Name: Wicked (She Is) by Grooveclowd
Duration: 6 min
Description: On Bandcamp

Marilyn Monroe comes back to embody the 'spirit' of a robot & sent William Travilla to color it yellow! Robotic sonic tricks, with flaring skirt! Woooo Yes SUM!!  Those pulsing synth maneuvers sent my skirt flying!  YEAH AUSSIE PRIDE! ;)

Mo Sheen says the gal in the cover art is hawt!

Missed that one ! Very cool production . You ve created a very particular atmo .

This is truly moving. Thank you for your creativity

Oooh yeah groovy groove love it 🤗 👍

“Second Passacaglia for String Orchestra” was completed in July, 2022 in Fairview, TX. 

From the composer's publisher Creative Spirit OnLine: "Brooks’s Second Passacaglia unfolds broodingly over a 17-bar, slowly moving bass line in cellos and basses, while the variations above increase in movement and intensity until finally arriving at a subdued and haunting final cadence."

The work is in one movement. Performance time is about 10 minutes. 
Printed and electronic scores and parts are available from www.CreativeSpiritOnline.com
A virtual recording of this work is posted on www.soundcloud.com/robert-john-brooks.

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
•	Passages marked  fff  or ppp  indicate playing as loudly and as quietly as possible, respectively.
•	Double-bass “C-extension” is required.

Contact information: 
Email: robtjbrooks@yahoo.com 
Web: www.soundcloud.com/robert-john-brooks
Web: www.CreativeSpiritOnline.com

View/Purchase Score

Second Passacaglia for String Orchestra

Sword is a love story about someone who fetishizes the digital version of their muse but continues to yearn for their muse in their true human form.
Video: https://youtu.be/gIfxc3oxkLw

LYRICS:
The link that you sent me
leads to another me
the goddess with a sword

sketched me then coded me
in your captivity
giving me everything and nothing at all

Only a body 
can understand me
I remind you of the soul

As you watch my expressions
collect vulnerability
then tell me about how the nights get cold

Play with me
Awaken me
Shape me 
rid of me
Winged goddess with a sword

You’ll still ache for me
the me with a heart that bleeds
the soul still seeks
a body’s warmth 

Only a body 
can understand me
I remind you of the soul

As you watch my expressions
collect vulnerability
then tell me about how the nights get cold

littleuniverses

Sword

Wicked (She Is)

(Written by Terry Reeves)
Terry Reeves: Vocals, Acoustic Guitar
Hans Albers: All other instruments, Arrangement & Production

I think it’s important to say that a lot more women than you think have had one or multiple miscarriages. It’s just that it is a subject not often talked about because of the very personal pain that the couple go through. The unborn life has no contact with anybody else except the mother and the emotions are often only remembered by the mother and father.
When Jo and I were expecting our second child we were very excited and looking forward to having another Reeves in our growing family. I will never forget the day that we were told we were going to lose the baby and once told, left sitting in an open A & E waiting area having to cope with all our raw emotions and the prospect of the impending loss amongst the rest of the other patients.
Jo had to go through a painful operation to terminate the pregnancy and it is a day she will never forget. We were a family of three planning being a family of four having now to plan being a family of three recovering from an invisible loss and explain it to our young son.
It was an extremely difficult time but we were fortunate that after a few years we did have two more children. Jo tells me that although it is difficult to explain the connection she had with the unborn child that the presence of life inside her will never be forgotten.
I felt I couldn’t let this moment in our lives pass by without acknowledging our unborn child in some way. The rollercoaster of emotions we shared at that time from euphoria at increasing our family to devastation and bereavement at our loss were felt intensely only by Jo and myself played it’s part in forging the strong bond we have had throughout our relationship. (Terry Reeves)

Two giving chance for more to love
Sharing excitement of a life that grew
Future moments by imagination
Holding tightly to a dream, not knowing who

The moment will always be there

No blessing from a hand of friendship 
Could change the feeling of love untried
A desperation of disappearing contact
Sixteen weeks of wonder with a life inside

The moment will always be there
Will always be there x2

Will always be there x3

It’s hard to share the tears of life unborn
Expectations waiting, true feelings strong
Growing three to four into a family together 
Not knowing where to be or why we belong

The moment will always be there
Will always be there x2

Many questions asked reasons who or why
Emotional growth but no name it’s true
An everlasting memory impossible to share
Changing 4 back to 3 kept just between two

The moment will always be there
Will always be there
Will always be there
Will always be there

FOUR TO THREE - CRIPPLE CLUB & HANS ALBERS

"Integrate" is the menuet from Guitar Suite 1

Meditations

Integrate

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

Brian Butts - Guitar, Drums, Bass, Keyboards, Master Mix
https://soundcloud.com/brian-butts-565934842

Cosmic Keanu - Vocals, Lyrics

Lyrics:
Brood of vipers
Flee the wrath
Dig into the earth

In the undercroft
Crawl on your belly,
naked mole rats
Bringing hell to earth
No sense left
Who do you think you are?
Who made you God
Only in your head!
All you really are
All you’ll ever be
Crawling in the dark
Is a mole rat!

Brood of vipers
Flee the wrath
Dig into the earth

In the undercroft
Crawl on your belly,
naked mole rats
Bringing hell to earth!

https://www.biblegateway.com/passage/?search=Revelation%206&version=KJV

Undercroft (Brian Butts feat. Cosmic Keanu)

the image is a still from my video for muterialism https://www.instagram.com/p/CmPIAVHgfqQ/ and the track is on the way to being a still from it too !

still

480BC

Abyss Of Salamis - Άβυσσος Της Σαλαμίνας

I am glad to release this new track, composed on the great lyrics written by https://soundcloud.com/lukowig

Thanks to him for providing me (for the 2nd time) with great french lyrics

Translation in english is below french lyrics


On se craint
on se croche
on s'étreint
on s'accroche
et puis plus rien...

Plus rien
plus de rire
plus de liens
notre bâtisse de pierres
s'effondre à terre...
Plus rien
dans nos mains
plus aucun
lendemain
et ça va faut l'dire
de pire en pire...

On s'effraie :
bas les mains !
On se fraie
un chemin
vers quoi ? Vers rien...

Plus rien...
Même plus faim.
Plus rien
que la fin
d'un chemin
menant sur rien...

-------------------------------------------


We fear each other
we hook each other
we embrace
we cling to each other
and then nothing...

Nothing more
no more laughter
no more ties
our stone building
collapses to the ground...
Nothing more
in our hands
no more
tomorrow
and it goes on
worse and worse...

We are afraid:
Hands off!
We make our way
a way
towards what ? To nothing...

Nothing anymore...
Not even hungry anymore.
Nothing more
than the end
of a path
leading to nothing...

Plus rien

Plus Rien

//àç!è(è///

Grooveclowd will Donate a % of sales to Prostate Cancer Research. Grooveclowd is a Band from Australia. Kimberley Galpin Keys/Synths Mixing, Nathan Good Keys/Bass and Vocals and Eleyan Di Palma Vocals Keys/Synths / Venus Abalero Guitars/ Bass Mixing-- Grooveclowd wanders in and out of Genres.Trax avaiable for
purchase on Bandcamp.  Now Trax available on Spotify Reverbnation and Deezer and Apple
Grooveclowd uses Magix.
Grooveclowd email grooveclowd@gmail.com
Facebook page Grooveclowd

Wicked (She Is)

Grooveclowd

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