~ experiments in ambient dub electronica ~

Drew Id is an Australian dub producer with a passion for heavy bass and Soundsystem culture.  

Listen to the latest release https://hypeddit.com/drewid/withinreach

Forward ever into the dubwise style, Drew Id’s original productions and passion for Soundsystem culture firmly establishes him at the forefront of the Australian dub and bass community. Drew Id's all original productions traverse weighty 140 bass and steppers soundscapes, with over 15 years releasing music on labels including High Vibration Audio, Culture Dub Records, Dubmission Records, Rudekat Records and the latest release on Aspire Higher.

Soulbeats Music, registered trademark of the french independent label Soulbeats Records & the european event and booking agency M’A Prod.

A global solution to support emerging artists: consulting, management, production, tour, booking, record label, publishing, communication...
A team of professionals to defend tailor-made projects where originality and quality are the key words!

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Soulbeats Music, marque déposée du label indépendant français Soulbeats Records et de l'agence de booking et productrice de concerts M'A Prod.

Une solution globale pour accompagner les artistes émergents : conseil, management, production, tournée, disque, édition, communication…
Une seule et même équipe de professionnels pour défendre des projets sur-mesure où originalité et qualité sont les maîtres-mots !

https://www.soulbeatsmusic.com/

TO SUBMIT DEMOS:
https://wstwd.io/demos
(do NOT email demos)

LICENSING & LABEL INQUIRIES:
email: label [at] westwoodrecordings.com 
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Westwood is an independent music company and record label celebrated for its hands-on, artist-centered approach. Over the last decade we’ve made it our mission to foster talent on a global stage across an eclectic range of genres. This is a company created by artists for artists.

Founded in 2013 by Nick Middleton of Canadian electronic act The Funk Hunters, Westwood’s footprint in the industry extends far beyond that of a traditional label. Representing international acts transcending conventional genres, Westwood has brought its in-demand presence to stage takeovers at iconic festivals including Shambhala, Rifflandia, and Montercat’s Compound, alongside launching creative industry partnerships with brands like Splice and Twitch. As the label's reach continues to expand to new platforms, Westwood music can be heard on Netflix, HBO, Hulu, Peloton, and Riot Games.

Fueled by a community of like-minded music lovers and an unwavering commitment to quality, Westwood’s focus remains the same ten years in: elevate great music.

Dubmission Records have blazed a trail of warped woofers since the mid 90’s, when they launched with a trio of bass heavy dubwise compilations. 

In 1996, they kicked off with the Mashing Up Creation album, which featured tracks by Doof, Adelphi and http://soundcloud.com/andyguthrie amongst others. It was reviewed favourably by The Sunday Times, DJ and Sleaze Nation – the latter describing it as “carrying on where original dub hijackers The Orb left off!” It was swiftly followed by Dubbed On Planet Skunk, with stand out tracks from http://soundcloud.com/zion-train, Quirk and Alpha & Omega. The third instalment took 2 years to put together – More Bass Than Space was a double album which represented every spectrum of the modern dub scene, with tunes from artists as diverse as Hallucinogen, http://soundcloud.com/woob, http://soundcloud.com/solarquest, Singers&Players and Tribal Drift. It sold well all over the world, and led to tours of Australia, New Zealand, Mexico and USA.

From 2001-5, the Dubmission crew concentrated more on artist management and event promotion than releasing records. However after hearing Ape to Angel by http://soundcloud.com/pitchblacknz, they decided to bring Dubmission out of “retirement”, as it represented everything and more that the label had tried to achieve.  

Since then the label has gone from strength to strength, with several more releases from http://soundcloud.com/pitchblacknz (Frequencies Fall, Rude Mechanicals, Rhythm, Sound & Movement plus their first two albums, Futureproof and Electronomicon), as well as Seen, Heard and Felt by http://soundcloud.com/international-observer, Make Animals Happy by http://soundcloud.com/warptechnique, Third Ear Audio’s Third Ear Audio and Paddy Free’s Karekare. The crew has also found time to compile two smoky collections for the Japanese label, Wakyo: On A Dubmission Volumes One and Two.

In 2010, to celebrate 15 years of business, they released 15 titles, including new EPs by http://soundcloud.com/pitchblacknz, http://soundcloud.com/warptechnique, Doof and Green Monitor, plus re-issued classic but deleted albums by Bluey, Stress Assassin and Bill&Ben, as well as playing 15 shows around the world and uploading 15 DJ mixes of Dubmission music to download.

The last few years have seen EPs released by http://soundcloud.com/akashaexperience, http://soundcloud.com/quanta-uk and http://soundcloud.com/erssound., two albums and an EP by http://soundcloud.com/deepfrieddub, a collection of http://soundcloud.com/pitchblacknz remixes of other artists and a new compilation series, The Next Mission, designed to showcase up and coming talent.  

All Dubmission releases are available from http://dubmission.bandcamp.com

Enquiries to dub dubmissionrecords com

Internationally acclaimed dub aficionados KINGFISHA have been crafting their own blend of modern reggae for nearly a decade. Seductive, polished and undeniably catchy, the KINGFISHA sound is defined by its distinctive mix of deep all-encompassing rhythms, compelling synth lines and treated drums - all topped with an understated soul vocal. The band’s live shows have been relished from Europe to Africa while reaffirming their impeccable reputation back home as Australia’s bass heavy roof-raisers.

KINGFISHA is following