Over 50,000+ plays between Soundcloud, Spotify, and other streaming platforms, fieldcraft made his music homebase in Austin, Texas.

"i'm on my way" Beatport Hype Editor Pick first week of pre-release!

https://www.beatport.com/release/im-on-my-way/5262821


"Waves" by Ev Rymd & fieldcraft signed to trance legend John 00 Fleming's imprint JOOF Aura. 

https://www.beatport.com/release/waves/4739977



The story
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After 2016, a wandering soul traveling through a post-apocalyptic era, fieldcraft, wields make-shift electronic devices in hopes to find a cure for the ringing sounds he hears in his mind. 

The sounds of fieldcraft vibrate with storytelling emotion through the distorted analog rhythms as he's been sighted performing at several locales in Texas. 

Not much is known about him except that he harnesses sounds inspired from multiple cultures of distant eras in likes of house, downtempo, and break / hip-hop rhythms in hopes to find tones to heal the universe. 

He is known as fieldcraft, the American nomad.

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Incredible artwork illustrations by my good friend Brandon Paul (bpaul.art)

All other photos & imagery created by fieldcraft.
field_codecs label creator

Da Sunlounge - Myna Music/Borrowed Music/Bambino
Bookings contact - bookings@dasunlounge.com

Da Sunlounge, based in the Midlands UK, began DJ’ing in the deep house scene over 20 years ago. In the early days of his career, he co-hosted the successful Travelling Without Moving night and shared the 1210s on many occasions with the likes of Terry Francis, Clive Henry (Peace Division), Andy Wetherall, Rob Mello, Atjazz, Digs’n’Woosh, Rocky, Elliot Eastwick, Fred Everything, A Man Called Adam, House of 909, the DIY DJ’s plus many more.

In 2000, he played out a dub plate of one of his first productions. The guest DJ, Clive Henry (Peace Division) immediately signed it to his label, Low Pressings. Later that year, Da Sunlounge followed it up with a second release on Low Pressings, which was played by Danny Rampling to open his Radio 1 show live from Ibiza.
Shortly after, Da Sunlounge was head hunted by Canadian label 83 West to release on their sub-label Camouflage recordings. Alongside the likes of H-Foundation, DJ Sneak, Peace Division, Gene Farris, Stacy Kidd, and DJ Rasoul.
As his career progressed, Da Sunlounge went on to release on numerous labels including, Cajual, King Street, Defected, Mother Recordings, 2020 Vision, OM, Salted Music, Outcross, and remixing artists such as Mood II Swing , Crazy P & Roland Clark, and more recently Miguel Campbell & Sonny Fodera.
His music also found its way on to front cover mounts such as Mixmag, and compilation CDs by Fabric, Defected, Ministry of Sound, Mn2S, NRK and Hed Kandi.

In 2001, his own label Myna Music was launched, gaining support from a wide array of DJs around
the globe and picking up plays on leading radio stations such as Radio 1. Myna has remained strong over the years and reached it’s 15th year anniversary in 2016 with a back catalogue of over 60 releases. In 2005, Da Sunlounge launched his second label, Bambino Recordings.
In 2008 he joined forces with Andy Riley (Inland Knights) to launch the Borrowed Music label.

The success of Da Sunlounge’s productions subsequently led to a busy international DJ schedule, playing at some outstanding events. To name a few memorable ones...
- DJ’ing at the top of Sugarloaf Mountain in Brazil
- Boat party around Sydney Opera House and the Harbour Bridge
- Playground Weekender in Australia on the same bill as Laurent Garnier
- Pacha, Dubai on the same bill as Dimitri from Paris
- DJ’ing within a castle grounds in Bratislava
- Playing huge beach parties to 1000s in Eastern Europe
- At home in the UK, at the world renowned Fabric, Abode & Hot Bed events in London.

Over the past two decades, DJ’ing has taken him to the USA, Brazil, Mexico, Australia, New Zealand, Malaysia, Dubai, South Africa, Serbia, Spain, Czech Republic, Lithuania, Georgia, Croatia, Turkey, Slovakia, Poland, Denmark, Latvia, Germany, Belgium, Bulgaria, Norway, Russia, Sweden, and of course all over the UK.

2019 still sees Da Sunlounge holding his own, with chart topping tracks on Beatport & Traxsource, and gaining a place in the Traxsource top 100 Artist's and best selling tracks of 2015/2016/2017/2018.

