Name: Outsiders: OTOROKU w/ Billy Steiger @ Kiosk Radio 03.11.2022 by Kiosk Radio
Duration: 1 h

Francesco Covarino, Nido

Textured, grubby sounds and luscious melodies selected by Annabelle Mödlinger, artist and member of The Umlauts.
https://www.nts.live/shows/roadkill-ikebana/episodes/roadkill-ikebana-30th-august-2022

Roadkill Ikebana 300822

Which Ever Way (2/9/22)

L'ampleur du souffle (2020)

To breathe, is to activate a certain space. Short breaths, deep breaths, dying breaths or sensual ones - they evoke variety of features and peculiarities that the breath embodies. Breath is also a precondition of voice, and further, of a spoken word. Paving the path for every physiological and philosophical activity, breath is essential to all we do and all that we are. 
Auditory situations in this piece are fluidly changing from one to another in a constant fluctuation and transfiguration of the musical material. Acoustic spaces inside of which the music is being situated, give room for the sounds to appear, to change and disappear, develop and transform, and inside of these spaces, the ear can swift freely from one sound object to another in a spatial and non-linear listening experience.

Commissioned for the Tingles & Clicks project by the Musikprotokoll 2020 and supported by the program "Creative Europe" of the European Union and SHAPE platform.

The work was presented in ambisonics, binaural and stereo formats. It was composed for an interactive environment, and the sections (structure, duration) were open. This is one of its renderings (structure and format-wise), made for the presentation at Radio Belgrade in 2020.

Presented at Musikprotokoll, Graz, at Radio Belgrade 3, CYNETART festival and Ö1 radio (Zeit-Ton radio show).

L'ampleur du souffle

Violin player Billy Steiger has been involved in London's improvised music scene for over a decade. He made his first record for OTOROKU this October, and celebrates with an hour of music from the likes of Tierra Whack, Polly Bradfield and Ginger Smock. 

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
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Outsiders: OTOROKU w/ Billy Steiger @ Kiosk Radio 03.11.2022

D’après Solaris de Stanislas Lem.
Cette pièce évoque différentes géographies et écosystèmes observées sur une planète lointaine.  A travers un jeu de textures, de résonances et de son ciselés se dévoilent la faune, la flore, ainsi que les émanations étranges, gazeuses d’un environnement en métamorphose.

Commande GMEM Marseille/FRAC Sud pour l'exposition Solaris, 2023 
en version multiphonique pour 5 haut-parleurs et 4 transducteurs.

AURAE

Norwegian-Chilean flautist Johanna Orellana takes over for an hour of selections.

https://www.nts.live/shows/guests/episodes/johanna-orellana-1st-may-2023

Johanna Orellana 010523

Semi ambient trip with Chicago, IL singer, songwriter, multi-instrumentalist Gia Margaret. 

https://www.nts.live/shows/guests/episodes/gia-margaret-7th-june-2023

Gia Margaret 070623

CED — Bazar Bizar #19

Romantic compositions and classical crossover from Sigourney... 
https://www.nts.live/shows/sigourney/episodes/sigourney-18th-january-2024

SIGOURNEY 180124

Valerio Tricoli — Clonic Earth
Format: 2xLP / DIGITAL
Cat.No: PAN 71
Release Date: 24th June 2016
http://p-a-n.org/

The experimental Italian composer returns to PAN with a new LP, titled 'Clonic Earth'. His ongoing output for the label has long-presented his electroacoustic sound compositions where since the mid-'00s, he has utilized analogue live sampling and real-time editing of field and studio recordings by means of manipulation of 1/4 inch tape.

Asides from being a founding member of the Italian avant-rock group 3/4HadBeenEliminated, he has worked extensively with various musicians, choreographers and multimedia artists including Thomas Ankersmit, Antoine Chessex, Werner Dafeldecker, Anthony Pateras, and Robert Piotrowicz.
 
His studio compositions, documented on few records, often explore themes of the internal - represented both by the psychological and the physical - and of the occult, which with the use of spoken text makes them often deeply existential works, self-investigations of the psychological, emotional and irrational horror within.

The new record, 'Clonic Earth' is a perturbing, compelling and eventually mind-expanding work, marked by compositional strategies of exploded narratives, psychological insight and oracular literary references, where questions about the boundaries of spatial perception in the decoding processes of acousmatic music are overturned into existential, metaphysical questions. 

Tricoli's allegorical and philosophical universe takes the form of an unhinged mind's landscape swarming with estranged sound objects, and sometimes reminiscent, in the complexity of details and surrealistic effects, of Hieronymus Bosch’s larger paintings. Compared to his previous works, the content of 'Clonic Earth' explores more synthesized and heavily processed sounds, especially vocals, often appearing in the form of a religious, electrified chanting. 

The record is described by its author as a natural consequence of the internal collapse depicted in his previous record, 'Miseri Lares': "As if all the debris left inside my loudspeakers have been ignited to expand into the ether, to find a justification at the principle of Chaos, or Cosmos alike." 

This movement is expressed by references to the theme of fire as original matter in the Chaldean Oracles which, together with the later work of Philip K. Dick, are the main sources for the vocal/text elements of the composition. Fire, intended as the convulsive principle of existence, but also an ontologically terminal element - hence a representation of the infinite decay and a mean of communication with the otherworldly - serves the author a metaphor for the acousmatic listening experience itself: a borderline perception of sounds eternally fixed in their spasmodic disappearance, which could eventually drag us into a different layer of reality, drastically changing, subverting, or expanding the space in which they are diffused. A ritual, somehow, which may link the listener and the perceptive space that he inhabits with whatever lies beyond the loudspeakers, beyond the vibrating surface of the world.

Valerio Tricoli — I. The Hallowed Receiver (PAN 71)

We are an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.

A meeting point for music freaks from Brussels and beyond. A tiny kiosk bar serving eclectic music and drinks. Sometimes, in sunny summer days, a safe space to dance under the trees.

For general questions: info@kioskradio.com
For music submissions: music@kioskradio.com

Outsiders: OTOROKU w/ Billy Steiger @ Kiosk Radio 03.11.2022

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