original soundtrack plus extra outtake stuff i made for 4spells (2024), a film by tom rogers - link here: www.youtube.com/watch?v=4HD6lmN_yXE

cover artwork by tom rogers (clip from 4spells)

bandcamp

all i wanna do (even slower)

Ghost Town

Buy Breathe In Tongues

01 Shadows Burned

https://goo.gl/Q3Ehno

'Crisis of Representation' out on January 12th, 2017 on Shelter Press — LP+CD / Digipak CD / Digital

Artwork by Zsófia Boda
Layout: Bartolomé Sanson
Mastered and cut by Rashad Becker at D+M.

Crisis of Representation

Gábor Lázár - Crisis of Representation (2017)

Tracklist

Ginger Breaker - 1-800-SALO
Luli Rebe Y Sus Xocolatinas - Mi Padre En Xanclas
Jesse Osborne-Lanthier - Veneer
Bernardino Femminielli - Un Conte De Fées 
James Ferraro - Twilight Pretender ☩
Jerico - Can't Deny 
Luperca - Enciéndelo 
City, v1984, Jesse Osborne-Lanthier -  Pockets
Malibu - Rude
Cicciolina - Porno Angels
ASAËL - Joyeuse St-Valentin
Bunni Anonyme - Stay On The Line 
Cicciolina - Black Sado
Gigi D’Agostino - Welcome To Paradise (Gigi Tanz) 
Francis Lai - Robert et Robert… en taxi 
Feu St-Antoine - Pour une sombre histoire de cul

https://www.instagram.com/bunnigroupe/

Valentin Mix

HELM - Chemical Flowers
Format: LP / CD / Digital
Cat.No: PAN 99
Release Date: 17 May 2019
Purchase: bit.ly/2Uxqs9z / bit.ly/2UpJ0bA

Luke Younger returns to PAN with an eight-track album of his most direct work to date. Composed alone at NO studio in the Essex countryside, to start an album with a piece called ‘Capital Crisis (New City Loop)’ seems an intentional misnomer. Long, sustained periods in the rural studio setting see Younger working with an array of fragmented, disassociated sound sources to build upon 2015’s Olympic Mess. It shares a similarly inclined vision of the urban environment, but here Chemical Flowers makes reference to paradoxical notions of authenticity and creative practice by way of questioning the structures around us. Collages are assembled and dismantled, temporal and spatial boundaries fluctuate and movement is an overarching theme.

Surrealist drowned world atmospheres sculpted far enough away from the source of inspiration leave plenty of room for ambiguity. The nocturnal nature of the recording process is self-evident, and pieces like ‘Leave Them All Behind’ tap into a deep psychedelic undercurrent. Confused narratives, emotions and aleatory hallucinations ebb and flow throughout. ‘I Knew You Would Respond’ evokes murky soundtrack terrain with eerie repetitive strings and ambient respite, disrupted periodically by brief bursts of granular noise. It’s one of the records most unnerving moments, possibly as it’s one of the most recognisably human.

The album navigates dense passages with recurring signifiers. Hollow percussion, modulating delay and curious field recordings come and go, maintaining a perpetual state of flux where nothing stays the same for long. The drowned world theatricals return on the swamp-like ‘Lizard in Fear’ whilst string rhythms creep in on the penultimate track to incite momentary electroacoustic harmony. Floating synthesis slowly washes over and the title track unfolds - five minutes of reverb-laced portamento, visions of decay and Editions EG influenced
world-building. Movement is key.

Chemical Flowers features string parts arranged and recorded by JG Thirlwell (Foetus / Manorexia / Xordox). Additional cello played by Lucinda Chua and saxophone by Karl D’Silva. The album is mastered by Rashad Becker, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Chemical Flowers 

HELM - Lizard in Fear (PAN 99)

the flowery backyard

Kinn: https://www.instagram.com/kinn_dread/
Thou: https://www.instagram.com/thou_band/
Original: https://www.youtube.com/watch?v=BJA93Pv8YTQ&ab_channel=Audiotree

Thou -  The Changeling Prince (Kinn Remix)

Underneath the stark white light of the laboratory lamps, the mysterious organism writhed and twisted into obtuse and indistinct shapes. Everybody gathered round in awe as it began to sprout new features, strange abnormalities that grew and lengthened before their eyes. What it would morph into, nobody knew, but curiosity kept them firmly fixed on this unspecified life form. 

The next transmission from Polish label Pointless Geometry comes courtesy of percussionist and leading force in Polish experimental music Qba Janicki, and Belgian sound sculptor and Knives alumni Obsequies. Titled Autolysis, the release blends various production techniques, from sound sculpting to processed percussion and digital manipulation, recorded through improvisation before being fully formed into an album. Described by both parties as an "electro-acoustic sound organism, which consumes its own flesh for the purpose of self-regeneration", the release explores a new world of sonics that are built, morphed and layered in the most unpredictable ways.

PREMIERE: Qba Janicki and Obsequies - Desintegration [Pointless Geometry]

Morita Vargas '8', released as HH03 LP by Hidden Harmony Recordings (Estonia)

Morita Vargas – composer, producer, voices

Mastering - Diego Crisalida
Vinyl mastering, lathe cutting - Matt Colton (Metropolis Labs, London)

Recorded in Buenos Aires, Argentina (Recording period 2014-2018)

Long Play purchase:  moritavargas.bandcamp.com
12" 180-gram vinyl record, 33 RPM, black vinyl. Edition of 1000 hand-numbered copies coming in die-cut outer sleeve, color print inner sleeve and protected by additional poly-liner sleeves.

XOXOXOXO

Kid Smpl's remix of IKSRE's "All The Sparrows Have Moved To The City"
Featured on IKSRE 'Transmission' (HH133)

IKSRE - https://soundcloud.com/iksremusic
Kid Smpl - https://soundcloud.com/kidsmpl

TAPE + DL

IKSRE - All The Sparrows Have Moved To The City (Kid Smpl Remix)

Miserable Electronics.

Bookings/Contact:
kinndread@gmail.com