Various Artists – Balearic Scandinavia 2

New Playlist

Electronic - Part 1

BEACH HOUSE IBIZA - Part 1

Electronic's the new Disco

Get 'Netzwerk (Falls Like Rain)' & 'Netzwerk (The Album)' here: http://po.st/KlangkarussellPreOrder

http://klangkarussell.com
http://klangkarussell.com/live
http://facebook.com/klangkarussell
http://twitter.com/Klangkarussell
http://instagram.com/klangkarussellofficial
http://play.spotify.com/artist/041iTeoMIwXMlShuQPIVKo
http://youtube.com/klangkarussell
http://youtube.com/klangkarussellvevo

Let's Get Fit

Sonnentanz

Kolombo & LouLou Players - Don't You (Audio Reboot's North India Remix)

Les Big Byrd

Zig-Smile

Epilogue (Remix/Radio Edit)

All Prayed Up

Not Tonight

Senior

Forsaken Cowboy

Kleerup

Chords

Cheese Royale

Cheese Royale (Dr. Sennep & The Hot Dog's Remix*)

Sunset

Sunset (Jamie Jones Remix)

Black Noise

Lay in a Shimmer

Lady Airplane - EP

Lady Airplane (Jean Tonique Remix)

Full Circle

At Night

Disco Tits

Disco Tits (Oliver Remix)

Golden Heart (Mr-Jatt.com)

Golden Heart Hardeep Grewal

2-02 Dans La Musique (Ibiza Air Remix)

You Are My Sunshine (Lullaby Version) The Hound The Fox.mp3

What the Take you there Gave Me (Tommy Zero Mash up)

Hypersex

The Huggers

Buy Lindstrøms album Smalhans from iTunes here: http://tinyurl.com/d2fz2h2

https://www.facebook.com/hplindstrom *********** http://twitter.com/hplindstrom ********** http://www.hplindstrom.com

LINDSTRØM 
“Smalhans” 
Releasedate: 5th November 2012 
Smalltown Supersound / Feedelity

By Rob Young

‘Norwegian cuisine is very characteristic. Traditionally a Norwegian dish does not contain much spices, so the taste of the food is very much straight from nature. Some Norwegian food could be considered a bit hardcore for some, but also enviromentally friendly, as it is built on old traditions of using the resources in your immediate surroundings…’

That’s Hans-Peter Lindstrøm, Norway’s finest disher-up of cosmic techno, who’s whipped up a pumping new album with tracks titled like a tasting menu of his homeland’s underrated cuisine, from soup to nuts. Well, not quite: it’s more like ‘Raakost’ (raw vegetables) to ‘Vafler’ (waffles) – with lashings of ‘Lammelaar’ (dried salted lamb meat), ‘Vossakorv’ (‘a sheep-sausage made in Voss’), and ‘Eggedosis’ (‘what you get when you mix eggs and sugar with a blender. Kids love it… At least, I did when I was younger!’). Yum!

Smalhans was recorded immediately after Lindstrøm’s last, more experimental album Six Cups Of Rebel in July 2011, and its unashamedly 4/4 techno rhythms and bubbling, nutritious analogue synth sounds – mixed by friend and collaborator Todd Terje – are set to inject a vitamin kick to dancefloors everywhere. Lindstrøm’s gorgeous arpeggiations and chord changes can sound mathematical at times (check the clockwork mechanism of ‘Faarikal’), but it’s all born of his intuitive approach to his gear.

‘The process is definitely intuitive. I try all sorts of combination of chords and changes, and just know when something interesting happens. I find myself getting lost in the details. Weighing the ingredients, trying to find the right balance. A little more of this, a little less of that. Making the same dish over and over again, hoping it gets even better. Trying out new recipes and ingredients. Eating it up, and starting again the next day. Just like spending time in the studio…’

Lindstrøm spends a lot of time in that studio, preferring a normal working day and quiet nights at home with his family. In the distant past he has been a folk/country keyboardist, but bought his first sampler around 1999 after moving from his birthplace, Stavanger, to Oslo. With that real-instrument background, he still considers himself an outsider in the hi-tech world of contemporary dance music, but that perspective allows him greater freedom. He has collaborated with Prins Thomas and Christabelle, and remixed LCD Soundsystem, Roxy Music, Franz Ferdinand, Glasser, Best Coast and many more. As a solo artist Lindstrøm has released three albums, It´s A Feedelity Affair in 2006, Where You Go I Go Too in 2008 and Six Cups Of Rebel in 2012, and he’s a several-times winner of the Norwegian Grammy awards.

