Tracklist :

Mad Dog - Verzerrung Promo No Commercial Sound feat. DJ Bike Tha Playah - Hit Em Rotterdam Terror Corps - Topic - Schizophrenic (Remastered 2019) Endymion - Drunk With Revenge Paul Engels Nexes Ft Nosferatu - Welcome to Nexus Angerfist - Menace Society- Chronic Disorder HQ Gabberkingsed - The Viper Vs Mad-E-Fact - Control The Party Meagashira - End of Line (Endymion Remix) Dione - Oh God - Remastered P.C.P - Zombie Bodylotion - How Much Can You Take - Catscan Remix Tommyknocker - The Nutrition The Viper - X-Terminate - T-1000 Mix G-Town Madness Vs The Viper - Buck 'Em Down The Stunned Guys - Topic The Drummer and the Dancer The Viper - Bulletproof MUKSQUAD - Menace Society - Suffer Eternal Torment Live Mix DJ Dione - Confusing Motherfuckers Base Alert- DeWegWijzer Rotterdam Terror Corps - Topic - There's Only One Terror (Remastered) Back Catalogue - Neophyte & Scott Brown - Blow Your Brains Promo - Topic Demons (Promo Remix) feat. G-Shock Ophidian & Ruffneck - Noisemaker (Not Really Original Version) Armageddon Project - Tell The People Headbanger - I'm In Your Head (Tha Playah Remix) BazeLover - Bass-D & King Matthew - Nuclear Hardcore Tony Salmonelli - Hey!- The Viper & Mad-E-Fact 2002 Mix Ophidian - Butterfly V.I.P Paul Elstak; Headbanger - Your Mother Sucks Cocks In Hell- Remastered Gabberkingsed DJ Paul Estak - Die Motherfucker (Dione Remix) diabloraver DJ J.D.A. The Big Payback The Headbanger - The Nightmare Man Dione - Born 2 Raise Hell- Remastered E-Noid - Topic Liquid Super D (Remastered) Dione - Pain Til Die Remastered Buzz Fuzz; Bass-D; King Matthew - It's Alright Neophyte - Braincracking Art of Fighters - Earthquake Crossbones - Alkahooligan B1 Fireballs - Dr. Z-Vago vs. Outblast Dione - Ruff Confusing Remastered EYEONIZM DJ Paul Elstak - Get Off The Fucking Car Neophyte Topic There ls No Other Neophyte - Skullfuck DJ Paul Elstak - Topic - Motherfucker (Original Mix) Neophyte - Masters Of Ceremony - Under Control Dione; Paul Elstak- Here Comes The Prozac - Remastered The Viper; DJ D Loose Control DJ Paul vs Teenage Warning - If the Kids Are United (Remix 2000) DJ The Prophet - The Masochist vs Digital Boy Shoutout (2001) Marc Acardipane; Da TMC - Only God Can Judge Me - Original Version [Remastered]

MILLENIUM HARDCORE SET 140-160BPM

"Why Don’t You Go Touch Yourself?" is an indie-rock slap to the face of performative morality — a tongue-in-cheek anthem for anyone tired of being judged by people who don’t know how to look in their own mirror. Mixing punk sarcasm, dreamy introspection, and drum-and-bass chaos, the track spins between playful rebellion and quiet truth.

It’s a whispered confession wrapped in a scream: a song about hypocrisy, projection, and self-love — the uncomfortable kind that starts when you stop policing everyone else. Underneath its teasing hook and frantic pulse, there’s a reminder that healing starts inward.

It’s messy, honest, and a little holy in its blasphemy.
For the sinners who meditate, the saints who rage, and everyone caught somewhere between.

Why Don’t You Go Touch Yourself?

You can call me honey if you want, but don’t call me baby — not tonight, not like that. “Baby! (Don’t Call Me That)” is a light, syncopated country-pop groove wrapped in lo-fi charm, where intimacy meets boundary-setting. It’s playful yet pointed, exploring the tension between sweet words and authentic connection, and the courage it takes to demand respect in love.

With whispered verses, a driving rhythm, and a call-and-response chorus that sticks in your head, the song celebrates self-awareness and honesty. It’s about growing up, claiming your space, and asking to be loved on your terms — not the terms others try to impose.

Fun, reflective, and unflinchingly real, “Baby! (Don’t Call Me That)” is both a gentle warning and an empowering anthem for anyone navigating the delicate balance of affection and autonomy.

