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[The “Hundred”] - is a underground music collective from Latin America, shrouded in mystery and darkness. Formed in the late 1980s, the project quickly gained a reputation as a radical outsider within the local scene due to its raw, hypnotic atmosphere and philosophically bleak aesthetic.

The band recorded two albums: the first, released in 1989, combined primitive black metal with elements of dark ambient and ritualistic influences inspired by pre-Columbian cultures. It became a relic of its time and had a significant impact on the local underground scene. This album was eventually lost, and only rare fragments and rumors about its content continue to fuel the cult status of the project among devoted listeners. The second album, recorded in 1998, continued the descent into darkness, but with a more abstract and distant sonic palette—by then, the group had fully withdrawn into isolation. This final act of expression marked a turning point. The band vanished once again, leaving behind a legacy carved in distortion, rage, and the ashes of forgotten truths.

The founder of the group is most likely still alive, reportedly residing somewhere in Bolivia. Shrouded in mystery, he remains an elusive figure—almost mythical. There are rumors that he continues to write lyrics, hidden away from the world, crafting verses in solitude as if haunted by the same ghosts that once screamed through his music. 

The collective never performed live, gave no interviews, and avoided all forms of popularity, remaining a symbol of forgotten mysticism, inner darkness, and the aesthetics of disappearance.

Album 1: “Made in Bolivia” 1988. (lost media. Had 15 tracks, and 3 bonus tracks. Genre: black metal, hard rock, rock n roll, punk rock, metal) 
Album 2: “Still alive bitches” 1998. (5 tracks. Genre: black metal, hard rock, rock n roll, metal)

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Kino Coj