Name: Acceptance by kiritchenko
Duration: 3 min 46 s
Description: Released on VA "Heiladans 9" on Móatún 7 records

The founder of the Next Sound festival and Nextsound label Andrey Kiritchenko celebrates the release of his fresh Cerebral LP. He has also prepared a playlist of smash hits from the stars of Noise, IDM and Experimental hit-parades.

Stay tuned @ www.20ftradio.net

Andrey Kiritchenko @ 20ft Radio - 24/03/2021

Kindred

Before The Night

Released on VA "Heiladans 9" on Móatún 7 records

Acceptance

New, old and timeless faves, plus some works in progress mixed together for https://soundcloud.com/latency-recordings label

Otto Sidharta - Gongs
William Selman - Polysemy
Makoto Shinohara - Alternances 
Susan Deyhim & Richard Horowitz - Tear
Asa-Chang & Junray - Tsuginepu To Itte Mita
Paul Lansky - Word Color
Andrew Pekler - Untitled, unreleased (Cicada + Bass)
Bellows - Untitled track from Sander EP
Sugai Ken - Okera
Andrew Pekler - Untitled, unreleased (Remix of recordings made in Uganda by Alyssa Moxley)
Seth Graham - Mas Que Fin
Mads Emil Nielsen - Soundtales excerpt
Phil Struck - Klouds
Dawid Szczesny - Drafts 1.7
Otto Sidharta - Gongs
Bobby Hutcherson - Prints Tie
Sote - Santour sample from Holy Error 
Don Cherry & Latif Khan - Air Mail
Ahnnu - War Stage
Terry Riley - Music For The Gift (part 1)
© - He Was 
Vapour Gourds - Low Jack Miniatures excerpt
Jasmine Guffond - Post Human

Magical Nihilism

with »redsuperstructure«, robert lippok created a new foundation for his musical endeavors. now – 7 years later – this system properly comes to life on »applied autonomy«. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks.

»applied autonomy« orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible.

layers are key when it comes to understanding »applied autonomy«. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance.

rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the EMS studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is »samtal«, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as »applied autonomy«.

the artwork for »applied autonomy« has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular AV performances.

Applied Autonomy

robert lippok »all objects are moving« taken from »applied autonomy«

@stacie-flur - guest mix for DI.FM radio (08.10.15)
www.facebook.com/stacieflur
https://www.mixcloud.com/stacieflur/stacie-fl%C3%BCr-guest-mix-for-difm/

This guest mix was recorded specially for DI.FM (Techno channel, E-Ville radioshow).
From my point of view, this mix is getting more actual as the time passes. Many thanks to Ercan Ateş for the opportunity to be heard on the DI.FM radio Techno channel. It was great!

Tracklist:
1. Function feat. Stefanie Parnow - Golden Dawn (2013) [Ostgut Ton]
2. Umwelt - Biological Entity (2005) [Satamile Records NYC]
3. Mikron - Product No (2014) [Zone]
4. Dax J - Dreamscape (2014) [Monnom Black]
5. Joey Beltram - Energy Flash (1990) [R&S]
6. ROD - Hux (2013) [Klockworks]
7. TV Out - Untitled (2015) [Parallax]
8. Terriers - Galactic Jack (2015) [Major Problems]
9. Binny - Mispress (2015) [Monnom Black]
10. Daribow - Immortal Soul (2015) [Dystopian]
11. Mike Parker - FWD (Donato Dozzy remix) (2011) [Prologue]
12. Mental Resonance - Passage (2015) [Fartlek]
13. Binny - Event Horizon (2015) [Monnom Black]
14. Drexciya - Black Sea (1995) [Warp]
15. Privacy - Constant Transient (2015) [Lobster Theremin]
16. Privacy - Apex Predator (2015) [Lobster Theremin]
17. Bintus - Reflections On Brown (2014) [Power Vacuum]
18. Binny - Quaratine (2015) [Monnom Black]
19. New Order - Confusion (1983) [Factory]
20. Bintus - Cylinder-bop (2014) [Power Vacuum]
21. Moby - Drop A Beat (1992) [Instinct]

Guest Mix for DI.FM Radio 08/10/2015

https://ostudinov.bandcamp.com/album/live-at-brave-factory-festival-2019

Brave! Factory

Brave! Factory 2019

Live @ Brave! Factory 2019

For our seventh instalment, Sote, or Ata Ebtekar, one of the most prominent current Iranian composers and sound artists has prepared a mix inspired by Unsound Krakow's mix, SOLIDARITY. This theme will explore how music unites, both on a sonic level via its presence in a physical space or online, as well as culturally and politically, through scenes, collectives and movements.