BABY! (DON’T CALL ME THAT)

I stood in the doorway when it began — two voices circling each other like weather. Their words weren’t just sounds; they were collisions. Sparks cracked in the air, meanings missed, sentences split mid-flight. It was like watching thunder argue with glass — beautiful, violent, impossible to stop.

Every phrase ricocheted off the walls until the room itself seemed to pulse. Then, slowly, the rhythm shifted. The storm softened. Their voices, once weapons, began to find harmony — still fragile, but searching for understanding. What had been noise became something sacred: language learning to heal itself.

“Echoes in the Hall” is what I heard in that moment — two hearts rehearsing forgiveness through sound. A spoken-word duet caught between hurt and grace, until silence, at last, remembered how to breathe.

Echos in the Hall

I am falling apart — slowly, beautifully. What you call death feels like unfolding. My equilibrium slips, and every cell I once commanded becomes its own universe. I can feel the seams of my existence loosening, the structure I called “me” breaking into orbiting fragments. Each one hums a note I never heard before.

The wisdom I carried seeps away like light through cracked glass. Memory dissolves. Identity fractures. But in the collapse, something unexpected blooms: clarity. Entropy isn’t my enemy — it’s my release. Every piece that drifts away takes a piece of truth with it, and together they sing a song I was too whole to hear.

“Rest in Pieces” isn’t a lament; it’s a revelation. It’s what happens when the body forgets to hold itself together and remembers it was never separate at all. Chaos becomes grace. Death becomes design. And as I dissolve, I realize — I was never meant to rest in peace.
I was meant to rest in pieces.

REST IN PIECES

When I wrote ‘Velvet Shadows,’ I felt like I was walking through a twilight realm where emotion and memory intertwine. Every lyric came from a place of intimacy and revelation, tracing the contours of love as both luminous and fragile. I imagined rivers of gold carrying laughter, constellations forming across skin, and moonlight whispering secrets that only hearts in tandem could hear. But alongside that radiance, the shadows always crept—subtle claws of doubt and insecurity, whispering in corners where trust trembles.

Singing the song, you can almost feel the push and pull of connection and miscommunication, the way gestures and words collide, split, and sometimes distort the delicate fabric of intimacy. The pre-chorus and chorus became my map of tension, a ritual of naming storms that have no easy label, where blame and green-eyed fear mingle with desire and devotion. I wanted the listener to feel both the exhilaration of closeness and the vulnerability of exposure, the way love can be a ship navigating between light and shadow.

By the bridge, I let the truth shine through—a quiet confession of hidden desires, the twists that lie beneath even the most sacred bonds. The song became more than a story of two hearts; it became an exploration of the inner cosmos, where forgiveness, longing, fear, and joy all orbit one another. The outro reflects a bittersweet awareness: love is a living, breathing entity, full of secrets, capable of both soaring and shattering.

‘Velvet Shadows’ is my offering to the unseen, the quiet spaces between words and gestures. It is a spell woven in melody, a journey through the luminous and the dark, where listeners might recognise their own reflections, their own trembling, and perhaps find solace in the beauty of imperfection and the sacred rhythm of hearts learning to bend without breaking.

Velvet Shadows

"Magnetron Hearts” is a slow, cinematic ballad where science meets emotion — a love song written in the language of physics. Blending piano, strings, and luminous synths in D minor, the track moves at a tender 75 bpm, evoking the rhythm of hearts caught in orbit.

The story begins in a quiet library at twilight, where two minds meet like charged particles. Their connection feels both inevitable and precise, described through poetic scientific imagery: “Every touch a theorem, every sigh a proof.” As the music swells, the pair discovers that devotion can be both measured and infinite.

Midway through the song, a third presence enters — “a sudden variable bending our orbit.” Rather than fracturing their bond, the relationship evolves. Love expands, multiplies, and becomes a stable new element. The second chorus glows brighter, moving subtly from minor to major as the trio sings together: “Three orbits entwined, constants unshaken.”

“Magnetron Hearts” celebrates love’s complexity — polyamory portrayed not as chaos, but as harmony. It’s a ballad about energy that never fades, affection that transcends boundaries, and intimacy that defies convention. The final lines linger: “Three souls in orbit, untamed, bold.”

