Wow, this song takes me on a journey through a whimsical underwater world!

.. mein Gott  ... ist das schön ♥️ ...  soo zauberhaft

A session done originally in Nanoloop made in the last year and edited in ableton on the fly.

version update of 22/09/2022 edited in cubase 
i think that is more accurate than the first in ableton.

Work in progress

Many Thanks to the freesound.org users: 
https://freesound.org/people/benjammin2006/
https://freesound.org/people/Mystikuum/
https://freesound.org/people/koutino/
https://freesound.org/people/Jagadamba/
for their rainstick samples

Night prayer © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

Night prayer

night prayer

Originally made for Disquiet Junto Project 0563, but abandoned (in favor of https://soundcloud.com/winterer/melodic-walking-disquiet0563 )because of having too much "magic" but no "realism" at all. But for what it is I like the track very much. 

Cover track image made with an image from DALL·E, "oil painting of a drowned rusty synthesizer inside a flooded church with windmill on it".

Time Drowning Mechanism

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Wooden Floor And Wood Bass

More Than This

Dararat  Chemnasiri -  Alto     Sax
Dirk  Wachtelaer   - Drums
Bruno Gussoni - Shakuhachi   
King Imagine -  electronics ,   strings ,sampler       
Dolphins  -   Smiles  &  Sound

King  Imagine Online Quartet  - Dolphins  Smile

Sample Sighs

Friction n° 20

engaging random ring modulated tones via the breath and articulation of my shakuhachi.

Ring Mod Dialogue

part of the album "ta vira"
bernhardweiss.bandcamp.com/album/ta-vira

Ideas

DR0000 0170

Alexei Mikryukov aka King Imagine was born in 1972. His first song was sung and recorded at the age of 4. He began his career in music as a gutarist in the punk collective Zooy E Orchestar in 1989. In the same period some of the first bootleg recordings were made, all of them now lost. In the summer of 1993 he meets Eugene Alexandrov, with whom organizes The Schizotronics. In 1994 “passively” (his own words!) cooperates with V.V. Pushkar (Blemish, Suffina Dentata, Foa Hoka).and records solo. In 1996 together with the Kiev poet Danylo Kubai,he founds the noise industrial group Ilam, Inc. (or, rather a noise orchestra with 13 musicians, which gave an incredibly insane concert in the Kiev Actors House of Culture) and also the project Rooteniya Pe Since 1998 cooperates as sound engineer with the first Ukrainian reggae/dub group Rootmans Band, where he meets his future wife and collaborator Karina Kuznetsova (with whom he works to this day) and the bass guitarist Kirill Machinski aka Roots Controlla, with whom he founds the digital roots dub project Dub Compressors. In 1999 together with the composer Alexander Kohanovski aka Pankifared he starts the studio project Superapes, recording 2 albums, making experiments with electronic and ambient music, as well as composing music for escalators, elevators and corridors. Since 2004 actively cooperates with Foa Hoka as sound producer, remixer and contributor of music. Since 2005 releases his output on the d.i.y. CD-R label SKP Records (Kiev). Since 2006 actively cooperates w/International movement Ukr.tele.kom - as remixer, co-author and remastering engineer.


King Imagine Online Quartet - Dolphins Smile

King Imagine

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