Sote has produced two of the most exciting albums from the last two years, Sacred Horror In Design (Opal Tapes, 2017) and the most recent Parallel Persia (Diagonal, 2019). Albums where he closely collaborates with traditional musicians such as Arash Bolouri and Behrouz Pashaei. Currently based in Tehran, he is one of the motors behind the vibrant and growing experimental art cultural scene in the country.

For this mix he explains that collaborating with talented musician friends such as Arash Bolouri who plays the santour on ‘Parallel Persia’, Pouya Damadi who plays the tar on ‘Parallel Persia’ and Behrouz Pashaei who played the setar on ‘Sacred Horror In Design’ has been critical to his electro-acoustic works in the past few years.                                                                                                         Since these mentioned electro-acoustic projects/albums have been about comradeship, he thought it would be interesting to go back about 10 years when I collaborated with the pianist and composer Mazdak Khamda who is a dear friend from his San Francisco Bay Area days: "And I decided to mix our album ‘Sonic Within’ with additional spectral editing. I feel like this work was overlooked by the media upon its publication and felt right to reintroduce it one more time in this shape and form. I greatly enjoy the balance between the acoustic and the synthetic bits on this material."

SOTE - Unsound SOLIDARITY, Sept 2019

My part of "High Voltage" project by Timothy Maximenko. This is an on-site live performance/manipulation of sound produced by a range hood in Kyiv, Basseina street, 5A on March 5th. 
-----------
У четвер, 5 березня, о 13:30, PinchukArtCentre запрошує на третю подію в рамках роботи художника, номінанта Премії PinchukArtCentre 2020, Тимофія Максименка. Захід відбудеться у міському просторі (в арці на вул Басейна 5А), (геодані — 50.441330, 30.522770), де відбудеться виступ електронного музиканта Аndrey Kiritchenko.
Робота "Під напругою" Тимофія Максименко являє собою серію партисипативних аудіо-перформансів, які протягом дії виставки відбуватимуться у дворах та арках різних районів Києва. У співпраці з чотирма українськими електронними музикантами, художник створюватиме серію партисипативних аудіо-перформансів. Саунд-імпровізації базуватимуться на звуках шумів електричних щитків, витяжок та каналізації. Цією роботою художник пропонує глядачеві уповільнитися та звернути увагу на місто як на живий організм, спробувати відчути його напругу та ритми, а також показати місто як простір для взаємодії, що об’єднує різні ком’юніті.

HIGH VOLTAGE by Andrey Kiritchenko

New EP out now on Peder Mannerfelt Produktion:
https://ffm.to/pmplus18
New release 'FERAL' out now on Detroit Underground:
https://detund.bandcamp.com/album/feral
New release 'Cerebral' out on Aud-Art: 
https://aud-art.bandcamp.com/album/cerebral
Bio:
Andrey Kiritchenko is a person known among experimental music fans as author and contributor of various critically acclaimed projects, founder of Nexsound records, director of NextSound festival, producer who has contributed his significant share into the development of electronic music scene in Ukraine.

Born in 1976 in Kharkiv / Ukraine and started his musical career in 1991 as a singer / song-writer in a local rock band. Being involved mostly in experimental electronic and electroacoustic music for years, Andrey gains recognition among the musicians and followers of this style all over the world. His recent activities range from indie-pop to free-improvisation, from melodic electroacoustic music to experimental techno.

So far he collaborated with Francisco Lopez, Kim Cascone, Martin Brandlmayr(Radian, Trapist), Anla Courtis, Jason Kahn, Jeff Surak, Saralunden, the Moglass and others; remixed by Andreas Tilliander/Mokira, Frank Bretschneider, Mikael Stavostrand, Frans de Waard/GOEM, Brian Lavelle, Scanner, Marcus Maeder and others; under all aliases he released more than 40 albums on labels such as Staalplaat, SPEKK, Ad Noiseam, Nexsound, Zeromoon, Bip-Hop, Neo Ouija, etc.; in 2006 nominated by Qwartz Electronic Music Awards in categories Discovery and Most Promising Artist, awarded in category Discovery; in 2006-2007 curates Detali Zvuku international festival for experimental music and related visual arts in Kiev; in 2007 participates in Ukrainian exhibition on the 52th Venice Biennale; in 2008-2009 curates Ukrainian magazine for contemporary music – Gurkit; since 2000 – director of Nexsound records; since 2013 – director of NextSound, international festival for advanced music and digital arts.

Acceptance

kiritchenko

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