Previsión de olas y viento frio

La isla

From the international bestselling author of The Drowning Woman, a psychological thriller about a couple rocked by infidelity who moves to a villa in Spain’s Costa Brava to rebuild their relationship, only to welcome a pair of visitors who have no intention of leaving.  

Sydney Lowe’s life in New York is shattered when her husband, Curtis, admits to a meaningless affair with a client. Begging for forgiveness and vowing to prove his devotion, Curtis suggests the couple retreat to a remote hilltop house in Spain to repair their marriage.  

High above the Mediterranean, Sydney and Curtis are working on the isolated property and their relationship when a pair of Australian travelers turns up at their door in dire need of help. Lonely for companionship and desperate for free labor, Sydney and Curtis invite the attractive young couple to stay. But as the days pass, dark secrets come to light, the Lowes’ bond is tested, and not everyone will leave the villa alive.

“Robyn Harding is probably among the writers I most recommend, and once again she has excelled herself with damaged and damaging characters wreaking havoc on each other. I loved every page! When can I read the next one?” ―Liz Nugent, internationally bestselling author of Strange Sally Diamond

Strangers in the Villa by Robyn Harding read by Katherine Littrell

In this fast-paced and deliciously witty spy romcom, a single mom finds herself on a mission with the CIA as they attempt to uncover a cult—perfect for fans of Finlay Donovan Is Killing It.

Gabby Greene: Secret agent. Mother of two. Figuring it out as she goes along.

After her divorce, Gabby never expected that she’d be this close to having it all. Spying with a hot handler who’s an expert in after-hours under-the-covers work was not on her current bingo card. But balancing romance, espionage, and school lunches is a job for a magician, not a secret agent. Gabby will just have to keep dreamy Markus at arm’s-length . . .

Easier said than done. Her next mission, should she choose to accept it: Pretend to be Markus’s fiancée so they can infiltrate a Power Couples Retreat to see whether the group is selling national security secrets (in addition to questionable beauty products).

To avert a national crisis, Gabby and Markus will need to look like they’re in love, planning their wedding—and enjoying the honeymoon cottage. Faking a relationship with the perfect man without actually falling for him? Piece of calorie-free cake, right?

Gabby Greene Knows Whodunit by Sam Tschida Read by Mia Hutchinson Shaw

When the FBI turned an Irish mobster into an informant, they corrupted the entire judicial system and sanctioned the worst crime spree Boston has ever seen. This is the true story behind the major motion picture.

James “Whitey” Bulger became one of the most ruthless gangsters in US history, and all because of an unholy deal he made with a childhood friend. John Connolly a rising star in the Boston FBI office, offered Bulger protection in return for helping the Feds eliminate Boston’s Italian mafia. But no one offered Boston protection from Whitey Bulger, who, in a blizzard of gangland killings, took over the city’s drug trade. Whitey’s deal with Connolly’s FBI spiraled out of control to become the biggest informant scandal in FBI history.

Black Mass is a New York Times and Boston Globe bestseller, written by two former reporters who were on the case from the beginning. It is an epic story of violence, double-cross, and corruption at the center of which are the black hearts of two old friends whose lives unfolded in the darkness of permanent midnight.

Black Mass by Dick Lehr and Gerard O’Neill read by John Pirhalla with An Introduction Read by Dick Lehr

Goodbye, diets, restriction, and food noise. Hello, delicious food, satiety, and a healthy way to eat for life!

We have never been more informed—and yet, more confused—about what we eat as we are today. And between our cultural fear over food additives and the buzz around GLP-1 drugs, the noise has become impossible to tune out. Registered dietitian Abbey Sharp has seen—and debunked—it all. Her revolutionary Hunger Crushing Combo Method helps you banish fear foods, guilt, and cheat days, and finally get off the diet roller coaster for good. It’s a simple framework that teaches you to effortlessly balance your meals by combining two or more of the Hunger Crushing Compounds: protein, fiber, and healthy fats. The result? You crush physical hunger, silence emotional cravings, and eat well without deprivation, denial, or dieting. No counting. No tracking. No restricting. Even better, the HCC is adaptable to your goals and unique needs while restoring joy and pleasure to eating.

