**OUT NOW: http://geni.us/FeelsLikeHome **

Listen to it on Spotify: http://smarturl.it/SpotifyFeelsLikeHome

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Feels Like Home (Red Velvet Dress)

download here

Spada feat. Hosie Neal - Feels Like Home (Red Velvet Dress) [Bakermat Remix] Preview

Sons Of Maria - Silk   Frames  Original Mix

Let Me In (Sebastien Remix) feat. @susannesundfor

Out Now! 

Stream http://smarturl.it/lmirmxstream
Download http://smarturl.it/lmirmxsitunes 

Let Me In - Remixes

Let Me In (Sebastien Remix)

Redondo & Bolier ft. She Keeps Bees - Every Single Piece is out now! Get your copy here: btprt.dj/1bbxwxd

Summer is getting closer when Redondo and Bolier drop this handsome piece of deep house. Featuring the vocals of She Keeps Bees the track is a moody piece of work, with fetching guitar chords and horns interlocking in a chorus made for sunny outside adventures. Yeah, good times are coming, Every Single Piece has got summer tune written all over it!

Download on Beatport

Redondo & Bolier Feat She Keeps Bees - Every Single Piece (Original Mix)

🎧 Ajith P BWE – Echos in the Deep

Ein Klang aus der Tiefe – „Echos in the Deep“ führt dich durch die geheimnisvollen Sphären der Nacht entlang der Isar.

Zwischen sanften Beats und fließenden Vocals entfaltet sich eine Reise voller Emotionen,
wo Elektronik auf Seele trifft und jede Schwingung eine Geschichte erzählt.
Ein Song über das Unsichtbare, das in der Dunkelheit leuchtet. 🌌
Lass dich treiben, spüre den Puls – und hör die Echos, die im Herzen nachhallen.
#ambient #deephouse #electronic #vocal #isarvibes #ajithpbwe

Echos in the Deep- Ajith BWE

Stream on Spotify: https://lnk.to/Maaya 
cheers

Free Download

Achtabahn - Maaya (Extended Mix)

Mind Games

Listen via Spotify

Gravity

Gravity (feat. Marie Beeckman)

Little Love

Little Love (feat. Joe Killington)

'Better Together' feat. Running Touch, out now via Future Classic: http://futr.cl/bettertogether

Stream & download

Hayden James – Better Together (feat. Running Touch)

Four years have passed since Swedish producer, songwriter and musician Andreas Kleerup was named as one of the world’s hottest producers by NME. The reasons were obvious: his self-titled debut album was a Top 10 hit in his homeland, but its influence impacted upon a tidal wave of artists who desperately tried to recreate Kleerup’s ability to meld retro elements into a pop sound that was both futuristic and innately melancholic. It resulted in him winning big at the Grammis with the prestigious awards for Newcomer of the Year, Producer of the Year and Composer of the Year. Even Lady Gaga was enamoured by Kleerup, and subsequently commissioned him to remix her track “Alejandro”.

His collaboration with Robyn, ‘With Every Heartbeat’, kick-started the trend – a huge international hit (#1 in the UK and a Top 10 hit in numerous other territories) that also won the adoration of discerning music fans. Other guests on the album ranged from the then newcomer Lykke Li through to the legendary Neneh Cherry. Not only did Kleerup demonstrate a surfeit of talent in his own right, but he could expertly judge and apply it in others too – and his ability to combine those two traits is a rare and compelling strength.

A common trait amongst other like-minded musicians is a desire to explore every possible facet of their creativity. It’s something which Kleerup shares. He could’ve simply taken the easy route and watered down his approach for the masses, but as the kind of guy who can reference both King Crimson and Boards of Canada in the same sentence it can’t have been too appealing an idea. Instead, he scored a stage adaptation of former Nobel laureate Harry Martinson’s sci-fi poem “Aniara”, the accompanying album of which earned him a Grammis nomination, and also fronted his Fleetwood Mac and Thin Lizzy-inspired country-rock sextet My and My Army on their debut collection “Thank God For Sending Demons” which garnered yet another Grammis nomination. 

Kleerup had spent the early part of 2014 experimenting on new ideas and technology, and had begun to sketch out some basic ideas. But then tragedy stuck with the death of his mentor Christian Falk. “He really was like family, friend and mentor – he was everything,” sighs Kleerup. A year prior, Kleerup had hit upon the sort of bouncing, insistent bass groove that Falk himself had mastered so well. Perhaps as a subliminal way of addressing his loss, Kleerup revisited the idea and soon had something strong enough to share with kindred spirit Susanne Sundfør (Björk, Röyksopp, M83) who added the mesmeric topline. And so the upcoming single “Let Me” In was born – a song which captures the adventurous spirit of Kleerup’s earlier work while pushing the Eighties influence to a new level.