Oldies

A2 Fading Away [Mamazu Remix]

Each track is a state of mind, the path that she goes through in order to be freed and accept the love inside herself.

Catharsis

Confusion

Sugar Aloes - I Love Being Me.mp3

Explainer - Lorraine

His octopus majesty travelled the lands of the Far East. Stranded on an island in Kiev, his tentacles quivered at the sounds of funky soviet tunes. He decided to put his plans of universal domination aside to dig records in this style! Here is the result, enjoy 🐙
More info about Cracken at :
› https://www.lemellotron.com/cracken

Cracken #9 Soviet Groove Special

Mark E. Smith: Pander Pander Panzer
The Fall: Janet vs John
Tokyo Windbag: Gak Klot
Smyglyssna: Might It Be's And If It Were's
Ball Boy: Wonder If You're Drunk Enough To Sleep With Me Tonight
M.A.S.S: Right Side (Session)
Max Romeo: Public Enemy No.1
Add N To X: Electric Village
The Cranebuilders: Morning Cup
Freddy Fresh: Orange Krush
M.A.S.S: Live A Little (Session)
To Ton Ton Duvante: Jen Will Tell Ya Different
The Anemic Boyfriends: Guys Are Not Proud
Kate Rusby: The Recruited Collier
George Morris: Radio Jig
The Observer All Stars: Rebel Dance
Melys: So Good
M.A.S.S: Fake Talk (Session)
Multiplex: Vortak
Coalesce: Cowards.com
Velocette: Pot Boiler
Max Romeo: One Step Forward
Ojn: Meridians
The Carter Family: The Wandering Boy (XET Monterey)
M.A.S.S: Something Tells Me (Session)
El-P: Truancy
The D4: Joe 90

THE FALL • MARK E. SMITH: With Peel in a chirpy mood.

High School

Artist: @brigitte-barbu
Ep Title: Remixes pour ascenseurs en panne
Cat#: CCS113
Label: Circus Company

A1 - Brigitte Barbu - Dae-Boj DeMoya (Roman Flügel ‘kraut' Remix)     
A2 - Brigitte Barbu - Dae-Boj DeMoya (Roman Flügel 'synth’ Remix)   
B1 - Brigitte Barbu - Couvre chef en peau de taupe (Wajatta Remix)    
B2 - Brigitte Barbu - Trou vert (Matthew Herbert’s Butter Dub)        

Short info:

Brigitte Barbu’s Muzak pour ascenseurs en panne (Muzak for Broken Lifts) marked a bold new addition to the Circus Company repertoire. In a gilded haze of resonant tones conjured by traditional and non-traditional methods, Brigitte Barbu created an inviting sound world brimming with life and doffing its cap to 1970s signal processing. Out of such sonic research and development comes a wealth of material for other artists to sink their teeth into, and so we proudly present an accompanying remix EP that takes Brigitte Barbu’s distinctive stamp into new territory.

Roman Flügel makes a first appearance Circus Company with two versions of “Dae-Boj DeMoya” that showcase this constantly versatile lynchpin of European techno. First up is his “kraut Remix”, which unsurprisingly channels the grainy beauty of Neu! and early Kraftwerk, before his “synth Remix” dials back the drums and diverts our attention towards an expansive arrangement of melodious flourishes from classic synthesisers. 

John Tejada and Reggie Watts reunite as Wajatta following their triumphant LP Don’t Let Get You Down released on Brainfeeder to deliver a particularly inventive, soul-stirring vocal techno version of “Couvre chef en peau de taupe”. Watts soars over the signature warmth of Tejada’s production, while Brigitte Barbu’s mysterious tones linger in every fold of the mix.

Matthew Herbert offers up a “Butter Dub” version of the album interlude serie “Trou vert” that pits his signature stark sampling methods against Brigitte Barbu’s material and creates a fruitful dialogue of crooked 4/4 mechanics with all the playful curiosity of the original and a strong dose of Herbert’s inimitable musical personality.

Written, produced, mixed, transmigrated, played and sequenced by Julien Auger

Remix and additional production by Roman Flügel on A1 and A2, by John Tejada and Reggie Watts on B1, by Matthew ‘panel van’ Herbert on B2 - recorded at Human Jerky

Mastered by Josh Bonati at Bonati Mastering, New York City 
Artwork design by République Studio 
Visual by Meat Dept

℗ & © Circus Company 2020 
CCS113 - all rights reserved
www.circuscompany.fr

Remixes pour ascenseurs en panne

Trou vert (Matthew Herbert’s Butter Dub)