 Discover:
• Science-backed insight into why the HCC compounds work
• Tips on how to use the HCC method effortlessly and intuitively
• Chapters devoted to specific conditions including weight loss, insulin resistance (type 2 diabetes and PCOS), fitness, menopause, and raising healthy kids
• Thirty easy and adaptable recipes
• Cheat sheets for building your own HCCs
• and much more!
 
Learn how to turn your “unhealthy” cravings into HCCs to stabilize blood sugars and help support a healthy weight—all without giving up the food you love. The Hunger Crushing Combo Method helps you finally feel full and reduce food cravings without ever dieting again. And, yes, you can have your cake and eat it too!

The Hunger Crushing Combo Method by Abbey Sharp read by Abbey Sharp

The “irresistible” (Susan Orlean) untold story of a trailblazing Paris correspondent for The New Yorker, who sounded the alarm about the rise of fascism in Europe while becoming enmeshed in the sensational case of a German serial killer stalking the streets of the French capital on the eve of WWII.

In 1925, the Indianapolis-born Janet Flanner took an assignment to write a regular ‘Letter from Paris’ for a lighthearted humor magazine called The New Yorker. She’d come to Paris to with dreams of writing about “Beauty with a Capital B.” Her employer, self-consciously apolitical, sought only breezy reports on French art and culture. But as she woke to the frightening signs of rising extremism, economic turmoil, and widespread discontent in Europe, Flanner ignored her editor’s directives, reinventing herself, her assignment, and The New Yorker in the process.

While working tirelessly to alert American readers to the dangers of the Third Reich, Flanner became gripped by the disturbing crimes of a man who embodied all of the darkness she was being forced to confront. Eugen Weidmann, a German con-man and murderer, and the last man to be publicly executed in France—mere weeks before the outbreak of WWII. Flanner covered his crimes, capture, and highly politicized trial, seeing the case as a metaphor for understanding the tumultuous years through which she’d just passed and to prepare herself for the dangers to come.

The Typewriter and The Guillotine offers the personal and professional coming-of-age story of an indomitable journalist set against a glamorous, high-stakes backdrop—a tightly-coiled drama full of romance and intrigue. 

The Typewriter and the Guillotine by Mark Braude read by Karen Cass

“A superb biography of a singular life.”–Kirkus Reviews (starred review)

A Rolling Stone journalist presents the story of the late singer-songwriter Justin Townes Earle.

When Justin Townes Earle died of an overdose alone in his Nashville apartment, his death sent waves of grief through the country-Americana music community. The son of alt-country hellraiser Steve Earle had long struggled with mental illness and various addictions. There had been encouraging periods of long-term sobriety and active recovery in his adult life, including the years that led up to his career peak when he released the 2010 masterpiece Harlem River Blues, a career-making album of rambling folk blues set to Southern Gospel.

He sang of cramped Brooklyn apartments and crippling hangovers, about emotional displacement, economic anxiety, and the wandering that characterized his feral, formative years as a rootless kid rambling around Nashville, developing his own unique guitar style and absorbing the musical influences that surrounded him. He was anointed by critics as the next coming of the authentic troubadour. By the time of his death, he’d recorded and released eight albums, creating a striking and original body of work.

Jonathan Bernstein, with the full cooperation of the Justin Townes Earle estate, unravels in these pages a short but incredibly creative life, and reveals the backstories behind Justin’s greatest songs (“Mama’s Eyes,” “White Gardenias”) and what happened when it all fell apart while also capturing a shadow world of the neglected children of Nashville legends who wrestle with the legacies of their hard-living, road-weary, often absent parents.

Justin’s journey to near-stardom is a harrowing story shot through with moments of clarity and promise, including his marriage to his wife Jenn Marie Earle and the birth of their daughter. But what Earle called “the myth”—the idea that one must suffer for one’s art—proved to be too powerful.

This heartbreaking, deeply researched tale is an exemplary music biography.

What Do You Do When You're Lonesome by Jonathan Bernstein read by John Pirhalla

From bestselling author Lisa Graff, this important coming-of-age story follows a thirteen-year-old with a mysterious scar on her face—and a big secret she feels pressured to keep. 