Releases on:  Cala Tarida Musica, Whiskey Pickle, Finely Tuned, 4E&A, Higher Love Recordings, Eclectics, BIG Speaker Music, Toto Recordings, TKC Music Group, Denied Music, Life Music, Siesta, Nylon Trax, Electronic Petz, Eighth Dimension, Shiny Clean Records, LW Recordings, Cromarti, Discomfort, Not So Fast, Rachdingue, Ditrec Records, Degrees Ov Separation, Warped Recordings

Resident selector of STRANGE_DAYS Radio Show
http://mixcloud.com/STRANGE_DAYS

To be a successful house music producer, you have to make tracks that DJs want to play. And, to be a good DJ, you have to play music that inspires people to move their asses. Simple in theory, but not in execution. Wally Callerio’s inherent ability to do both — and to do both well — has served him justly over the last two decades, establishing him as an artist with talent, vision and staying power in a genre that has navigated tumultuous highs, lows and growing pains in between.   

With over 30 years of experience behind the decks and in the studio under his belt, Callerio has put out a remarkable 250 original tracks and remixes on over 50 labels worldwide. Most recently, his music has been released on such respected heavyweights as Defected, Cajual, Farris Wheel Recordings, Grin Music and Sampled Recordings. In addition, Callerio has earned accolades under his alter ego moniker Poncho Warwick, consistently ranking as a top annual pick for best chillout artist on Beatport.  

In his role as Music Supervisor for “Unconscious Therapy,” a documentary released in April 2016 that chronicles the rise and evolution of house music via the lens of Frankie Knuckles and his fellow innovators, Callerio took on the crucial responsibility of​ ​ licensing and curating the film’s soundtrack.​ ​ He is also a featured artist in the documentary, alongside Mark Farina, Derrick Carter, Masters at Work and a bevy of other house icons.   

Possessed of an entrepreneurial spirit and willingness to embrace change, Callerio has earned and enjoyed enduring success as both an artist and label-owner. Los Angeles-based Dufflebag Recordings, which Callerio launched in 1998, has been churning out deep and funky grooves suffused with soulful vocals since its inception, and the label boasts an impressive roster of artists that includes Demarkus Lewis, Manjane, Alysha Kid, Corduroy Mavericks, JT Donaldson, Natural Rhythm, Ryan Truman and R&B legend Jon B. under his moniker Jah Ques.   

For Callerio, house music still holds just as much untapped potential as it did when he first cut his teeth on the genre in the early nineties — and he’s never been one to rest on his laurels when his passion is at stake and opportunity abounds. “I don’t try to predict the future of house, I try to give it my imagination and push with my music,” Callerio says. “I try to inspire people into making and playing the right stuff.” That drive and openness have kept Callerio prolific, relevant and on top of his game — and better still, are a promise of many good things yet to come.   

Kinky Movement, formed in 1997 by friends in Nottingham passionate about house music, began hosting events at venues like the Sky Club (later Blueprint), The Bomb, Dubble Bubble, and The Edge. Members Andrew McLoughlin, Lee Eden, and John Symms transitioned into music production, releasing their first track in 2004 on Tango Records. Since then, they’ve produced over 300 tracks and remixes across more than 50 labels, including Salted Music, Large Music, Swing City, Drop Music, King Street, Jalapeño, and Erase. Their extensive discography has led to performances in over 20 countries, including Australia, the US, New Zealand, Russia, South Africa, Bulgaria, Belgium, Georgia, and Ukraine. Their music has been licensed to Armada Music and Hed Kandi compilations and featured on BBC Radio 1 Extra by Monki. With new releases planned for 2025 on their label Replay Recordings and others, Kinky Movement continues to thrive in the house music scene.

Duke Dumont is a contemporary electronic music powerhouse. Deeply committed to creating high quality music imbued with emotional depth, Dumont is versatile, extremely adept and hard working. His illustrious career has taken him on tour around the world, many times over, and placed him in the top tier of electronic music artists of his ilk.

Since 2007 Duke Dumont has channeled his deep love for electronic music into a variety of acclaimed releases, moving through pumping electro and vibrant techno to conquer the UK charts with “Need U 100%.” His early releases on Tiga’s Turbo Recordings helped establish his reputation for producing high quality club music that moves the dance floor, physically and emotionally. By 2012 he’d produced two career-defining EPs - For Club Use, Vol 1 and For Club Use, Vol 2. Tracks like “The Giver” cemented Dumont’s rep for catchy hooks, precision arrangement and powerful emotion. A year later he hit the No.1 spot in the UK charts with “Need U (100%) (featuring A*M*E),” demonstrating his ability to merge classic house motifs with first-rate songwriting.