Zok Zok @ TESTFM — 08/08/2020

Black man feeling to party - Black Stalin

Live Vinyl Mix
Tracklisting:
Hypnotic Samba - Stop-Watch
Mike Mareen - Agent of Liberty
Alex - I don't want your Love
Monte-Kristo - Lady Valentine
Ken Laszlo - Hey Hey Guy
Divine - You think you're a Man
E.G. Daily - Mind over Matter
Shy Rose - I cry for you
Rudy - Different Words
Ciao Fellini - Noche a Bahia
Fun Fun - Give me your Love
Géraldine Danon - Photographe

The Tasting Guy Mix Dec 2020

Italo Disco Vinyl Mix - January 2021

David Michael Rudder's Gilded Collection Vol 1 1986 - 1989

Permission to Mash up the Place

1990

Dus' in Deh Face

David Michael Rudder (b. 6 May 1953, Belmont, Trinidad and Tobago) is one of the top calypsonians of his generation. In 1977 he joined Charlie's Roots, one of the top bands in Trinidad and Tobago. He spent many years as one of the vocalists with the band. In 1986 he burst into prominence with his album The Hammer which produced two big hits, The Hammer (a tribute to the late pannist Rudolph Charles) and Bahia Girl. This was followed in 1987 with Calypso Music, a brilliant encapsulation of the history of calypso. In 1988 Rudder released his best album to date, Haiti which included the title track, a tribute to the glory and suffering of Haiti, Engine Room, which captures the energy of the steelband, and Rally 'Round the West Indies which has become the anthem of West Indies cricket.

David was born in Belmont, Trinidad on May 6, 1953. One of nine children, he spent much of his early childhood with his grandmother, a spiritual Baptist, growing up near a pan yard and a Shango yard, in a neighbourhood where boys dreamed of being entertainers. He has been baptized three times: as a Baptist by his grandmother, as an Anglican by his mother and as a Catholic when he started school. It was at school that he discovered how much art, painting and sculpture really interested him. Rudder began singing at the age of 11 with a group called The Solutions. In 1977, he joined the brass band Charlie's Roots and began charting his musical career.

David became an apprentice to the late Ken Morris, a master craftsman known for his copper work and carnival designs. He still paints today and in fact he sees himself more as an artist rather than an entertainer.

It was the influence of the Shango and Pan yard that was to actually colour his music. The chanting of the Shango Baptists continues to be at the heart of many of his songs, though his musical tastes in the past had leaned towards jazz. Other influences include the African music of Yossou N'Dour, Salif Keita, Mory Kante and Alpha Bondy.

He has often been described as a pensive, self-contained individual; a person who, wrote Trinidadian columnist - Wayne Brown, "...has acquired the notion of singing as a king of self-sacrifice, involving surrender of personality and of the singer dissolving to become at once a symbiotic extension of the audience and the anguished medium of the song, a voice of the mercy of a Baptist testifier."

In the early days, Rudder acquired a reputation as a back-up singer in the calypso tent run by Lord Kitchener, one of the great legendary calypsonians. For years, he worked behind the scenes in calypso tents and studios, watching the action. In the meantime, he made a living as an accountant with the Trinidad Bus Company.

Rudder's first big break came when Christopher "Tambu" Herbert, lead singer with Charlie's Roots, fell ill after an exhausting tour of Guyana and suggested his friend Rudder as a temporary replacement. Rudder stayed on as a co-lead singer, and built a reputation for his scintillating performances.

Long before Rudder established himself in the calypso arena, he was known as one of the few band singers who wrote all his own songs. His popularity flowed from his obvious talent and from the radically different image he cultivated of himself as a singer. He did not take a calypso name, did not drink (alcohol) and rarely fraternized with the other calypsonians.

David, along with Charlie's Roots, produces and performs for the Carnival productions of, what is arguably, the most innovative and controversial Carnival artist ever - Peter Minshall. Minshall's designs have been used in many major events, the most notable being the Barcelona Olympics of 1990 and most recently The Atlanta Olympics in 1996. Over the years Rudder's music has become intertwined with the yearly Minshall's theatric bands.

Rudder spends much of his spare time reading or relaxing with his children, who he regularly brings on stage. His first son Khafra, named after the first black Pharaoh of Egypt, was born in December 1984, almost exactly a year after the death of Rudder's father, an oilfield worker in La Brea in South Trinidad. His second son Isaac was named after the best friend of the character he played in the TV series, Sugar Cane Arrows.

In May 2001, David married and he and his wife Christine have three children: Adam, Sarai and Noah. David lives in Canada with his family and spends much of his time touring in North America and Europe.

One of his most recent projects is a play in collaboration with award winning director, Anthony Hall, on The New Lucky Diamond Horseshoe Club, a recreation club and bar chronicled on David’s album Zero in 2000.

1990

David Rudder

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Adrian Alan Bullock

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