Synthwave 4

Inspecta Gadget!

Action Retro Wave

Retro house

Synthi-2

dredge

Made with Korg Gadget & iPad2 from start to finish. Lovin' it.
I hope Korg adds a Vocoder.

Maximum Velocity (Korg Gadget)

soundcloud.com/tommy-music/
soundcloud.com/girlfriendrecords
www.facebook.com/shapirosally
Written and produced by Tommy and Johan Agebjörn. Taken from Tommy's album "Frequency Modulations" out now on Girlfriend Records. Also available as a download-maxi from
https://tommy86.bandcamp.com/album/why-did-i-say-goodbye-ep
http://www.junodownload.com/products/tommy-86-why-did-i-say-goodbye/2550189-02/
https://itunes.apple.com/se/album/why-did-i-say-goodbye-ep/id906352009

"...a lush, six-minute bout of sparkling, ’80s electro-encrusted breakup angst. This is sad disco at its finest." MTV Buzzworthy

http://www.muumuse.com/2014/02/premiere-tommy-why-did-i-say-goodbye-feat-sally-shapiro.html/
http://buzzworthy.mtv.com/2014/02/18/beyonce-betty-who-frankmusik/
http://www.obscuresound.com/2014/02/tommy-say-goodbye-feat-sally-shapiro/
http://electronicrumors.com/2014/02/18/audio-tommy-sally-shapiros-why-did-i-say-goodbye/
http://shremyslaw.blogspot.ie/2014/02/choon-of-day-why-did-i-say-goodbye.html
http://supmag.com/post/76989509570/brand-new-tommy-feat-anonymous-italo-disco-diva
http://www.undertheradarmag.com/media/why_did_i_say_goodbye_featuring_sally_shapiro_mp3_stream/

Tommy '86 feat. Sally Shapiro - Why Did I Say Goodbye

"...a mind-bending, eclectic and challenging sonic stream that doesn’t contain even a shred of pretentiousness, but is full of creativity, individuality, expressivity and outside of the box thinking." - Igloo
"Come to this show blindfolded and you’ll have a hard time believing the music is being created by just three people." – Capital Bop

"The Kandinsky Effect is an accomplished band not because they implement electronics into jazz music, but rather for how they utilize electronic configurations to make their music radiate." – Audiophile Audition

"...five solid years of recording and touring have fine-tuned their approach, stretching out beyond the confines of jazz into many directions, with electronics, funk grooves, bop, touches of punk, progressive rock, ambient and much more....not content to just re-tread what’s been done before them, but determined to break new ground at every turn, all the while keeping their sound completely listenable and satisfying." – Exposé

On Somnambulist, The Kandinsky Effect wields its musical power in a welcoming way. Their third album isn't form-eschewing free jazz, nor are the tonalities the trio employs particularly "out". The real revelation -- and revolution -- comes simply in the way saxophonist Warren Walker, bassist Gael Petrina, and drummer Caleb Dolister organize sound.

The trio is a purist's nightmare -- and not only that of a jazz purist either. Since their first, self-titled album came out in 2010, The Kandinsky Effect has been boldly blending jazz with elements of everything from hip-hop to electronic music, making for an idiosyncratic amalgam that never goes exactly where you might expect it to;  nothing can completely prepare you for its marriage of groove, atmosphere, and incendiary playing.
Bandleader Walker feels the album is the most effectively conceived collection of what he wryly calls the group's "nerd music" to date. "I feel like I had a clearer idea of what I was looking for in the sound of my compositions and how to approach writing for this group," he says, "it's a sort of coming-of-age piece."

The ability to incorporate a broad range of musical, geographical, and emotional influences into their music is at the core of The Kandinsky Effect's makeup. Formed 2007 in Paris, France, the original lineup included Petrina and Parisian drummer Gautier Garrigue. In 2010 they recorded their first album, The Kandinsky Effect. While influenced by hip-hop and electronics, the album was much more rooted in jazz and featured mostly acoustic instrumentation. Dolister joined for 2013's Synesthesia, which began to expand the band's sound, blending everything from Petrinas fondness for electronica to Dolister's love of heavy rock bands like Meshuggah, and Walker’s unique approach to composition and electronic soundscapes. 

Over the years, the group has traveled extensively, performing multiple trips and tours in Europe, Asia, and North America, perfecting what Dolister calls their "intellectual groove instrumental music." And from the slip-sliding beats and slithering sax lines of opening track "Copalchi Distress Signal" to the insistent pulse and layered, lyrical melodies of closing cut "Muji," there's a feeling of the refinement process reaching fruition on Somnambulist.

The Kandinsky Effect, "Somnambulist" from 'Somnambulist' (Cuneiform Records)

Late Night Memory

Action Jackson - Palm Kill

HERXHEIM

Wytchfinder '88

Ambergris

Peripherals

Sorus

its a demo, not mixed or mastered or properly produced =)

FUTURE CRIME Demo

Violence In Victoria

The sound of two burning fire tracks.
Written and produced by C.Bennett. © 2015. All rights reserved.

Los Angeles EP

Outatime

Buy on Bandcamp

the city- Intro

ON THE RUN

INTRUDER

Special futuristic version of "And Seven More"
22.03.2015
Sitar and voice (unedited)samples downloadable here: 
http://www.freesound.org/

And Seven More (futuristic version)

Hyperalloy Combat Chassis

The Highway Dead

single off my debut ep Light Night Mirage. amazing mix my the one and only mythical vigilante.

Manic Drive  -Mythical Vigilante Mix

No Remorse

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https://www.facebook.com/stonedpresidents

Hotspot

In a world where social collapse is surrounding everything. One man must survive through the chaos. Left behind in a city ravaged by vermin, scum and low lives the Night Marauder hides in the shadows to only come out at night and pilfer what's left of a dying city in order to escape it.. Somewhere beyond the darkness, the despair and into the Pacific Skyline. 

Drifting

Arcadia

Real gear, real dirty, a blast from the past, a sound forgotten with only our distorted memories to hold onto.

Overly Certain - 1995

IN POWER9

Escape From Neo Tokyo

Night City

Neon Drive - Final Training

Written and produced by Johan Agebjörn and Roger Gunnarsson. This remix (from the Beatport edition of "My Guilty Pleasure") dedicated to Fredrik Ramel.

ON THE RUN

- Kirk Gadget -