Sensational electronic music!   Extraordinary work!

Great wonky orchestral sounds. Well produced too! BiB

@ville-289774928: Appreciate your Support

What a gift you reveal here! 👍🏻🙏🏻

Little by little the playlist "November 2021" fills up with great songs of outstanding artists...

November 2021

For song and album art visit Wou-Wou & the Wormling at:
https://www.facebook.com/wouwouandthewormling

This is the third song posted from the album Bitzone, Stricknice, Wou-Wou & the Wormling, and I have been working on together with a number of other friends on SoundCloud. The first song shared was the late 80s indie American underground inspired song, Ghosting Out, that include Bonetender joining with his transistor organ and guitar. The second song released was late 90s inspired Alternative Rock and Hip Hop song The Show / The Shrike Pt. 3 with Carlos Vivanco and Belial Pelegrim joining in the mix. 

All of the songs were written during the beginning of the COVID-19 Pandemic when the United States went into lockdown and Black Lives Matter protests where having a major impact. I think you can especially hear the influence of those times in this song. 

I am honored that My Hot Air Balloon accepted my invitation to join this track and that Eddie Shook was willing to add a radio spot into the mix. It is always a pleasure to work with the extremely talented Jonathan Beckenstein and Jamie Rhind. And huge thanks to Bitzone and Stricknice for adding so much creativity and music to this entire project! And as always, Wou-Wou rocks! I have made so much music with Wou-Wou over the years, it is incredible!

My Hot Air Balloon: Additional Lyrics and Vocals
https://soundcloud.com/welcometotheamericas
https://soundcloud.com/badmerlot
https://soundcloud.com/feralsleepstudy
Eddie Shook: Radio Jockey Vocals
https://soundcloud.com/eddie-shook
https://eddieshook.bandcamp.com
Jonathan Beckenstein: Guitar
https://soundcloud.com/jonathan_beckenstein
Jamie Rhind: Clavinet
https://soundcloud.com/jamie-rhind
Stricknice: Samples, Production, and Outro
https://soundcloud.com/j-nice-6
Bitzone: Drums, Additional Clavinet, Mix and Master
https://soundcloud.com/bitzone
Wou-Wou & the Wormling: Bass, Guitar, Keys, Drums, Samples, Original Demo Track, Song Art
https://soundcloud.com/wouwouandthewormling
https://wouwouandthewormling.bandcamp.com
the Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com

Lyrics: 
I'm so tired of waiting at the edge of the world

They say the world is spinning ball
But you know
It’s always been flat to me
I still say the sun circles the globe
But uh
No one ever listens to me

When I tell ‘em 
World’s coming to an end
When I’m yellin’ 
Better make your amends 
When Gods callin’
They say the good shall ascend 
But uh
We’ll just have to wait and see

I'm so tired of waiting at the edge of the world

Gotta love God ’n liberty
But Hey
Don’t you dare tread on me
Don’t say I never warned you now
But uh
No one ever listens to me

When I tell ‘em 
World’s coming to an end
When I’m yellin’ 
Better make your amends 
When Gods callin’
They say the good shall ascend 
But uh
We’ll just have to wait and see

Just Have To Wait And See

My Hot Air Balloon, Eddie Shook, JBeckenstein, JRhind, Snice, Bzone, Wou - Just Have To Wait And See

Lets Go (To  The House)

That feeling of taking off to gain ground, & then enduring acquired slips or variant forms of struggles, & thee exhilaration of the achievement--No matter how flawed or flawless the trip was.
*You still have obtained the experience./'
Sometimes in this life, the most beautiful things and people are flawed, but from experience they can be the most loyal. 
Ever try to climb a mountain side, & want it to be as quick and easy as a trip to your microwave? Sometimes people throw things away because they don't understand potential or obscure value. There are those who have things come so easy to them, that they cannot relate to something difficult...  they can't conceive of or cannot get in touch with sensitivity.  Mountain climbing makes one get in touch with their strengths & their weaknesses...And it is about adjustments for the journey, not scrapping it, unless you are broken or injured.

Arbeit der Liebe

Der Aufstieg

This tune is added to my album "AlgoRhythm".
You can download it freely!!

<< Free download from MediaFire >>
https://www.mediafire.com/file/wd3cf0mzskmp9ep/Negative_Headphone_-_AlgoRhythm.zip/file

<< Free Download from Bandcamp >>
https://negativeheadphone.bandcamp.com/album/algorhythm



[ Other Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Free Album!

Magnets

REBOOT

Inspiration from HEAVEN

INFINITY

This track is a collaboration with Synline (Tokyo) on.soundcloud.com/bzQWw

Synline shares ... I thought this song would be suitable for the opening of the album. When I asked SeaShea for guitar, he not only contributed his usual electric guitar but also created some tracks with synthesizers. The song, initially incomplete, reached its completion through his efforts. Collaboration has been a fulfilling experience.
Composition and Sampling collage by Synline
Guitars, Synthesizers and arrangement by SeaShea
We hope you enjoy.

