This is a Breton song, a tune that never got anything done with it. A Corncrow outtake,.
 Until yesterday it existed as a guide guitar track that I recorded, and some bouzouki played by my erstwhile bandmate.
I stuck some recorder and drums on it.  

Enjoy - with or without cider!

Cider Song (Breton trad arr Kim Guy)

Check out this sample track from our new album! 

Johnny's so Long at the Fair / Sweet Marie / Coen's Memories / My Maryann

Here's a vintage 1960's style arrangement of Lalo Schifrin's "Mission: Impossible" theme using Vienna Symphonic Cube brass, winds, and percussion, and Trillian upright bass.

"Mission: Impossible"  Theme

Music sheets: https://harpcolumn.com/music/all-music/artists/elitsa-alexandrova/echo-of-the-ancient-word/
feat. by Angela Madjarova, pedal harp
©2016 All rights reserved

Echo Of The Ancient Word - feat. by Angela Madjarova

Fire Walker

Get ready for something you’ve never heard — or felt — before.

You could call this album a horror opera. Or maybe an audio horror movie. It’s an ecstatic mix… a soaking wet nightmare.

You might feel uneasy. Maybe even terrified. Possibly… watched. Or possessed.

We’ve had some of the strangest reactions from people lucky (or unlucky) enough to get an early listen. We just call it music. And hey — tastes vary. You might hate it. You might fall in love with it.

Either way, we can proudly say this is our absolute favorite album we’ve ever made.

Oh, and here’s the weird part — there’s no mastering on this record. What you hear is raw and unfiltered. Untouched. Unpolished. Not separated from reality in any way.

Maybe that’s what makes some people squirm.

So… enjoy the ride into the land of nightmares. And let The Witch seduce you.

P.S.
After listening, you might not only be possessed… but also pregnant — and your firstborn might already be sold straight to the Devil.


Featuring

Vocals: Noriko Mori, Sascha Häusler, Lisa Lex, Raphaela Hartmann, Andy Green

Guitar: Andy Green, Sascha Häusler, Lisa Lex

Piano: Sascha Häusler

Cello: Sascha Häusler, Ella Park, Anna Weiß

Violin: Tina Park

Bass: Thomas Kaiser

Percussion, Synths & Programming: Raphaela Hartmann

Concept & Lyrics: Sascha Häusler

Home

Val Royeaux - Trevor Morris

Textiles, Glass, Musical Instruments, and Fancy Work
8. Planxty Charles Bunworth And Rose and Kathleen’s Slip Jig
© Liz Carroll / Grow Your Own Music (BMI)

Liz Carroll (fiddle), Catriona McKay (harp), Kieran O’Hare (flute, tinwhistles, uilleann pipes), Tríona Ní Dhomhnaill (keyboard), Liz Knowles
(fiddle, hardanger d’amore 5+5), Trevor Hutchinson (acoustic bass)

From Liz's words in the CD Booklet, "Charles Bunworth (1704–1772), from County Cork, was a great proponent of Irish music, especially harp music, and was also a harpist himself. The instrument by John Kelly featured in the exhibition was made for Reverend Bunworth.

A planxty is a tune that honors or thanks someone. In respect to the word’s origin, Donal O’Sullivan writes the following in Carolan: The Life Times and Music of an Irish Harper: 'The tunes called Planxties . . . owe their origin, if not, as I believe, their names, to Carolan; and are to be regarded as a class of festive harp-tunes composed in honour of his patrons or hospitable entertainers, and, as such, only differing from his other airs composed for the same purpose in the greater gaiety and playfulness of their movements.'

The slip jig is a uniquely Irish dance to a tune in 9/8 time. "Rose and Kathleen’s Slip Jig" honors two of my fellow musicians, Rose Conway Flanagan (fiddle)and Kathleen Conneely (tinwhistle), wonderful players and teachers. The melody of the tune contains my own bow to Chicago in a blues progression to end the twelve-bar first part."

"IRELAND: Crossroads of Art and Design, 1690–1840 - The Music" is an album of music produced and performed by some of Irish music's most renowned musicians. The music was inspired by a collection of fine and decorative art that was part of an exhibition at the Art Institute of Chicago between March and June of 2015.

Produced by Liz Carroll, Liz Knowles, and Marty Fahey, the album features music of the period, and also newly composed music by Liz Carroll which was inspired by the hundreds of years old music as well as the art from the exhibition itself.

All three of the producers play on the album. Fiddlers Liz Carroll and Liz Knowles are heard throughout, and are often leading an ensemble of exemplary musicians. The ensemble also take on solo pieces which honor the tradition of the traveling musicians of the period. These artists include keyboardist Tríona Ní Dhomhnaill, harpist Catriona McKay, uilleann piper Kieran O’Hare, pianist Marty Fahey, and Liz Knowles, too. Guest musicians include Jackie Moran, Trevor Hutchinson, Emer Mayock, Mick O'Brien, and Aoife Ní Bhriain.

The album, which had been for sale only via the Art Institute's web site and museum store, is now widely available via CD Baby, Claddagh Records, and OSSIAN USA, and at online stores everywhere.

Ireland: Crossroads Of Art And Design, 1690-1840 - The Music

Textiles, Glass, Instruments, Fancy Work - Charles Bunworth, Rose & Kathleen's, composed by Carroll

Introducing NOVO: Modern Strings. Recorded at Warner Bros Studios in Los Angeles, NOVO fuses superior orchestral strings with Heavyocity's signature sound design. Experience a new frontier in Cinematic Scoring. Learn more at www.Heavyocity.com/NOVO

Originem - Ari Winters (NOVO Demo)

music - Nina Nova
arrangement - Еlitsa Alexandrova

Rol Isten

GIDAE( 기대 )- Pie Jesu (Requiem) from Gabriel FAURE

© 2019 Heavy Wings Production

Soprano : Isabelle VIER (Iza IV)

****

Pie Jesu Domine,
dona eis requiem, dona eis requiem.

Dona eis domine, dona eis requiem,
sempiternam requiem,
sempiternam requiem,
sempiternam requiem.

Pie Jesu, Jesu, pie Jesu Domine,
dona eis, dona eis,
sempiternam requiem, 
sempiternam requiem.

In Musica

Pie Jesu - Gabriel FAURE

I am a singer and multi-instrumentalist. My initial incarnation was as a           wyrd/psych-folk singer-musician, and saw my debut solo album, Wednesday’s Child, released in  2010. Subsequent (unreleased) solo albums include self-penned material alongside an eclectic mix of covers from various genres. 

I have gigged and/or recorded with Elowen, The Rowan Amber Mill (album releases include 'Midsummers', 'Heartwood' and 'Folk Devils and Moral Panics' ) Corncrow (album releases include 'Sweet Nightingale' and 'So Brightly Shining') The Atwood Machine, Mats Bergman's 'Burnt More Bridges Than Cross The River Thames' vinyl release, Dead Melodies 'Murken Hollow' and featured on various collaborations; releases including Dark Britannica's We Bring You A King With A Head Of Gold and Rif Mountain's Echoes From The Mountain, all widely available .

The lockdown gave me ample opportunity for music to be made at Wyrd House Studio. Back to my folky roots, and after a 10 year hiatus, The Rowan Amber Mill released a mini-album 'Among the Gorse To Settle Scores', ahead of the full-length 'Golden Strings To Tether The Sun'. Please head over to https://rowanambermill.bandcamp.com/ where you will find this nestling in all the other RAM goodness.