounding, and real. It’s a song about appreciating the person who brings peace into your world and recognising how much their presence truly means.

I feel love.

You are listening to an original song by Emily Kate Boyd. The lyrics were directly inspired by a conversation between Krista Tippett and John O'Donohue.  

"O Sweet River"
by Emily Kate Boyd

O Sweet River,
Carry the memory of her pain
To the wind-tormented sands
Of the sea

These days so restless,
Rich and unsatisfied,
Like the sorrow of a king
Ruled by his endless, lonely nights

When every idea comes to mind
On the back porch seems to die,
O Sweet River, stay alive
Stay alive

O Sweet River,
Will you remind me of the night,
I was humbled and took the shape
Of the mist, the well, the lake?

When my tears fell upon her face,
I was humble
Formless
In her grace

Teach me to trust this and keep faith
As I surrender to this place
Dissolve the hard and entangled shape
Of my fear

I’ll be grateful, I’ll be kind
And I’ll keep good love on my mind
I’ll be grateful
Kind

All my love, all my friends
All I need in good hands

All my love, all my friends
All I need in good hands

In the Woods

O Sweet River

'Rusting Towers', from our debut EP 'Different Seas', available at: https://sandtimermusic.bandcamp.com/album/different-seas

Listen on Spotify at: https://open.spotify.com/track/08Wd1CgQ9GZwO1C76PAz6f
And on all other sites via: https://song.link/gb/i/1060567067

Written by Robert Sword
Produced & arranged by Robert Sword & Simon Thomas
Robert Sword: Vocals, Guitar, Percussion, Ukulele
Simon Thomas: Vocals, Guitar, Bass

Mixed by Giles Thomas
Mastered by Terry Waker at Tonalex Mastering

Cover artwork: Simon Thomas
Album design and additional artwork: William Thomas & Evie Thomas

2015 Folkstock Records
www.folkstockrecords.com


-     -     - 
How can you possibly think that I'm getting out of this?
What can you possibly think am I getting out of this?
Rusting towers stand out on the waves.
I don't know if it's just this air, but I swear: it harms more than it saves.
And I feel I'm letting go of the things I used to know.

How can you possibly know if you're getting anywhere?
What can you plausibly know: is there anything out there?
I wish there was some way that I could know before
but it's just so easy to stay with the cowards that are hanging on the shore.
And I feel I'm letting go of the things I used to know.
I feel I'm letting go of the things I used to know.

I've been throwing stones down the well all my life.
I was waiting for the sound as they hit the sides.
I've been throwing stones down the well all my life.
I was waiting for the sound as they hit the sides.

Rusting towers stand out on the waves.

I would face it every day if I thought that that would lead to much.
I would watch the last light fade if I thought it would stay long enough.
The sea is laughing up at me as I try and keep my eyelids shut,
the ships on the horizon line have all just started squaring up.

Different Seas

Rusting Towers

Willis - Sea Of Bees

This is the instrumental version of each song on 'A Folded Letter', our sophomore album which we released on December 14th, 2016.

If you'd like to use any of these songs in a project you are working on, please email us at coldweathercompany@gmail.com!

All songs written and recorded by Steve Shimchick, Brian Curry, and Jeff Petescia. 

Kevin Lucero - Cello (“Wide-Eyed,” “Reflection,” and “Gettysburg”) 
Stephanie Leotsakos - Violin ("When You Run,” and “Gettysburg”) 
Colin Ryan - Drums ("Regeneration,” and “Gettysburg”) 
James Mehrkens - Additional Tracking 
Ralph Nicastro - Mixing 
Alan Douches of West West Side Mastering - Mastering

Wide-Eyed (Instrumental)

Pascal PinonTwosomeness
Morr Music - MORR121

• second album by Pascal Pinon
• recorded & produced by Alex Somers (producer of Sigur Rós & Jónsi)

