Claiming the noted review of “ Maui’s Most Versatile Band “, Kanoa Kukaua founding member of Gomega started the group in 2001 with the vision of bringing different genres of music together.  As the group name implies,  Gomega or “ Go Big “, the group’s  philosophy is about “ Going Big ” with music and other passions in life.  Gomega is about taking fearless risks in music and creating a versatile signature sound with the acknowledgment of gratitude, humility, freedom, and the healing power of music. 
	Over the years, there has been a variety of members of Gomega, each being very talented on stage and behind the scenes.  Mostly recently, the members and the range of Gomega’s music has evolved into a cohesive, progressive sound that appeals to a diverse audience.


Honolulu's premiere concert and events venue, locally owned & operated since 2012. Check our website for upcoming shows and events.

AMBIENT SPIKE//SPIKEDELIC//PAT PARK

Originally from Southern California, Patrick Spike Park started playing the violin and piano at age 5 and then concentrated only on the violin throughout high school.  In 1985, he joined the punk rock band, Lifestyle, and started playing his violin through effects and an amp. Later, he joined the gothic band, Homeland, by request from Anton Newcombe (from Brian Jonestown Massacre fame).  He later ended his live career with the acoustic folk band, Sullivan Substation.

Being a fervent music fan all his life, he was always making mixed tapes and was known to dj in the most basic form at parties.  He was finally introduced to a dj booth at the infamous Bauhaus in Brugge, Belgium (1990), where he poured drinks and played records at the same time.  He moved his way up to Amsterdam, then eventually became one the first ambient djs (1991) premiering at Per's Time Machine at the Melkweg. He was known to play too much percussion in his ambient sets, but this soon became known as lounge, making him one of the first lounge djs in the scene.  In1992, Spike laid down a violin track on Outland Records' (NL) Staccatto Please, Concerto in E with Eric Nouhan and Dimitri.  He also threw the first house party in Prague, CZ.  

He made his base in Amsterdam for years, being a resident dj at the amazing Supperclub, and also was Music Manager for Club NL, in addition to playing all over Europe including Paris and Ibiza.  He has played in many diverse locations, such as conventions, retail shops, salons, museums, and private parties and has been sponsored by numerous apparel, eyewear, and accessory companies.  

Presently, Spike concentrates on down tempo lounge, house and other eclectic mixes as the best backdrop that the public can network, converse and even try to flirt to.

Monikers include: Ambient Spike, Spike, Spikedelic, Patrick Spike Park, 4p1ay

1990 Bauhaus, Brugge, Belgium
1991 Per’s Time Machine, Melkweg, Amsterdam, The Netherlands
1992 Cosmos Amsterdam, The Netherlands
1993-1997 Various locations in Southern CA
1997 Asian Art Museum, San Francisco, CA
1998 Yerba Buena Center for the Arts, San Francisco, CA
1998 SFMOMA, San Francisco, CA
1999 Supperclub, Amsterdam, The Netherlands
2000 Club NL, Amsterdam, The Netherlands
2001 Various parties and venues in Düsseldorf, Munich, Ibiza, Paris
2002-2004 Various locations in CA
2005 Doraku Sushi Honolulu, HI 
2006 Nobu Restaurant and Lounge, PRAE, Honolulu, HI
2007-Asylum Afterhours, Station, Lotus Soundbar, 39Hotel, Sunset Room, Mercury Bar, The Manifest, Fresh Café, Honolulu Academy of Arts, Vans Triple Crown, HIFF,  EuroCinema, Democratic Party of Hawaii and various retail locations and yoga sessions.

London-based music photographer, kind of obsessed with shooting unsigned and indie bands. Contrary to popular belief, I will work for money.

What makes a great DJ? Some argue that context is key, and being able to read a room to select the right tunes to fit the vibe is an essential skill. Others see the DJ as a chaperone of taste, educating listeners as they are taken on journeys that induce the timeless feelings of dancefloors past, or strange and euphoric directions towards futurism.
A music lover before all else, Shea is a veteran DJ of dance floors across North America that can check off all of these boxes. Willing to explore musical territory, but always mindful of context, Shea has mastered the esoteric (and often forgotten) art of the opening dj.
After formative dancefloor experiences in the Midwest, Shea set out on a mission to dj and started buying house and disco records. By 2006, Shea was playing out in St. Louis regularly at local institutions such as the Upstairs Lounge, Erato, Urban, Modesto, Pride, FLY and Girl Friday events. 
Shea’s career had her traveling around for work and always searching for the local music scene wherever she landed; in 2009, it was Nashville, TN. In 2011, Shea relocated to Toronto where she instantly fell in love with the city and the electronic music scene. A recent stint in Toronto led Shea to play regularly at Summerdaze, a summer day party that has amassed a respected reputation in the Toronto house scene.
Today, Shea continues to develop both musical taste and technical prowess, creating a vibe both caters to time and place and is ripe with originality.


Some tracks, etc. from the KTUH radio show This Divine World.  Full episodes can be found at www.mixcloud.com/divineworld
Enjoy, and leave comments

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