If today’s minimal dance music is leaving you feeling a bit starved, Smalhans’s full-fat analogue sound will fill you up and keep you glowing. ‘Electronic music is moving in so many directions,’ says Lindstrøm, ‘it’s hard to keep track of all the various twists and turns. Trends come and disappear, new subgenres of subgenres erupt and fade away faster then ever. But the beat lives on, it just comes in new colours and shapes.’

… And flavours. Yes chef!

Lindstrøm Online: 
http://hplindstrom.com/ 
http://www.facebook.com/hplindstrom 
http://www.twitter.com/hplindstrom 
http://www.twitter.com/feedelity 
http://www.smalltownsupersound.com/ 
http://en.wikipedia.org/wiki/Hans-Peter_Lindstr%C3%B8m

Lindstrøm - Vōs-sākō-rv

VINYL RELEASEDATE TBA (VERY SOON!)

Beatport: http://www.beatport.com/release/lanzarote/1024624 
Itunes: https://itunes.apple.com/us/album/lanzarote/id592793382?i=592793383 
Juno: http://www.junodownload.com/products/lindstrom-todd-terje-lanzarote/2115607-02/
Amazon: http://www.amazon.co.uk/Lanzarote/dp/B00B0OFX7A 

Buy on Beatport 

Lindstrøm & Todd Terje - Lanzarote

get my Sample Pack 'Disco Drum Tools Vol. 1'  here: https://super-lover.bandcamp.com/album/sample-pack-disco-drum-tools-vol-1

The Talking Machine EP

Retroverb (Original Mix)

Jeremiah Feat. Vusa Mkhaya - Khawuleza (Main Vocal Mix)

Four years have passed since Swedish producer, songwriter and musician Andreas Kleerup was named as one of the world’s hottest producers by NME. The reasons were obvious: his self-titled debut album was a Top 10 hit in his homeland, but its influence impacted upon a tidal wave of artists who desperately tried to recreate Kleerup’s ability to meld retro elements into a pop sound that was both futuristic and innately melancholic. It resulted in him winning big at the Grammis with the prestigious awards for Newcomer of the Year, Producer of the Year and Composer of the Year. Even Lady Gaga was enamoured by Kleerup, and subsequently commissioned him to remix her track “Alejandro”.

His collaboration with Robyn, ‘With Every Heartbeat’, kick-started the trend – a huge international hit (#1 in the UK and a Top 10 hit in numerous other territories) that also won the adoration of discerning music fans. Other guests on the album ranged from the then newcomer Lykke Li through to the legendary Neneh Cherry. Not only did Kleerup demonstrate a surfeit of talent in his own right, but he could expertly judge and apply it in others too – and his ability to combine those two traits is a rare and compelling strength.

A common trait amongst other like-minded musicians is a desire to explore every possible facet of their creativity. It’s something which Kleerup shares. He could’ve simply taken the easy route and watered down his approach for the masses, but as the kind of guy who can reference both King Crimson and Boards of Canada in the same sentence it can’t have been too appealing an idea. Instead, he scored a stage adaptation of former Nobel laureate Harry Martinson’s sci-fi poem “Aniara”, the accompanying album of which earned him a Grammis nomination, and also fronted his Fleetwood Mac and Thin Lizzy-inspired country-rock sextet My and My Army on their debut collection “Thank God For Sending Demons” which garnered yet another Grammis nomination. 

Kleerup had spent the early part of 2014 experimenting on new ideas and technology, and had begun to sketch out some basic ideas. But then tragedy stuck with the death of his mentor Christian Falk. “He really was like family, friend and mentor – he was everything,” sighs Kleerup. A year prior, Kleerup had hit upon the sort of bouncing, insistent bass groove that Falk himself had mastered so well. Perhaps as a subliminal way of addressing his loss, Kleerup revisited the idea and soon had something strong enough to share with kindred spirit Susanne Sundfør (Björk, Röyksopp, M83) who added the mesmeric topline. And so the upcoming single “Let Me” In was born – a song which captures the adventurous spirit of Kleerup’s earlier work while pushing the Eighties influence to a new level.