On Pascal Pinon’s Tumblr you’ll find an older photo that shows twin sisters Jófrídur and Ásthildur smiling proudly over a Yamaha keyboard circa 1999: Back then they weren’t even in their teens, far from it, and yet they were already shaping and creating that unique chemistry – a special bond that can only exist between siblings, twins especially. It is a very special connection, a rare gift to know another person on that level. And of course the old keyboard is also still around.
Thanks to this special bond, Pascal Pinon have managed to record a second album that’s way more bold, more mature, more focused and more diverse than its predecessor: “I don’t need anything/I just make something beautiful,” they sing on “Therney” (and they do sing in English more often than before), and apart from their own bedroom studio, equipped with cookies and tea and keyboards and guitars and such, they indeed don’t seem to need much to create a sense of homecoming – a musical home stretch, like a movie’s closing credits. Here you are, in a realm where everything seems to have fallen into place, or will do so soon enough, somehow.
And yet, this is merely the start of album #2: Having successfully toured Japan and other places, it’s not always three-minute songs for Pascal Pinon; sometimes a few moments are sufficient to create a certain mood (“Annar Logi”). Whereas album opener “Ekki Vanmeta” appears to be the Icelandic equivalent to a block party (no BBQ, but with muffins instead, the type they served at their very first gig ever, fittingly called “The Friendly Gig”), the “Bloom” is intricately moving along and shape-shifting like Gavin Bryars’ compositions – though Jófrídur, familiar with the instrument for 10 years, manages to ultimately turn it into something else: “It’s easy to become attached,” they sing. And it is indeed.
Still a four-piece when they recorded their s/t debut album – although the band name always indicated that the twins were in fact the heads of the operation: Pasqual Pinon (spelled like this), the Two-Headed Mexican (1889-1929), was a sideshow attraction in the early 1900s –, Pascal Pinon is now essentially comprised of Jófrídur and Ásthildur, with occasional help by Kristín (and then there’s also casual member Sylvía); together they have created a many-layered soundtrack to growing up on a volcanic island in the Atlantic: A small world of its own, with all its marvels, all its “Good and Bad Things” (though still untouched by McDonald’s, trains, and Starbucks). Even the fact that they used more than one microphone this time around does not take away from the characteristic DIY approach often found in Iceland’s bedrooms.
With album #2 about to drop, Pascal Pinon are about to enter adult life – a point usually associated with drifting apart, forgetting dreams. These girls, however, seem to be going the other direction instead: they appear to be closer, even more of an entity of its own, more of a two-headed being, less lonesome, but twosome, unified in sound.

Cat.no.: MORR121
Format: CD

Tracklisting
1. Ekki Vanmeta
2. Þerney (One Thing)
3. Somewhere
4. Evgeny Kissin
5. When I Can't Sleep
6. Annar Logi
7. Kertið
8. Sumarmál
9. Bloom
10. Fernando
11. Good And Bad Things
12. Rifrildi

Release Dates:
Jan 18, 2013 (Worldwide)
Feb 05, 2013 (US) 

Pascal Pinon: Þerney (One Thing)

This song symbolises change and sums up a lot of emotions I've been feeling lately. In a way, it's been a great release of old ideas and dark concepts so naturally, it feels right to put this out as the next single. It doesn't matter what this song is about - what I want to really push in this song is for you, the listener, to take the song away and interpret it in your own way. Connect with it in methods that don't need to bind what it was originally written about. I hope you enjoy this as much as I do. This song means so much.

Facebook - https://www.facebook.com/thesebrittlebones

Twitter - https://twitter.com/brittlebonesuk

Lyrics:
There's blood been spilt in this hole where you left,
your veins run dry with emptiness.
this worn out shell has cost you dear,
whist your bones they ache and shake with fear.

These salt ashes surround my feet,
whilst bitter hopes make you sit and weep.
In FLECKS you fall and lose your flair,
in flames you fall don't softly care.

In the dark you rest,
and hold your tounge,
dressed in ivy, 
not too young.

In awe, you thaw,
but not remain,
your skin clings tight
to your narrow frame.

But in FLECKS.

In FLECKS you rise and fall in fear,
whilst poison thoughts collect too near,
your faith restored you lost in vain,
whist the lonely souls collect in pain.

Your echoes are born in a static air,
and silence suggests you've lost your care.
These blinding lights emit your sight,
whilst burning hopes bind you tight.

In the dark you rest,
and hold your tounge,
dressed in ivy, 
not too young.

In awe, you thaw,
but not remain,
your skin clings tight
to your narrow frame.

But in FLECKS.

Composed, Written and Performed by Chris Jones (These Brittle Bones).
Recorded, Mixed, and Produced by Leonard Soosay at Snakeweed Studios.
Piano and Vocals by Chris Jones (These Brittle Bones).

OLD ONE

KIDS OF ADELAIDE

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