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Pwr Serg ⚡️ – DJ | Artist | Community Builder
 EMP Student @MusiciansInstitute
“Music Has Healing Powers”
#pwrserg⚡️

Freak-When-See is an aspiring Beatmaker/Producer from Belfast UK.


Freak-When-See fell in love with dance music from an early age during the early 90's, borrowing (stealing lol) his older sisters vinyl records and cd's of artists like The Prodigy, The Shamen, Capella, 2 Unlimited and N'Trance to name a few. 



As Freak-When-See advanced into his mid teens he started making and swapping mixtapes with friends who were into the Hardcore Techno Rave scene, with artists such as Carl Cox, DJ Trix, Binman, Scooter, DJ Scott, Robbie Nelson and Tizer.



By the late 90's Freak-When-See became an avid clubber in the Belfast scene after listening to popular DJ's on BBC Radio One, like Pete Tong and Judge Jules who played the best House, Trance and Techno every weekend, which inspired him and his friends to frequent popular nightclubs like Paradise Lost, Thompson's Garage, Dempsey's Terrace and The Network.


https://youtube.com/@reclewsiveraver9475?si=rKHOCx7IevODBz4y

https://x.com/FreakWhenSee81?t=jBjnygSjeJGsHWDbYzkpBg&s=09





Deeper Tong is a producer and DJ shaping a unique space between Indie Dance, Peak-Time Techno, Progressive House, and Melodic Techno. His music blends synthetic textures, hypnotic grooves, and a cyberpunk‐inspired aesthetic, creating soundscapes that feel both futuristic and deeply emotional.

Based in Europe, Deeper Tong is steadily building his presence with releases that carry a signature sound — dark, driving, and cinematic. His track “We Are Ghosts ” became a standout in the Indie Dance scene, while collaborations such as “Shadow Traffic” with Noda showcase his ability to merge energy and atmosphere into one powerful flow.

Recently, Deeper Tong began collaborating with The Red Vinyl Collective, marking a new chapter in his artistic journey and expanding his global reach. He also started working with Something Spaecial, further enhancing his creative network and presence in the scene.

More than just music, Deeper Tong crafts experiences: stories told through beats, journeys unfolding on the dancefloor.
Deeper Tong — sound that connects mind, body, and future.

Music Producer
21

With over 10 years of experience in most likely techno and hard house, music is more than just a passion it’s my daily grind. For the past decade, I’ve been producing every single day, chasing the perfect balance of energetic beats and heavy basslines that drive the dancefloor. My vision is clear: to perform at a festival with over 10,000 people and I’m determined to claim that spot.

Starting in 2026, I’ll take my sound beyond the studio and onto the stage, bringing high energy sets to events and festivals. This is just the beginning the journey of Adam Sonaer is only getting started.



Tiktok: www.tiktok.com/@adamsonaermusic
Started on 20 augustus 2025

Black Out The Sound

https://linktr.ee/marlon__music?utm_source=linktree_profile_share&ltsid=47edf6c8-d288-4e62-9dcd-06486b54990d

🎚️Bass House / DnB
Sounds to break conformity.
Contact: djkjunto@gmail.com

G-Sak is an electronic music producer and DJ from Greece, blending Deep, Soulful, and Melodic House with Progressive vibes. His sound is emotional yet club-ready, aiming to connect people through rhythm and atmosphere. Guided by the motto "We Are Music," G-Sak creates experiences that resonate beyond the dancefloor.

Bass-driven electronic project blending techno, progressive, and future acid. Known for immersive soundscapes and heavy low-end, Kik Science delivers transmissions built for the floor and the circuit.

Each release and set channels atmosphere ∴ intensity ∴ precision — shaping the underground frequency.

Label: Sub Sync Records (@subsyncrecords)
Affiliates: G-Mafia Records (São Paulo) ⌖ Mustache Crew (Brazil) ⌖ Galactic Bamboo
SSR HQ: @subsyncrecords
Axis: YYC ⇌ BER

◉ Our story continues…

The stars had dissolved into pale threads of light, bending endlessly around them. Driftspace was never silent; it hummed—low, unstable, alive. Neon pressed her hand against the bulkhead, feeling the vibration pass through her skin like a second pulse.

“We bought time,” Thorne said, hands moving across the helm. “But the Vantoth won’t stay scattered for long. They’ll recalibrate, triangulate our echo. Mystica’s reach doesn’t end at the corridor.”

Neon studied him. His voice was too calm, the same way it had been when he bluffed the cascade. She hated how convincing he sounded—even to her.

“What aren’t you telling me?” she asked.

Thorne hesitated. His eyes flicked to the navigation screen, where a single glyph burned faintly in the corner: ∴.

“That’s not a drift marker,” Neon whispered. “It’s a seal.”

Thorne nodded once. “Old code. Buried before the wars. Coranthium doesn’t just power ships, Neon—it opens gates. If Mystica wanted it, it’s because they’ve found the lattice.”

Her stomach dropped. The lattice. A myth, or so she thought—an interlocked network of corridors between sectors, some stable, some collapsing. Legends said the ancients locked it to prevent entire systems from folding into each other.

“And you… you have the key?” she pressed.

Thorne’s hands stilled. The hum of driftspace grew louder, or maybe it was just the pounding of her heart.

“Not the key,” he said finally. “A shard.”

Before she could respond, the console flickered. The ∴ seal pulsed once—twice—then spread across the screen like veins of light. Driftspace around them warped, folding inward.

“They found us,” Neon breathed.

“No,” Thorne said, jaw tightening. “Someone else did.”

The ship shuddered violently. Outside, driftspace cracked like glass, revealing a sphere of impossible color—a station, suspended where no station should exist, thrumming with signals older than their war, older than Mystica.

The shard in Thorne’s hand glowed to life, resonating with the fractured seal.

“Welcome to the lattice,” he muttered.

the DustRoom is an electronic producer and DJ from Sheffield, UK, creating a unique sound that blurs the lines between drum & bass, neurofunk, and cinematic atmospheres. Often weaving in heavy guitar riffs he records himself, his music combines raw energy with immersive sound design to stand apart in the electronic scene.

Beyond music, he collaborates across creative and lifestyle spaces, especially in the motorcycling world, bringing machines, culture, and sound together in distinctive ways.

With a style that is unmistakably his own, the DustRoom continues to release boundary-pushing music that resonates across streaming platforms, radio, and live.