other cool music

GROS MOUVEMENTS

la spéciale twerkish

More information: http://shapeplatform.eu/2018/shape-platform-announces-2019-list-of-artists/

SHAPE Artists 2019

m.mixtape10

This is a snippet from the album "Dead Resonance" By Tenshun & Bonzo.
The release date for the album is March 18 2014.

Dead Resonance snippet

Our Path Of What We Desire by Valance Drakes from the cassingle Memory Of Yesterday on I had An Accident Records August 12, 2014.  www.ihadanaccidentrecords.com

Valance Drakes - Our Path Of What We Desire

Limited Free Download! Remix we did for our beloved friend and super talented artist Hila Ruach...


Hila Ruach  -Duba Grizlit (Red Axes Remix)

BKR 006 
HELLO 2017 
13 TRACKS FULL OF FAYA & LOVE 
FREE DOWNLOAD 
Artwork By Julie Moline
Share The Faya , Spread the love

Bamao Yendé  - Wesh Zulu

taken from the album Livity,to be released the 20th of october on Versatile records
It's already been 5 years since the last Zombie Zombie album "Rituels d’un Nouveau Monde" has been released, after which the group has explored other territories by signing 2 film scores; "Loubia Hamra" by Narimane Mari and "Irréprochable" by Sébastien Marnier, as well as creating the music accompanying a contemporary circus show called "Slow Futur" by Martin Palisse and Elsa Guérin.
Wouldn't these beautiful parentheses make you want to return to the sources? After 10 years at Versatile Records, 2017 also marks the anniversary of the release of their first album "A Land for Renegades" in 2007, at the time considered to be one of the 10 best albums of the year according to Rough Trade.
This new opus "Livity" seems to plunge us into science fiction, with a cover designed by the mythic cartoonist Philippe Druillet, who is also the founder of the Métal Hurlant comic series. The title of the album is somewhat misleading, as one could think of a certain dub record made in Jamaica at the famous Compass Point studio at the Bahamas. If you didn't know, "livity" or "life force" is actually a Rastafarian concept. The record was finally recorded last winter in Paris, in a very short time frame. 7 tracks played live in 7 days, by Etienne Jaumet (synthesizers / rhythm box / metallophone / sax), Cosmic Neman (drums / vocals / sound effects), and Dr. Schonberg (percussion / electronics / trumpet), recorded at the Red Bull Studios by Thibaut Javoy and Jerome Caron, their 2 very competent engineers. To keep it in the family, the album was then mixed by another member of the Versatile stable, the mysterious and legendary DJ/producer I:Cube, done in the label's studio, Victor Studio.
On this album the principles that are dear to the group rest being respected, still as far as always from the standards of 'radio play'. A living kind of music, composed of long instrumental moments recorded with analog synthesizers and drum machines, accompanied by drums and percussion. But I:Cube's touch may bring that unique energy that one finds at the group's concerts; on certain titles like Livity (with its classic 808 drum kick club side, well ahead and bewitching with jungle sounds recorded in Laos) and especially on Hippocampe, which gives the impression of hearing an old school hip hop rhythm with the power of a metal band, having replaced their guitars by synthesizers: recommended to listen to in a convertible at the ring road.
The cinematic connotation is still strong, on titles like "Ils existent.." or "Acera", originally composed for ciné-concerts accompanying films by Jean Painlevé et Maurice Pialat. The energy of the beginning is still very present, as is - of course - the kraut inspiration. But it's also an album that takes new directions, like on “Looose”, which brings to mind the "Art Ensemble of Chicago", like a groove of James Chance in New York in the early 80's, with the free sax solos of Etienne Jaumet and Dr. Schonberg with the trumpet. The group also offers some slower and calmer titles, like "Heavy Meditation", as well as to explore new more experimental tracks in the line of French 70's groups such as Lard Free or Richard Pinhas, for example on the bonus track "Black Moon". 
Take your time, and enjoy listening!

http://bit.ly/2w4ndGW

Livity(album mix)

Parisian DJ Betty Bensimon mashes electro, gqom, footwork and Sonic the Hedgehog on this rapid-fire showcase.

