this just randomly popped up on my phone!fuck yeah.I ♡ Kim Ann Foxman!happy new year!kakah!

In addition to the "Best Of Ambient" compilation from John Beltran, two remixes are made to honour one of our favourite electronic music producers of all time. The a-side gives us a reinterpretation of "Brilliant Flood" from rising star Kassem Mosse together with his studiomate Mix Mup. This remix smoothly pimps up the track whilst leaving the atmosphere of the original intact. On the b-side, Sven Weisemann made a composition as a tribute to John Beltran, which contains elements of different original cuts. The result is Sven's Glorify Tribute Mix, a dreamy epic adventurous nine-minute masterpiece in three parts.

Release date: 04 July 2011
Pre order here: http://www.delsinrecords.com/release.php?idxRelease=2602 or check the original "Brilliant Flood" track by John Beltran here: http://www.delsinrecords.com/release.php?idxRelease=2417


Kassem Mosse & Sven Weisemann Remixes

Brilliant Flood (Kassem Mosse & Mix Mup Remix)

Instagram @ abraaolincon.stk e abraaolincon.flp

Soundztek - Corazon

Juicyninonine - "Blue Skies" (Vinzenz Schwarz Remix)
Reimagined with a new groove and fresh energy—still flying under the same blue skies.

@juicynineonine
@vinzenzschwarz

Juicynineonine - Blue Skies (Vinzenz Schwarz Remix)

Asenda [Cafe De Anatolia]

READ > inverted-audio.com/premiere-earth-trax-untitled-a2

A much finely designed aqueous dub stunner, 'Untitled (A2)' channels a reverb-soaked vibe a la Maurizio on surround mode, laced with finely-inlaid string harmonics reminiscent of Channel Reaction-years Fluxion at his absolute best. Immerse yourself.

Earth Trax – Untitled A2 [Ziemia]

‘Infinity Room’ sees Louf driving Valby Rotary forward into new territory with his most distinctive record to date, showcasing a more refined style for the label. Creative left-field percussion and Graceful lingering pads weave throughout 6 tracks, capturing the familiar feeling of longing and club introspection that is so prominent in all of Louf’s productions.

B3. Cursor

ST002

Shake The Bones

Joe Dickey, aka Body Copy, is a DJ/Producer who moved to Nashville in 2014 to continue his career as a touring and session bass player. A desire to find a creative outlet for exploring his love of music production and electronic dance music led Dickey to start the Body Copy project in 2017. He has since self-released a number of EPs, created his own label (Body Cuts), hosted several parties in Nashville, and performed internationally as a DJ. Body Cuts focuses on dynamic dance music that is rooted in the classic tradition of house and techno while remaining forward thinking and open to various styles of electronic dance music. ‘Spirit Dance’ sees Joe invite remixes from Yorkshire based producer and Phantasy, Hypercolour and Wolf Music artist James Welsh, in addition to Amsterdam’s Timothy Clerkin and Moscow’s Baltimore Chop.

‘Spirit Dance’ kicks things off with shooting acid stabs and muffled percussion floating around vocal samples from several old recordings of revival preachers before James Welsh continues with alleviating melodies, angelic pads harmonising with the inspiriting vocals throughout.

Timothy Clerkin’s remix of ‘Spirit Dance’ is a club-ready cut that lays focus on uplifting 303 synths spiralling with glistening leads and euphoric atmospheres before Baltimore Chop offers up an irresistible interpretation featuring reverberating bass grooves and laid-back rhythms in this nostalgic deep house track. ‘The Whys and Hows’ deliciously rounds off the EP with stabbing synths, infectious sweeps and rhythmic percussion keeping the energy flowing.

Body Copy ‘Spirit Dance’ drops on Body Cuts on 29th November 2019.