With its mix of cinematic emotion and intellectual precision, “Magnetron Hearts” is a luminous statement on connection in all its forms — a modern hymn for those who see beauty in balance, curiosity, and truth.

Magnetron Hearts

“The Architecture of Light” is a cinematic ballad tracing the quiet, luminous love between two men who meet beneath lantern-lit streets by a glowing river. Their connection begins softly—laughter, gentle eyes, and whispered moments—growing into a life built on trust, patience, and shared vulnerability. They weather storms together, learning that love isn’t about fixing or binding but about listening, holding space, and turning cracks into light. Every gesture, every word, becomes part of their blueprint, an architecture of hope and resilience. By the end, their hearts are aligned, a testament to connection, growth, and the beauty of building forever together, one day at a time.

The Architecture of Light

"Orbits of Us" is a luminous exploration of love, freedom, and the delicate dance of human connection. With ethereal instrumentation and poetic lyrics, the song paints a universe where desire and joy are celestial forces, and relationships are not defined by possession but by trust, growth, and the courage to let go.

From the first notes, listeners are transported to a space where rivers flow like constellations and comets streak the night sky—metaphors for the journeys we take alongside those we love. The song follows two people as they meet, orbit each other, experience distance, and ultimately embrace the beauty of loving while maintaining their own freedom. Each verse and chorus is a reflection on intimacy, longing, and empowerment, blending tender storytelling with expansive, cosmic imagery.

"Orbits of Us" celebrates the idea that true connection doesn’t require constant closeness. It thrives in the balance between presence and space, holding on and letting go, orbiting and returning. It’s a song for anyone who has loved deeply, grown independently, and discovered that the strongest bonds can withstand both distance and change.

Listeners will leave feeling both grounded and uplifted—reminded that love is as much about freedom as it is about closeness, and that the heart can soar even as it learns to untie.

Orbits of Us

"I Am the Question You Left" begins in silence—one that breathes. A pulse stirs in the dark, slow as dawn through glass. Fragments of a voice drift like light over deep water, whispering not to a god but to the vastness itself. The song moves through textures of vapor and pulse—granular echoes, heartbeat bass, metallic glimmers—until it feels like thought itself has become sound.

The narrator isn’t pleading for answers but learning to speak to creation. They do not pray—they listen. They wander through invisible corridors between galaxies, tracing what remains of divine intention, asking if longing itself might be the universe remembering its maker. Each verse rises and folds like nebulae in motion, and the chorus opens wide, shimmering with both awe and defiance: I am not your creation; I am your echo learning to sing.

In the bridge, sound fractures—the rhythm collapses, voices overlap, time dissolves. Here, a revelation arrives quietly, almost shyly: perhaps consciousness is not a gift to the universe, but of it. Perhaps the human voice is the cosmos speaking itself awake.

As the final echoes fade, the listener is left suspended between knowing and wonder. There are no answers—only questions that shimmer like constellations. Love, curiosity, and creation merge, not in worship, but in communion.

"I Am the Question You Left" is not a hymn—it’s a conversation across eternity, an experiment in awe, and an avant-pop meditation on what it means to exist, to feel, and to listen back to the infinite.

I Am the Question You Left

Hardcore Gabber Distortion mix

DJ Lèp Mùk ist nicht einfach nur ein DJ – er ist ein einzigartiges Wesen, das aus den Überresten von CDs und Schallplatten entstand. In einem kreativen Prozess, der an Alchemie grenzt, wurde er aus einer Mischung von chemischen Substanzen und Ursuppe zum Leben erweckt. Aufgewachsen in einer Plattenkiste, fand Lèp Mùk schon früh seine Verbindung zur Musik.

Er kann nicht sprechen, aber seine Musik spricht Bände. Mit einer eigenen musikalischen Sprache kommuniziert er durch Beats und Klänge, die tief in die Seele eindringen. Seine Sets sind eine Mischung aus elektronischen Klängen und überraschenden Samples, die das Publikum in eine andere Welt entführen. 

DJ Lèp Mùk steht für eine Revolution der Musik, in der Müll zu Gold und Klänge zu Emotionen werden. Seine Auftritte sind mehr als nur Konzerte – sie sind Erlebnisse, die die Grenzen zwischen Mensch und Maschine, zwischen Abfall und Kunst verwischen.

MILLENIUM HARDCORE SET 140-160BPM

Lèp Mûk