For more information and tracklist head here: http://www.factmag.com/2017/08/22/betty-bensimon-fact-mix/

FACT Mixes

FACT mix 615 - Betty (Aug '17)

Buy it also from here: 

https://www.beatport.com/release/mama-eh/2072328
https://www.traxsource.com/title/836775/mama-eh
https://boomkat.com/products/mama-eh
https://play.google.com/store/music/album/Freak_De_L_Afrique_Mama_Eh?id=Bfwrqjpjiockf4x7ca7i6bha5n4
https://www.amazon.de/Mama-Eh-Freak-L-Afrique/dp/B073ZM7BWT
https://freakdelafrique.bandcamp.com/album/mama-eh

Remix by @jowaajowaa

Berlin, the capital of Germany, has birthed a new sound: Berlin Afro House. Yes, you wouldn´t associate the techno focussed city with an African diasporic community nor with the rhythmical magic tracks that currently emerge from countries such as Angola, South Africa or Mozambique. Yet, a small but very well connected group of DJs and party promoters recently put Berlin on the international Afro House map.

With their monthly party-series such as “The Afro House Experience” or “Black Paper” the Berlin based DJs Mista Wallizz and Cambel Nomi have created a unique set of club nights that focus on the current club sounds emerging from across Africa that re-define the club sound of Berlin. Not being satisfied with their successful nights and increasing international DJ bookings, Wallizz and Cambel decided to start their own artist project and called it Freak de l´Afrique (The freak from Africa). The debut single is here now, and it´s called “Mama Eh”. In this club banger you hear the best of Afro House clashing with the melodies of UK grime and the grumpy attitude for which Berlin has become internationally known.

Cambel and Wallizz travel regularly to Luanda, a global capital for Afro House Music, and recently they also shot the video for “Mama eh” there together with the local dance community.

Of course “Mama Eh” is released on Man Recordings, Berlin´s only record label championing club sounds from the Southern hemisphere for more than a decade. Two remixes accompany the single release. First up is Jowaa from Accra in Ghana, the producer and DJ team consisting of Benjamin Lebrave of Akwaabaa Records and Accra allround talent Gafacci. The second remix dives into deep Afro house with X-Trio from Luanda, Angola who smoothed out the in your face sound of the original into tribal territories. A stunning debut track plus two hot remixes – Freak De L´Afrique are here to stay!

Mama Eh EP

Mama Eh

Freak De L'Afrique "Mama Eh" (Jowaa 'Papa Wei' Mix)

- the second release in our series, curated alongside @classicaltrax 

- download: http://bit.ly/2Ebu2KB

-sounds from:

@strick
@iamquestionmarc
@jamesbangura
@jg_jour
@plvybxy
@mojogoro
@bl-nco
@yumeka-ah
@thisislenfant
@bamaoyende
@lighghtofficial
@pastichecph
@armasounds

Pineal Sounds & Classical Trax Presents : Slam Jam Vol. 2

Bamao Yendé - Zenga

Dj Lycox FT DJ ADAMM - SPRITE  TOSEINA

From LA BILE - La Sublimation du Poulpe [DMS022]

Out on march 20th
Cassette + Digital
Pre-order : https://tripalium.bandcamp.com/album/dms022-la-sublimation-du-poulpe

Also known under his "drunkcore" name Clotaire 1er, french producer La Bile is releasing his first EP with that new alias he's using for a kind of groovy industrial braincore for wasted weirdos. Expect beauty and violence in that fucked-up mix of rave, bass music, hardcore and IDM !

TRACKLIST :
A1. La Flexion du Tibia 
A2. Linowet 
A3. Face Z 
B1. La Piscine 
B2. Le Pied 
B3. Bonko Carabien 
B4. Le Chat Balai

Mastering by 4bstr4ck3r
Artwork by Constance Social Club
[TRIPALIUM CORP] - Digital Mutant Series 022

La Bile - Face Z [DMS022]

Dj Flex - Eggplant Afrobeat (Desdel Barro Bootleg)

Madrid-based producer Bawrut is back on Ransom Note with his '4x4' EP consisting of four leftfield bangers, including the peak-time techno cut 'Three Sounds' that delivers pure dancefloor euphoria.

A regular player on the Ransom Note imprint, Bawrut has emerged in recent years with widely discussed sets at Sonar and Farr festivals, as well as having his music soundtrack numerous adverts for Fabric events. Here he showcases even more of his musical persona with four tracks that tear down genre-barriers to reveal a uniquely creative output. 