“Need U (100%)” was followed with another UK No.1 “I Got U,” both songs achieving platinum sales. Between 2013 and 2020 he hit the Billboard Dance Chart No.1 with seven singles, including "The Power,” “Won’t Look Back” and “Ocean Drive.” With each release Duke Dumont stayed true to his club roots, achieving widespread success.

DJ Mes

Guesthouse Music // Oakland, Ca

Bay-Area bred DJ Mes (Jason Sutton) rarely slows his groove. Since the 2004 inception of his Oakland-based label, Guesthouse Music, Mes has produced a prolific catalog of bass-heavy tracks that have scorched dance floors amid the ebb and flow of electronic music. As a DJ, his sets have inspired; as a producer, his montage of disco-dredged beats meld bump with rhythm and bass to create hot buzz in front of and beyond the speakers. In 2011, Traxsource honored Mes with the top spot on a list of 100 best house tracks of 2011 following the release of the bumpy Chicago-sound behind “Fools Gold” (Cajual Recordings). 

Mes’ career dates back to the mid-1990s, when the future producer took early influence from the likes DJ Dan (Funky Techno Tribe) and Tony Hewitt (Tango Recordings). Some two decades later, it would be DJ Dan who would join the talent ranks of Guesthouse Music, Mes’ genre-defying imprint that earned him notoriety beyond numerous festival appearances, club residencies, and as co-founder of Daddy’s Records (1996). Unlike previous endeavors, Guesthouse bloomed as a personal and creative project inspired by the underground house community that embraced the sound in the U.S. and overseas. While Mes continued releasing tracks on acclaimed labels such as Nettwerk, Black Cherry, Magnetic, and Flapjack, it was his own Guesthouse Music that set the pace, releasing 150 EPs—including 40 vinyl releases—since its inception. 

Mes’ ear for talent led to the unveiling of some of the most successful names in underground house, including breakout artists of 2011, J Paul Getto, who scaled the charts of Traxsource with “Need More Music” and “Paris Fried Chicken” Boundary-bending producers, such as Gramphonedzie, and classic acts, such as Cosy Creatures and The Sound Republic, exploded onto the scene under Mes’ own A&R moxie. Even while he introduced new DJs and producers to audiences, he continued creating his own body of boompty sounds.

 While Mes looks ahead for talent, he creatively nods to sounds that inspired him to slide behind the decks more than 16 years ago. In 2011, Mes followed up his seminal “Fools Gold” release (Cajual Recordings) with a second EP, “Town Business.” “Love Affair,” a rework of First Choice’s classic “Love Thang,” climbed the underground charts alongside a remix of Two Ton’s Of Fun classic, “I Got the Feeling.” Even while maintaining a regular touring schedule throughout the U.S. and Europe, Mes continues partnering with the some of the scene’s most lauded producers, such as DJ Sneak and his own greatest influence, DJ Dan. 

In December 2011, Mes and Guesthouse created another piece of house music history by releasing their 100th track, “3000” (J Paul Getto). For Mes, it marks the beginning of another phase of underground house evolution. 

Adds Mes: “I’m always working to sign new or undiscovered music and talent to the label, and maybe even throw a curve ball to startle people with a new, unexpected style or sound. It’s what it’s all about.”

Connecting club culture to the wider world, on screen and irl through parties, film and video.

In 1998, songwriting & production duo Emily Haines & Jimmy Shaw formed what would become Metric and left Toronto for NYC in search of like-minded artists. In 2001/2002, they were joined by drummer Joules Scott Key & bassist Joshua Winstead, and found themselves at the center of the city’s burgeoning alt-rock scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol and more. Unlike their peers, Metric resisted major label offers, releasing albums that pushed boundaries on their own terms.

Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. By constantly upping themselves across nine unpredictable and adventurous studio albums, the trailblazing Toronto outfit founded by Emily Haines & Jimmy Shaw is proof that you can amass an untouchable catalog without signing to a major label or changing your lineup. Their latest LP, Formentera II, out October 13 via their label MMI & Thirty Tigers, is a testament to their singular purpose. It stands among their best and most genre-defying work and closes the 18-song cycle started by 2022’s critically acclaimed Formentera

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