Spirit Dance (incl. James Welsh, Timothy Clerkin and Baltimore Chop remixes)

LISTEN ON YOUTUBE

PREMIERE : Body Copy - Spirit Dance (Timothy Clerkin Remix)

Loser Records starting into the new year with the 8th edition of our Loser Podcast series, inviting our good friends and well-known Berlin DJ duo Peak & Swift.

Peak's origins are unknown, though it has been said he may have been raised deep in the Brokeback Mountains of East-Saxonia, but this is all mere speculation. Maturing (or not) in the club/rave scene and quickly picking up the art of DJing at the tender age of fifteen, he has made a name for himself in this urban jungle we call Berlin. 

The Swift was brought up by a less than normal band of carnies in southern Germany and spent much of his childhood in such far off places as Istanbul and Kolkata. Swift was first spotted in the Berlin area around the year 2000,  when he teamed up with his partner in crime, Peak.
 
They quickly melted their musical interests of house, disco and deep and dubby techno into a powerhouse sound that's main mission was banish the cold, dark, "minimal" sounds of that era in Berlin and warm the city up to the current sound that has taken over now. The duo was seen ducking in and out of the shadows of Berlin's most infamous clubs, before they finally found they're home in the mysterious, Salon - Zur wilden Renate. 

Today, Peak now helms the responsibilities of head booker while The Swift takes care of the one-of-a-kind flyer art and bookings of his own while simultaneously banging out hot tracks every weekend as residents. Together they have helped Renate grow from a club in it's infancy to the world-renowned underground mecca it has become today, boasting incredible house, techno and disco lineups on a weekly basis, not to mention a series of open air events and many wild themed parties throughout the year. 

For those of you who don't know Peak and Swift yet, it might be best for you to hop a plane to Berlin and catch them in their element in Zur wilden Renate, you will surely not be disappointed. Also, be sure to keep your eyes peeled for releases from the label they recently formed, Renate Schallplatten!

For Loser Records, Peak & Swift put together this uplifiting, high energy mix, making the start into 2020 as pleasent as it could be.
---
Loser Podcast will be an ongoing series of Podcast of family, friends and artists we simply admire.

Loser Podcast 008 - Peak & Swift

Metamorphosis

Designer Reality

We welcome label boss, Joe Roche, for the first release on the Do As You Please imprint. This comes in the shape of a limited 300 copy, four-track, 12” – White Umbrella.

In a time of fast fashion and disposable culture, the label seeks to create art with character and longevity. The ethos is based around unlimited stylistic boundaries and strives to deliver quality first and foremost. The artwork has been curated by two invaluable members of the Mancunian graphic design community, Trevor Johnson & John Walsh. Both designers were a staple part of the Hacienda and FAC51 artwork team and have continued to share their talent and experience in the Manchester community since.

DAYP:001 is a hi-octane affair, spanning across the Acid House spectrum. All tracks differing in style but maintaining pace and energy throughout.

White Umbrella sets the tone with a big room warehouse, classic breaks feel - climactic drops and 90’s nostalgia at the heart.

Dogmatic follows, with a down and dirty basement onslaught with devastating claps and lead line; to ensure any one-eyed pill pirates pull their socks up and stand attention. Electro/breaks aesthetic & full of surprises.

Rock ‘n’ Roll drives head first through anything it comes across. A track that has serious warehouse appeal and a thundering acid bravado. 4 to the floor acid thumper designed for big rooms and smiling yellow faces.

Double Lively bears a softer touch - with more intrigue and air to breathe. A bit Deep House, a bit Acid House. Day time blue skies or late-night euphoria.

Bandcamp: doasyouplease.bandcamp.com/
FB: www.facebook.com/doasyoupleaseuk
Instagram: @doasyouplease

A1. Joe Roche - White Umbrella

Firehouse Recordings NYC // [SELF:TIMER] // Pleasure Planet 
Bookings:  jo@klsbookings.com
Americas & Canada:  ryan@liaisonartists.com

Shake The Bones

KIM ANN FOXMAN

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