Look for the '4x4' EP to be released via Ransom Note on March 23.
Purchase here: https://ransom-note-records.lnk.to/4x4

More exclusive music

Premiere: Bawrut 'Three Sounds'

TRACK LIST:

URSULA K. LE GUIN & TODD BARTON - MUSIC AND POETRY OF THE KESH
XENIA XAMANEK - SITIO LL
CTM - RED DRAGON
CAROLINE SHAW - PARTITTA FOR 8 VOICES - PARTITTA 2, SARABANDE
SUSUMU YOKOTA - AMANOGAWA
PHEW - AQUA
BOLI GROUP - WHITE TEARS
PEP LLOPIS - JARDINS AQUATICS
SHIRLEY COLLINGS & THE ALBION COUNTRY BAND - MURDER OF MARIA MARTEN
ALBERT GIMENEZ - JAVA
SMERZ - BAIL ON ME
LTJ BUKEM - DEMON'S THEME
SPEEDY J - SOMETHING FOR YOUR MIND
BASIC CHANNEL - PHHYLYPS TRAK
LTJ BUKEM - HORIZONS
ASTRID SONNE - ALSO

Smerz on NTS - Astrid Sonne guest mix 27.04.18

"AFRIPROGNOIZ" by KK NULL & Balazs Pandi duo "Demoncore" . Composed & performed by Kazuyuki Kishino (computer, synthesizer) & Balazs Pandi (drums). Decomposed & remixed by Kazuyuki Kishino @ prima natura studio November 2016.

KK NULL & Balazs Pandi / AFRIPROGNOIZ

Taken from 'work it, no', the new EP from Dead Fader released on July 30th through Robot Elephant

Dead Fader - Fishsh (featuring Sensational)

Sometimes there is one more place to go, one more plain to rise to Sometime you have to rise above it and reach up for the higher level.
Having released on Public System Recordings Kluentah has set up a new label called Zement, and has called upon himself to release the first EP on it.
The second track Higher Level is an absoute titan of a track with a breakbeat which sounds like artillery fire a sparse bassline which dances up and down octaves. A Cracking piece of EBM with an electro twist, a killer vocal sample and a driving groove which is messy, urgent and subversive. 
If this is the shape of things to come from Zement, we can't wait to hear more!

https://soundcloud.com/kluentah
https://soundcloud.com/user-876190373-381384309

PREMIERE | Kluentah - Higher Level [Zement] 2018

What the....

https://thegoldenpress.org/produkt/infinity/

Tightill - Kaffekanne (prod. Terrorrythmus)

DJ Fingerblast - Nang (Terrorrythmus Trance Remix)

Available for purchase here:
http://flamingo.cart.fc2.com/ca3/215/p-r-s/

Clips here:
http://soundcloud.com/deathpera/clip

Knowledge of the Hidden

KK NULL (real name : KAZUYUKI KISHINO) was born in Tokyo, Japan. Composer, guitarist, singer, mastermind of ZENI GEVA. One of the top names in Japanese noise music and in a larger context, one of the great cult artists in experimental music since the early 80′s.

In 1981 KK NULL studied at Butoh dancer, Min Tanaka’s “Mai-Juku” workshop and started his career by performing guitar improvisations in the clubs in Tokyo. He continued by collaborating with MERZBOW for two years, and joining the band YBO2 (with Masashi Kitamura, the chief editer of “Fool’s Mate” magazine and Tatsuya Yoshida, the drummer of RUINS) and starting the improvised noise/rock trio ABSOLUT NULL PUNKT (with Seijiro Murayama, the original drummer of Keiji Haino’s FUSHITSUSHA), and also GEVA2 (GEVA GEVA) with Tatsuya Yoshida (RUINS) and Eye Yamatsuka (BOREDOMS)

In 1985 he established his own label NUX ORGANIZATION to produce & release his own works and subsequently the bands such as MELT-BANANA and SPACE STREAKINGS. He also produced the series of “Dead Tech” (compilation albums by Japanese bands) which heralded Japanese alternative music boom internationally from the early 90′s to date.

In the early 90′s he gained world-wide recognition as the mastermind, guitarist and singer of the progressive hardcore band ZENI GEVA, releasing five albums produced by STEVE ALBINI (two on Jello Biafra’s Alternative Tentacles label) and a few more on other labels such as NEUROSIS’s Neurot Recordings. Also ZENI GEVA recorded twice for JOHN PEEL SESSION on BBC, and immensely toured throughout Europe, USA, Australia, New Zealand and Japan, playing hundreds of concerts.

All the while, KK NULL has worked on his solo career and collaborated with other musical innovators such as Z’EV, CHRIS WATSON, KEIJI HAINO, JON ROSE, MATMOS, FRED FRITH to name a few, and has been invited to perform at international festivals such as “Presences Électronique” in Paris (France), “Sonar” in Barcelona (Spain), “All Tomorrow’s Parties UK“, “Radar” in Mexico City (Mexico), “International Sound Art Festival” in Mexico City (Mexico), “Sergey Kuryokhin International Festival (SKIF-6 & 8)” in St.Petersburg & Moscow (Russia), “Elevate” in Graz (Austria), “X-peripheria” in Budapest (Hungary), “Liquid Architecture” in Sydney, Melbourne, Brisbane (Australia), “Totally Huge New Music Festival” in Perth (Australia), “Avanto Helsinki Media Art Festival” in Helsinki (Finland), “Roadburn” in Tilburg (Holland), “International Festival Musique Actuelle” in Victoriaville (Canada), “Electron” in Geneve (Switzerland), and more.