'Into the Underworld' Synline=SeaShea

Lyrics:-
Almost there yeah we're almost there we keep hanging on

Hold on tight , 'cause it's feelin' right we keep hanging on

Almost there , We're almost there

winkandwoo 2024

Almost There

2024/2/26

Website

koyomi


Dedicating my piano part in this song to my Dad who lives in Tennessee in The Smoky Mountains. Hell, I guess I'll dedicate my part to his best friend Ronnie too. 
I only play a small part in this song which is the piano, but I will tell you that the folks I'm playing with are really great people and a lot of fun jamming with. 

Cast of Characters:

mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering
Llanpsych -- @llanpsych -- Tez – mix and production
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel
This song began when Josh asked the rest of the guys if they'd be willing to put together a couple of songs for his father as a Christmas present. His dad is from West Virginia, and Josh was born there, too. The original version featured Josh's son, Marshall, singing the lead with him, and hearing his grandson sing a song about West Virginia really meant a lot to elder Clary. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to Josh's family for the holiday. This song also has special meaning for JJ and Ken in relation to their fathers, as well. JJ's dad has had a rough year with his health. He also is a musician who inspired and encouraged JJ to play music. His dad also likes this song, so it was fun for him to present it to him, as well. Ken, who's father never really supported his decision to be a rock-and-roller, loves this version of the song we did, and made Ken know how proud of him he is in regard to it, which really meant a lot to Ken, too. Another cool connection Ken has to this song is that whilest attending elementary school, he was in the same school choral cohort with the Maria Carey. He actually sang this song with her when they were kids. Also, we feel like we should acknowledge Artur's dog, even though Artur isn't in on this one, his dog loves country music and responded enthusiastically to this one.
  The story of the song itself is a little convoluted. After Josh asked for everyone's help, Ken laid down a rudimentary beat, to which Josh started the tonal part with the bass. Stephen added the guitar and banjo soon after, and Josh added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for Josh and his son to sing it for his dad. Tez mixed that version perfectly suited to the occasion. 
  After presenting Josh's dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better the JD, but also arranged it so there is an instrumental break now. He also added the guitar lick at the very beginning. Ken took the opportunity of having Mark's great vocals to sing against to add his cunning harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, Josh added it. Mark also mixed this version, with Stephen doing some mastering at the end. 
  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.



Country Roads (Eclectic Collective)

This variation UnBoxed March 2024
Remix of original Open the Box 2 recording November 2022

[ d o w n l o a d a b l e ]

Brown Bunny EXTRA MOIST JUNGLE MIX

Eyes That Talk

Je suis décivilisation 
Je suis l'ensauvagement
Je suis renarde dans votre Eden
Je suis la loi du ventre
Je suis ces invincibles amarantes
Je suis chasseresse de chasseurs
Je suis tétanisation
Je suis alors fulgurance rebelle
Je suis une murmuration féerique à l'heure dorée.
Je suis endêvée par votre passivité
Je suis l'improbable qui te guette
Je suis ainsi l'assise substantielle
Je suis mycorhizes 
Je suis ces sentiers prompts à vous faire saliver
Je suis la spirale de fuites
Je suis aussi incendie désiré
Je suis violette tel l'aconit 
Je suis sagesse car sans sang
Je suis l'évolution par tous ignorée
Je suis la badass à la hache et au cœur de glace
Je suis syntropie
Je suis notre sourire stellaire

Decivilization

This is messy and rough, more like a demo -- it was all done in my scratch pad context (FL Studio), but then again the subject is messy and rough.

Take You Down

I can take you down
I can bring you right down put your face down to it
I can wait around ready for you

you are free to change your mind
you are free to leave this life behind
there's an open door but you don't go through it

I try to get away clean but you got me in a hold
you put your fingers in my head and I loose control
how will I ever be satisfied

I can help with the pain for a little while
cause you know it really just ain't my style
to let you feel what I'm doing when I'm doin it

got what I need and I need it
where does it end now
now that I've paid with my freedom

I just want to be free from all the craving of the night
hey yeah will there ever be a time when I feel it

Take You Down

Relax

Grooveclowd will Donate a % of sales to Prostate Cancer Research. Grooveclowd is a Band from Australia. Kimberley Galpin Keys/Synths Mixing, Nathan Good Keys/Bass and Vocals and Eleyan Di Palma Vocals Keys/Synths / Venus Abalero Guitars/ Bass Mixing-- Grooveclowd wanders in and out of Genres.Trax avaiable for
purchase on Bandcamp.  Now Trax available on Spotify Reverbnation and Deezer and Apple
Grooveclowd uses Magix.
Grooveclowd email grooveclowd@gmail.com
Facebook page Grooveclowd

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Lets Go (To The House)

Grooveclowd

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