I Do Sing For You - Majical Cloudz Cover

NA LOŽE - Remix version of Kieslowski song Binoche - produced by Kittchen

Binoche (Kittchen rmx)

NA LOŽE - Remix version of Kieslowski song Za Horama - produced by Guy Van Nueten

Za Horama (Guy Van Nueten rmx)

NA LOŽE - Remix version of Kieslowski song Andělská - produced by Moimir Papalecu

Andělská (Moimir Papalescu rmx)

NA LOŽE - Remix version of Kieslowski song Bloky, smeče - produced by Bonus/Náměstí Míru

Bloky, smeče (Temný síly rmx)

37 Radio Ivo - Život nedoceníš (Praha, Divus 29 3 2014)

The brand new single Obraz from our forthcoming album is OUT NOW! 
Produced, recorded and mixed by Jan P. Muchow. Mastering by Dan Václavek. Thank you guys!

Obraz - singl version / New album release 9.9.2014!

Special MIX of our brand new single Obraz from the forthcoming album album by Temný Síly. 
http://martintvrdy.tumblr.com/
Mastering by Dan Václavek. Thank you guys!

Obraz - special Milešovka mix by Temný Síly

z alba PRÁZDNINY - vychází 1. září 2014
MONIKINO KINO = Monika Midriaková + Petr Marek/MIDI LIDI
Hudba: Monika Midriaková, Petr Marek
Text: Petr Marek

www.monikinokino.cz
https://monikinokino.bandcamp.com
https://www.facebook.com/monikinokino

Monikino Kino - Prázdniny

Doteky

Bored with both rock and roll and his own name, ex-drummer Steven Ford released his debut 12", a techno single titled Read Me/Silver City, under the pseudonym Bruno Pronsato in 2003. The response to that release, though overwhelmingly positive, was dwarfed by the critical praise heaped on its follow-ups: 2007's Why Can't We Be Like Us, which effectively established Pronsato as one of the most innovative and vital producers in dance music, and 2009's groundbreaking The Make Up The Break Up, which further cemented his credentials as a visionary. NDF combines Pronsato's talents with those of Sergio Giorgini – one half of Benoit & Sergio, whose rose-lensed debut EP, What I've Lost, was released through Pronsato's thesongsays label. On their auspicious first outing, Since We Last Met, NDF offer music almost perfectly summed up in their own words as "dance music twilit by…melancholy."

The A-Side track, which begins nearly fully formed – with handclaps, keys and a sparse, bassy percussive loop – is a roomy, wide-open construction of electronic pop. Sergio's languid vocals echo outward into whispered descriptions of familiar post-romance scenarios: "One day I'll see her on the street/And we'll greet with casualness/And discuss the flow beneath the bridges/Since we last met/And that'll be all..." There are ghostly voices that hang ephemerally in the background, and a rippling percussive build through the song's middle, but not a lot more. Instead of filling the track to its brim, NDF's minimal, but studied, arrangements leave plenty of room for every element to breathe – and listeners to swoon.

Side-B, notably, is a remix of the title track from superstar Ricardo Villalobos. The famed producer elongates the single to nearly three times its original length. Villalobos's rebuilt track starts as a nearly naked beat, with Sergio's vocals layered into a haunting procession of blank-eyed repeated mantras. Villalobos adds here and there – carefully and slowly – a steady, unerring hand keeping things just so. Perfection through precision and subtlety. 

- Kali Holloway

NDF - Since Last We Met

marie kieslowski - piano, voice
dkp - voice, other noises