After playing the guitar as his main instrument for nearly thirty years, KK NULL has gradually moved towards a more electronic approach. Since the late 90′s he has concentrated his efforts on his solo & collaborative recordings, exploring the outer territories of electronica, creating intense clashing wave of noise, structured electro-acoustic ambience, broken down rhythmics, scattered pitch sculptures, droning isolationist material which could be described “cosmic noise maximal/minimalism”.

---------------

Commissioned works （主な委嘱作品） :

- "Cryptozoon" surround composition for "Festival Presences Électronique 2013" by Ina GRM | Paris, FRANCE

- "Edging" music for dance theatre by Tazcorp | Paris, FRANCE

- "Visiting Tarab" live performance piece by Sharjah Art Foundation | Sharjah, U.A.E.

- "Aria, Acqua, Fuoco, Terra" sound for exhibition "Andar Par Stelle" by Cesare Berlingeri | Padova, ITALY

- "A Page Of Madness" soundtrack for a Japanese silent film "Krutta Ichipeiji" (directed by Teinosuke Kinugasa 1926) by Buda Arts Centre | Kortrijk, BELGIUM

---------------

本名：岸野一之（キシノ カズユキ）。東京生まれ。プログレッシヴ・ハードコア・ロックバンド ZENI GEVA（ゼニゲバ）のリーダー、ヴォーカリスト、ギタリストにして作曲家、エレクトロニクス他マルチ楽器奏者。1980年代初期より活動を始め、日本のノイズ・ミュージック・シーンのみならず、世界屈指のカルト的なアーティストのひとりである。

1981年、舞踏家田中泯が主宰する舞踏ワークショップ「舞塾」修了後、ギター・インプロヴァイザーとして活動を始め、ソロ活動と並行してメルツバウとのコラボレーション、ハナタラシへのライヴ参加、YBO2のギタリストやインプロヴァイズド・ロックトリオ ANPのリーダーとして活躍。また吉田達也（ルインズ）、山塚アイ（ボアダムス）と’87-’88年の間結成していた伝説のバンドGEVA2（ゲバゲバ）での活動もある。

1985年、レーベルNUXオーガニゼーションを設立し、自作のみならずメルトバナナやスペースストリーキングス等バンドのプロデュース、さらには日本のオルタナティヴバンドを初めて海外へ紹介したオムニバスレコード『DEAD TECH』シリーズをプロデュースし、アメリカとドイツのレーベルより共同リリースする等、早くより海外を視野に入れた活動を展開する。

1987年、ZENI GEVA（ゼニゲバ）を結成、90年には初のUSAツアーを行い、スティーヴ・アルビニをプロデューサーに迎えてアルバム『全体去勢』を制作。その後アルビニと共同制作したZENI GEVAのアルバムは5枚を数え、アメリカとヨーロッパを中心に精力的に海外コンサート・ツアーを行ない、イギリスBBCの「ジョン・ピール・セッション」にも2回出演。

バンド活動と同様ソロおよびコラボレーションも活発で、KK NULL個人としてこれまでにライヴ共演またはレコーディングを行なった主要なアーティストは、スティーヴ・アルビニ、フレッド・フリス、ジョン・ローズ、アレクセイ・ボリソフ、ビル・ホリスト、ゼヴ、クリス・ワトソン、ダニエル・メンシェ、ジョン・ウィーズ、マトモス、秋田昌美（メルツバウ）、吉田達也（ルインズ）、灰野敬二、山本精一等枚挙にいとまがない。

近年はギター中心の音創りからより純粋なエレクトロニック・サウンドへと移行し、いわゆるノイズという一言では括りきれない多角的かつ重層的アプローチで深遠な電子音響世界を創造し、そのユニークなサウンドは、「ミクロ宇宙からマクロ宇宙までを網羅し、銀河の果てからはらわたの中までをリンクする」と形容され、「コスミック・ノイズ・ミニマリズム」等とも表現されている。海外の音楽及びアート・フェステイバルへの出演も多く、国際的評価は高まる一方である。またこれまでにリリースされた作品は（バンド、コラボレーションも含め）100タイトル以上に及ぶ。

KK NULL & Balazs Pandi / AFRIPROGNOIZ

KK NULL / NUX ORG