Fallon Little has a secret—and it’s not how she got the enormous scar that divides her face in two.

Thirteen-year-old Fallon has only ever told one person what really happened on the day she got her scar. Why would she? The truth is dark, and Fallon has much brighter things to focus on, like being cast as the lead in the school play, and hanging out with her two best friends, Trent and Kaia. But when Fallon’s uncle Geebie dies, his funeral ignites a wildfire of events that Fallon can’t manage to tamp down. The school play is spiraling out of control, Fallon’s impossible Aunt Lune comes to live with them, and Trent and Kaia might just be so into each other that there isn’t room for Fallon in their friend group any more. And when secrets even worse than the one about Fallon’s scar threaten to come to light, Fallon might not have the strength to keep them buried for much longer.

Through unflinching prose and with a pitch-perfect voice, bestselling author Lisa Graff explores the power of confronting the past as a way to heal in the present in this propulsive and absorbing tour de force.

* “The story’s pitch-perfect tone balances sad and funny moments impeccably….Darkness and light interplay with perfection.”—Kirkus Reviews, starred review   * “Graff infuses viscerally rendered realities of lingering trauma with moments of lightheartedness to deliver a meticulously calibrated work about a girl who refuses to be defined by her past.”—Publishers Weekly, starred review 

A Scar like a River by Lisa Graff read by Suzy Jackson

“A comprehensive exploration of postpartum traditions that emphasize the importance of nurturing mothers during their most vulnerable times. From traditional recipes to rituals, this book highlights sisterhood and the need for comprehensive care that honors both the mother and the newborn.”
―from the foreword by Erykah Badu, five-time GRAMMY Award Winner, singer/songwriter, and holistic healer

As a mother, grandmother, and traditional midwife, Shafia M. Monroe intimately knows about childbirth and the fourth trimester. For over forty years, she’s helped thousands give birth, and has taught thousands more how to support birthing parents, all integrating the deep wisdom of African American healing traditions. Long suppressed by the white medical establishment, these practices—such as belly binding, heat, herbs, the lying‑in period, and the “taking‑out‑of‑bed ritual”—are powerful healing tools. Using them, we mother the mother through a healthy postpartum period.

While this framework will be powerful healing for all mothers, the information in this book can save Black mothers’ lives; with African American women disproportionately suffering from maternal mortality and morbidity, there is an urgent need for an embrace of African American postpartum care that surrounds the new mother and her baby with community, love, and protection. Mothering the Mother is a resource for Black women and communities to reclaim their cultural traditions for a healthy postpartum recuperation.

Mothering the Mother by Shafia Monroe read by Janina Edwards

A woman haunted by a dark inheritance returns to the woods where her mother vanished, in this queer Gothic novel.

Sam, finally sober and stable with a cat and a long-term boyfriend in Brooklyn, returns alone to Hemlock, her family’s deteriorating cabin deep in the Wisconsin Northwoods. But a quick, practical trip takes a turn for the worse when the rot and creak of the forest starts to creep in around the edges of Sam’s mind. It starts, as it always does, with a beer.

As Sam dips back into the murky waters of dependency, the inexplicable begins to arrive at her door and her body takes on a strange new shape. As the borders of reality begin to blur, she senses she is battling something sinister—whether nested in the woods or within herself. 

Hemlock is a carnal coming-of-addiction, a dark sparkler about rapture, desire, transformation, and transcendence in many forms. What lives at the heart of fear—animal, monster, or man? How can we reject our own inheritance, the psychic storm that’s been coming for generations, and rebuild a new home for ourselves? In the tradition of Han Kang’s The Vegetarian, Hemlock is a butch Black Swan and a novel of singular style, with all the edginess of a survival story and a simmering menace that glints from the very periphery of the page.

Hemlock by Melissa Faliveno read by Kira Fixx

A remarkably open-hearted, clear-eyed memoir of the ’90s Alternative era by the bassist of Hole and The Smashing Pumpkins.

