Interesting inflections on your lead flute.

Oh after all that Celtic/ Irish the flutes make a jazz chord at the end! Greetings from Chris.  :)))

i like instrumentals

M83's new album Junk is out now: http://m83.it/buyjunkSo 

M83 on tour now. Dates & tickets: http://m83.it/tourSo


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Moonchild

M83 announces 2016 tour dates http://m83.it/ticketsSo

Here is a new track from ‘You And The Night’. The soundtrack pays tribute to French soundtracks from the 70's and is much more intimate than ‘Hurry Up, We’re Dreaming’ and the ‘Oblivion’ Soundtrack. This score is really for lovers and ghosts. 
A

'You And The Night' will be available digitally November 19th. A physical release is scheduled for 2014. 

Watch the film trailer here: http://www.youtube.com/watch?v=Mg-9pXblTxc

iTunes

Ali & Matthias from ‘You And The Night’ Soundtrack

Nightcall

This was recorded live on a zoom H4n for János Juhász to show his latest F whistle. Thanks to Marty Barry for agreeing to accompany me. Excuse the mistakes on my part :-)

Sligo Maid/The boys of Ballisodare - JÁNOS JUHÁSZ LOW F WHISTLE

Emmanuel Hoseyn During: violin
Keyvan Chemirani: zarb, daff
Amir El Saffar: santur, trumpet
Mavrothi Kontanis: oud
Sylvain Barou: flutes, bansuri

"Prabhu" composed by Keyvan Chemirani


KAMA - Live at Lincoln Centre NYC - 10 Prabhu (Live)

Another track from our debut album, 'Green & Blue': our arrangement of a Tim O'Brien tune followed by a traditional Irish reel, featuring special guests Colm Phelan (bodhrán), Christina Dolphin (flute), and Eric Thorin (double bass).

Joanna Hyde: fiddle
Iain Hyde: guitar

Green & Blue

Land's End

This track was recorded on a tin fiddle made by Mickey 'The Miner' Byrne and is now exhibited by Oideas Gael in Glencolmcille, Co. Donegal.  All sounds were created by multi tracking this instrument and the piece was composed and performed by Damien McGeehan. Taken from Damien's forthcoming album 'The Tin Fiddle'.

The Last Day Of Summer

Groundhog / Pawtuxet

This is from the up coming flute album from my self Niall Keegan, Philippe Barnes and Ryan Molloy. The first tune is one I wrote my self entitled Blackbird and the second is a tune we heard from the great piano accordion player Karen Tweed

BlackbirdMelting

Written by Alan Jordan
2 guitars: Alan Jordan
Piano: Matteo Cullen
Violin & Viola: Ken Rice
Cello: Joe O'Dubhghaill
String Arr: Martin Corcoran & Alan Jordan
Recorded and mixed by Martin Corcoran at Orchard Studios, Limerick

Sun Coming Through The Window

Here's a set from my MA Final Performance, September 2012.
The Piper in the Cave (march) and Johnny Leary's jig.
On flute Michael Coult.
Recorded by Niall Keegan in the Irish World Academy, UL.

Piper in the cave/Johnny Leary's

This is from Our upcoming Album with Group Flunked. The first is a tune i wrote entitled The Blind Brook, then in to a Traditional tune from Quebec, and the 3rd tune is a tune composed by Philippe Barnes.  www.philippebarnes.com

The Blind Brook

While we cannot see small nanoscopic objects like proteins or other molecules that make up virtually all living matter including our cells, tissues, as well as pathogens such as viruses, our computational algorithm allows us to make its material manifestation audible.  This piece is a musical representation of the amino acid sequence and structure of the spike protein of the pathogen of COVID-19, 2019-nCoV (protein data bank identifier 6VSB [1]). 

MUSICAL DECEIT

A virus’ genome hijacks the host cell’s protein manufacturing machinery, and forces it to replicate the viral genome and produce viral proteins to make new viruses from it.  This musical art teaches us something about the fine line between beauty of life and death as an opposite pole.  As you listen to the protein you will find that the intricate design results in incredibly interesting and actually pleasing, relaxing sounds. This doesn’t really convey the deadly impacts this particularly protein is having on the world. This aspect of the music shows the deceiving nature of the virus, how it hijacks our body to replicate, and hurt us along the way. So, the music is a metaphor for this nature of the virus to deceive the host and exploit it for its own multiplication. 

HOW IT IS DONE: 

What you hear is a multi-layered algorithmic composition featuring both the vibrational spectrum of the entire protein (expressed in sound and rhythmic elements), the sequence and folding of amino acids that compose the virus spike structure, as well as interwoven melodies - forming counterpoint music - reflecting the complex hierarchical intersecting geometry of the protein [2].

Scientific references:

[1] Wrapp et al., "Cryo-EM structure of the 2019-nCoV spike in the prefusion conformation," Science, 2020, DOI: 10.1126/science.abb2507

[2] Buehler et al., "A Self-Consistent Sonification Method to Translate Amino Acid Sequences into Musical Compositions and Application in Protein Design Using Artificial Intelligence," ACS Nano, 2019, DOI: pubs.acs.org/doi/10.1021/acsnano.9b02180

The Blind Brook

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