i keep coming back because i keep coming back because i keep coming back

Zach_Pawnshop_mix

4 Jahre nach seinem ersten aequalmix kehrt Kontinum in die Podcastreihe zurück und liefert einen Mix der sich klanglich außerhalb des konventionellen Clubsounds bewegt. 

@kontinum

Next Aequalis @ IFZ: 16.09.2023 w/ D-Leria, n.akin, Medha, Quartal, Zan
artwork: Sophia Loth

kontinum // aequalmix #15

Recording from my HÖR Berlin stream on August 31, 2023.
Enjoyed going fully into my cinematic realm for that one.
DL Available!

https://www.youtube.com/watch?v=sDufrRjXKfw&t=2204s

Tracklist:

1. Quelza - Unreleased 
2. Quelza - Unreleased
3. Dylan Henner - A Raccoon Got Loose In The House And Fell Asleep In The Laundry
4. Dimi Angelis & Jeroen Search - Oneprox (S100 Remix) (A&S)
5. Quelza - Unreleased
6. Augusto Taito - Rumour Circuit (Immaterial Archives)
7. Architectural - 5.1 (2022 Re-Mastered) (Architectural Rec)
8. Quelza - Unreleased
9. Mike Storm - Today And Everyday (SYMBOLISTM)
10. Tadeo - The Globular Ray (Token)
11. Developer - Sin Luz (Semantica)
12. Architectural - Life (Architectural Rec)
13. Zadig - The Mysterious Case Of Harry Lime (Deeply Rooted)
14. Mary Lake - Tessa Drive (Nous’klaer Audio)
15. Kr!z - Evil Eye (Blueprint)
16. Quelza - Unreleased
17. Forest Drive West - Ritual (Livity Sound)
18. Vertebral - Pedal (Modularz)
19. Quelza - Unreleased
20. Sandwell District - SVAR (Sandwell District)
21. Quelza - Unreleased
22. Tadeo - The Labyrinth (Token) 
23. Architectural - MM(tool) (Architectural Rec)
24. Efdemin - Move Your Head (Curle Recordings)
25. Altinbas & Cirkle - Nightwalker (Voltage Imprint)
26. Sterac - S.O. (Token)
27. Decka - Alleviate (No Signal Records)
28. Dylan Henner - We Could Hear Them Singing From Across The Valley (Quelza Unofficial Edit)
29. Quelza - Unreleased Outro

Quelza at HÖR BERLIN, 31.08.23

REC 017 w/ Philippa Pacho

The REC series compiles outstanding performances recorded in the club throughout the year, highlighting artists representing our love for electronic music.

A look back at Philippa Pacho’s profound performance in our Room 01 at the positivesource showcase, which she co-founded hand in hand with Blue Hour. The Stockholm-born artist delivered a knife-edged vision to techno during a two-hour memorable set at her imprint night in Fuse.
 
Like a gentle hold, Philippa's narration is as tactile as poignant. Dark without being obscure, musing yet energetic, no one can doubt the decade of musicality that has flowed through her veins ever since. Drawn to sharp kicks or a few clipped vocals here and there, Philippa Pacho's mix is an invitation, or even more an exploration, to a complex and appealing inner world. A stand-out. 

▪️ Soundcloud: @philippapacho
▪️ Resident Advisor: ra.co/dj/philippapacho
▪️ Discogs: discogs.com/label/2161087-positivesource
▪️ Bandcamp: positivesource.bandcamp.com
▪️ Instagram: instagram.com/philippapacho
▪️ Facebook: facebook.com/philippapacho

Philippa Pacho — Recorded live at Fuse Brussels (16/09/23)

2024/06/08
Mo:Dem Teaser Taiwan Party Opening 
💚

🛸🪸🌳🌚 KITrust 👁️ Mo:Dem Teaser Taiwan 🌝🌊💐🍄

Motor City Drum Ensemble closing out Dimensions 2015 with a little help from Jeremy Underground.

www.dimensionsfestival.com

RA Live - 2015.08.30 Motor City Drum Ensemble feat. Jeremy Underground, Dimensions Festival, Croatia

► Palms Trax for President
► Subscribe to our YT channel: http://blrrm.tv/YT

Palms Trax | Boiler Room x Dekmantel Festival 2018

Recording of Palms Trax' set at Dekmantel Festival 2019.

