Cosmic Energy

Olivier Charles - Dream On The Beach

What I Do

Compurhythm

permvac 157-1 Tuff City Kids "Tell Me/R-Mancer Remixes" out now

Tuff City Kids "R-Mancer" Roman Flügel Happy Gerdy Remix

Martin Buttrich - Enough Love To Hate It

Different In Detroit

http://www.beatport.com/track/no-sympathy-original-mix/3801367


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Buy "Comfort" on CD from Amazon: smarturl.it/mjccomfortamzcd

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Download from Beatport

No Sympathy (Original Mix)

Get your copy: https://KompaktRecords.lnk.to/LilyEPSD

Elina Shorokhova aka SOELA (@soelaela) is a multi-talented artist hailing from southern Russia who now calls Berlin her home. It is there where she continues to build her presence in the community through her live and DJ sets alongside documenting the local scene and artists through her lens as a photographer.

LILY EP may be 4 tracks but as a collected whole, sounds and feels like an album when heard from beginning to end. The title track emits her talent as a pianist by setting a tone of gracefulness that is carried throughout the EP – broken beats float in and out of dub drenched ambience that flows with cascading vocals. CLOSE YOUR EYES echos a spirit of Detroit House with refreshing new intensities. Again, her vocals caress the track but as an incredibly catchy hook. WHITE BECOMES BLACK shows her own interpretation of dub techno and combines that into a classic house beat. I HAVE A DREAM sounds like she bridges all of the previous track elements into a single whole which makes this tune the perfect closing track for any DJ set and of this release. A steady low-end groove keeps the ricocheting snares and somber synths cruising to an up-tempo rhythm.

Buy/Stream

Soela - White Becomes Black

https://kindisch.lnk.to/KD162

Fulltone spins another digital tale of wonder with his newest four-track escapade, ‘Fearless’.

Fulltone - Fearless (Snippet)

Buy/stream: https://kompaktrecords.lnk.to/EverybodysKissingEveryoneSD

The story’s been told before, though perhaps it hasn’t been documented as well as it should have been: a group of young producers in Germany were knocked out by acid tracks, and in particular, the UK’s acid house moment, convinced by the way it negotiated pop’s pleasure and dancing’s drive. Across the turn of the decade, The Bionaut’s Jörg Burger, alongside friends and peers Wolfgang Voigt, Ingmar Koch, Cem Oral, Andreas Bolz, Gregor Luttermann, would produce a dizzying number of tracks under a mountain of pseudonyms.

1992 was a turning point for Burger. Moving between Frankfurt and Cologne, Burger produced Everybody’s Kissing Everyone with one eye on the dancefloor, the other on the lounge room. The productions from these fruitful sessions share a glam poppiness, even at their most supine, with Burger returning to his pop roots. This was a running theme across the nineties, as he released a stretch of pop-electronica albums and EPs as The Bionaut and The Modernist.

Vivid and welcoming, precision-tooled for the dancefloor, dewy-eyed and humbly melancholy, The Bionaut’s productions manage to make risk and experimentation welcoming, joyous – the inverse of so much studious experimental music. Talking about his productions as The Bionaut, Burger uses the term ‘metapop’ to explain his music, and that’s a perfect way of thinking about what he does – it’s at once pop and beyond pop, with a knowingness that gleefully ransacks pop’s history.

You can hear, in the seven tracks on Everybody’s Kissing Everyone, reflections of UK acid house, the spiralling squelch of Chicago acid tracks, the lilting lightness of pop-trance, but the connecting force is a lushness of tone and richness of melody that points forward to the pop-tronica of later Bionaut. Here, Burger takes a snapshot of that precise middle-point between the dancefloor and the bedroom and colours it in both primaries and pastels. It’s a most elegant swoon.

Fulltone - Fearless (Snippet)

Kindisch