Black Caviar is a Grammy-nominated, double platinum dance music duo from New York City, made up of producers Troy Hinson and Jared Piccone. The two met while working as mall Santas and bonded over grindcore metal, al pastor tacos, and ways of coping with seasonal depression. After a few failed ventures—including a lasagna food truck—they turned to music as a last resort. 

Since 2015, Black Caviar has become known for their bold, genre-blending sound—fusing electro-funk, house, disco, hip-hop, booty bass, and Latin rhythms. Their breakout single “Coco” earned over 20 million Spotify streams, followed by “What’s Up Danger” with Blackway, featured on Spider-Man: Into the Spider-Verse, earning them a Grammy nomination and Double Platinum certification. 

With over 500 million Spotify streams, they’ve released music on Republic, Toolroom, Spinnin’, Defected, Dim Mak, and Heldeep. In 2024, they launched Yes Chef Records to house their own releases and creative collaborations. 

They expanded their sonic world with Prince Street Bodega —a live-instrument collaborative project with NYC producer DOMENICO and Dublin-based songwriter Rion S. The project brings their genre-bending energy into soulful, organic territory through live instrumentation. 

Black Caviar’s music has landed major syncs across NBC, Netflix, Apple TV+, Disney+, ESPN, Hulu, NFL, McDonald’s, eBay, Coach, Sonos, and more—cementing their status as musical shapeshifters with global reach.

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

mgmt | jworramgmt@milkhoneyla.com
bookings | marissa.loil@unitedtalent.com

promos/demos --> https://tstack.app/j.-worra

Los Angeles based producer Jeff The Jacker (JTJ)
Label boss of Dad Bod Records

Hailing from Southern California, Jae Jae is an upcoming talent in the electronic dance community. Having trained classically in an orchestra since the age of 8, he is well versed in all facets of music. Jae Jae had his first breakout when he won a remix contest for The Dirty Heads on Indaba music, and ever since he has been pursuing electronic music production. His musical education includes the Digital Media program at Arizona State University, Engineering at Los Angeles Recording School, & he is a graduate of ICON Collective. Jae Jae has produced everything from house, trap, dubstep, and even scored independent films and has also done paid production work for artists seeking demos. His current sound consists of a mixture of deep house, future house, techno, and progressive.

|   V N S S A    |
| MGMT | max.necus@redlightmanagement.com 
| Booking| lhughes@teamwass.com and dhoffman@teamwass.com

VNSSA has always had a passion for music even as a child. The Newport Beach native now calls Los Angeles home and has fully immersed herself in the local electronic scene. Although Santa never gave her the turntables she wanted at a young age, she soon found herself drumming in local rock and indie rock bands. From there she learned to DJ, and started performing at local clubs and house parties.

Her debut single was released in early 2018 and she has since released multiple singles and EPs on labels such as Dirtybird Records, Higher Ground, Techne, Rules Don't Apply, Sweat It Out, Realm, and Trippy Ass Technologies, including a Beatport #1 with “Word” a single in collaboration with Walker & Royce on Black Book Records/HotBoi. Catching the platform's attention, she was later named a Beatport “Next” artist, and received further support from tastemaker platforms like This Song Is Sick and Data Transmission.

Her live sets cover the length and breadth of house, breaks, and techno, although don't be surprised to hear some classic disco as well. VNSSA performs regularly at well-known venues all over the world. In addition to playing her own shows, she has performed with numerous prominent acts such as Chris Lake, Claptone, Destructo, Claude VonStroke, Justin Martin, Nora En Pure, Dombresky, Walker & Royce, Cassian, Fisher, AC Slater, and many more. 

Most recently, she released murky tech house number “In The Dark” on the first-ever Femme House compilation on Insomniac Records. The eleven-track package is built around the ethos focused on equality and empowerment.  

Looking ahead, VNSSA is set to drop an EP on Diplo's esteemed Higher Ground imprint, a milestone release for this fast-rising talent. She will also perform at some of the biggest festivals in North America in the coming months, including Outside Lands, Imagine Festival, Nocturnal Wonderland, Seismic Dance Event, not to mention her first ever headline tour.

VNSSA does not exist in the world of music because it is her choice, she exists in it because it is her calling.

Lets get weird

IG: https://www.instagram.com/smstrydom/

~~KiNGPEN~~ is following

KiNGPEN is following