Dekmantel Festival 2019

Palms Trax at Dekmantel Festival 2019

Mix for the virtual event "Club Quarantäne" on the 27th of June 2020

Tracklist:
Credit 00 “Super Scratch (Egyptian Lover Remix Acappella)”FM Label
Rene Wise “Juggler” Reclaim Your City
TWR72 “Ultraviolet” Inguma Records
Phara “Dear, Come In” SK_Eleven
Bas Mooy “Kameleon” Mord
Tuber “Second Choice” Inguma Records
Exium “Inner Mind” PoleGroup
Nørbak “Pledge I” Attic
d_func. & Mario Berger “Clarity” Basovoe Techno
Reeko “Scientist Accidents” Mental Disorder
Pwcca “Ningyo” Koryu Budo Records
Mike Davis “Beyond The Zero 2” Brenda
Kessell “Processed For Use” Warm Up
Xhei “Grater Galle” Prophecy
Developer “Boogie Down” Modularz
Pfirter & Oliver Rosemann “Alpha 03” Mindtrip
Kaiser “Time Moves Slow” KSR
Kaiser “It Never Ends” Prophecy
Dimi Angélis “Eastern Phantasy” ANGLS
Developer “Head Hunter” Modularz
Ausgang “Pteron” Ausgang
Client_03 “Personality Converter” Astrophonica
Drexciya “Welcome To Drexciya” Underground Resistance

NOTE: Please share the labels when you publish the tracklist of your mix... lately it looks like is not cool, the labels are the ones that invest on artists.

Freddy K - Club Quarantäne 27.06.2020

You see a mix, but we see the portal to a land where music has nos boundaries, no limits, where goa trance meets tribal gems, where ambient meets synth melodies, feel free to loose yourself. Eiger Drums Propaganda is keeping an eye on you!

Artwork by @anne-marie-gratton

Karagi ಏ Eiger Drums Propaganda

2021's first mix in line comes all the way from sunny Australia by dear friend Lauren Hansom (@laurenhansom). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome on board Lauren. How was your start of the new year? It's summer where you are now right? That must be nice :)

LH: Hiii! Thanks for having me onboard :) The New Year has been great. Spent time surfing & soaking up sunshine in Australia.

MFM: You moved back to Australia last year. What has been keeping you busy there since? 

LH: I moved from Amsterdam to Berlin at the end of 2019 and went to Oz in February 2020 for a holiday. COVID hit, so I ended up staying. An easy decision with nature, beaches, food etc. Although, I’ve pretty much been living out of a suitcase as the majority of my stuff is in Berlin. I bought a Yamaha RM1X & a Poly800 last year to do some music and learnt The Mandalorian theme tune. I’ve also been learning more about quantum mechanics & biology plus space, which actually led me to find more cosmic sounds in genres from IDM to new wave for example. Imagining space with a multitude of soundscapes is pretty neat. 

MFM: While many DJs jumped on the streaming bandwagon it looks like you kept rather quiet over the last months. Is that for a reason? Did you maybe find other ways to creatively let go, or...?

LH: Thought you wouldn’t have noticed - was secretly trying to pull off a “Homer Simpson disappearing into the hedge”. Streaming is a great way for people to stay connected given the circumstances. For me, having a live crowd is always part of my process. No crowd, no party (or a one person party - not bad for these days, actually...). Also not having any gear here made it hard, especially with lockdown and social distancing.

MFM: Things were going really well for you as a DJ, your career seemed to be in a lift. What do you now hope for when touring becomes an option again? Has 2020 changed your perspective? 

LH: Thank you for saying so. I was pretty overwhelmed by how often I was playing and am grateful for it. It’s still very much a “pinch-my-arm” thought. I really would love to continue sharing tunes & creating musical experiences in some capacity. I’ve been thinking about Music Supervision within film & TV, so have been spending time on the side looking into that.

MFM: I've heard quite a few DJs saying they lost the urgency or need to listen to dance(floor) music. How is that for you? Have you been keeping track with new music lately at all? 

LH: I’m always listening to different styles, especially non-club music as it’s sort of where I started. Although I’ve enjoyed the holiday of not having to find a billion new tracks before every weekend, I’ve still been following new releases & it’s been interesting to hear how music has been shaped by the pandemic.

MFM: How would you describe that shape shifting? 

LH: I noticed more people collaborating from afar due to social distancing, restrictions and general lockdown. I think this allowed for some experimentation in a way and often that leads to something surprising and new. Sonically and stylistically, I think 2020 was really diverse as opposed to previous years where there was definitely a “Sound of Summer” so to say. There were also a great deal of compilations for new music to support artists affected by event cancellations and club closures.

MFM: About the mix, do you actually prefer a mix request to come with some kind of theme or direction to it, or do you value the freedom more? 

LH: Both. It’s nice having a brief as it gives you boundaries & pushes your creativity. Sometimes too much freedom can make it difficult. That said, I’m always imaging stories & daydreaming, so often the imagery in my mind’s eye gives me a good starting point. Once I have an idea, I create a selection of music & work out a way to make it all flow until there is some sense of an emotional ark & musical journey.