Even the Good Girls Will Cry begins with Melissa Auf der Maur’s bohemian upbringing in Montreal, where her early, deep connection to art and music gave her entry to the colorful and thriving local creative scene. Working as a cassette DJ and ticket girl, she would see (and sometimes meet) the luminaries who’d pass through town—Nirvana, Jane’s Addiction, Pavement, Sonic Youth. Thanks to a thrown beer bottle and a long-shot fan letter to a PO Box, her band Tinker scored a life-changing opening slot for The Smashing Pumpkins and, sensing her natural talent on bass, Billy Corgan recommended her to Courtney Love, just one of the many uncanny threads that weaves destiny throughout this riveting memoir. Whisked from her local scene and thrust into the eye of a hurricane of grief on a global stage, Melissa joined Hole for the band’s 1994 Live Through This world tour just after the deaths of Kurt Cobain and Hole’s prior bassist, Kristen Pfaff, with Courtney Love at the center of it all. It was a tour of passionate intensity, as a chaotic yet stunningly powerful band constantly threatened to spin out of control. Melissa brings the reader with raging intimacy into the action, offering a heroic portrait of the unforgettable Courtney Love as she howled into the darkness as if to keep grief at bay. That was only the beginning of Melissa’s journey through alternative rock. Part rock memoir, part travel diary, part psychedelic scrapbook, Even the Good Girls Will Cry is a behind-the-scenes rock ’n’ roll memoir with a soulful intimacy and mystic undertone that sets it apart from memoirs by her peers. It is a vivid dispatch from the last analog decade, artistically capturing that bygone era in all its messy, angsty glory. 

Even the Good Girls Will Cry by Melissa Auf der Maur read by Melissa Auf der Maur

[eng] Clara Boj and Diego Diaz have been working together since 2000. Their work critically engages new media technologies and the notion of public space within the hybrid city. Their main projects propose new devices (conceptual and technological) to reformulate the perception and experience of the urban environments. In this direction they like to bring their work directly to the street and provoke encounter between people, physical places and the digital space. 
They like to walk and currently they are exploring non linear storytelling through the city using locative media to create narratives that combine layers of digital and physical information.
They have enjoyed residencies in several art and research institutions such as Hangar in Barcelona, Interface Culture Lab in Linz, Symbiotic System Lab in Kyoto, and the Interaction and Entertainment Research Center in Singapore. Among other distinctions they have been awarded with Alfons Roig Grant 2006 and Vida 13.2 Art and Artificial Life International Competition.
They both combine their research with teaching positions. Currently Clara is assistant professor at Murcia University and she teaches at Fine Arts degree. Diego is associate professor at Jaume I University where he teaches at the Videogames Design degree.

[esp] Clara Boj y Diego Díaz trabajan juntos desde el año 2000. Sus proyectos involucran la noción del espacio público transformado por las nuevas tecnologías digitales, la ciudad híbrida.
Sus principales obras proponen nuevos dispositivos (tanto conceptuales como tecnológicos) que reformulan la percepción y la experiencia del entorno urbano. En este sentido trasladan sus propuestas directamente a la calle para provocar el encuentro entre los lugares físicos, los espacios digitales y la gente.
A Clara y Diego les gusta caminar y actualmente sus proyectos exploran la narrativa no linear utilizando dispositivos de geolocalización y otros recursos de los medios locativos para crear narrativas que combinan capas de información física y digital.
Han disfrutado de residencias de creación e investigación en instituciones como Hangar en Barcelona, Interface Culture Lab en Linz (Austria), Symbiotic System Lab en Kyoto (Japón) y el Interaction and Entertainment Research Center en Singapur. Entre otras distinciones han sido premiados con la Beca de Investigación Alfons Roig de la Diputación de Valencia en 2006 y con el Incentivo a la producción en la competición internacional Vida 13.2 Arte y Vida Artificial.
Clara y Diego combinan la creación y la investigación con la docencia. Actualmente Clara es profesora ayudante en la Universidad de Murcia donde imparte clases en el grado en Bellas Artes. Diego es contratado doctor en la Universidad Jaume I de Castellón donde imparte clases en el grado de Diseño y Desarrollo de Videojuegos.


La isla

klaravoz

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