Dirge was formed in January 2014, strongly influenced by doom metal with the likes of sludge and stoner. Bands like Candlemass, Black Sabbath, Eyehategod, Trouble, Sleep, Melvins, Autopsy, Acid bath etc heavily influence the band's sound.
The originals are composed on a Historic-myth-fiction lyrical theme about the resurgence of the violent Maya.
This makes the music of Dirge to be maddeningly sludge driven doom with fuzzed out overdrive, ‘10000 ton’ heavy riffs, low tuned distorted basslines with screaming angst-ridden vocals.
Lineup: 
Ashish Dharkar - guitars 
Varun Patil - guitars 
Harshad Bhagwat - bass 
Prathamesh Lele - drums
Tabish Khidir - vocals 



just a girl, standing in front of a tape recorder with an acoustic guitar, a melodica, and a synthesizer, asking the motor to please not burn out this time

The Assembly Line is a podcast dedicated to featuring homebrew games developed by programmers after the NES's initial lifespan. Hosted by two veteran NES homebrew programmers, Kevin from KHAN Games and Beau from Sole Goose Productions, the two delve into one game an episode, focusing on the development history, release information, give personal opinions, and usually interview the creators themselves! Typically focusing on the games that the two feel are most noteworthy, for various reasons, the podcast primarily focuses on games that are probably most well-known, with a personal favorite thrown in here and there for good measure.

So basically you know it is what it is I'm just out here doing my best and if you like it that's great and if not well that's okay too :D

A podcast providing biography and commentary on the lives and misdeeds of billionaires. New episodes every other week on Soundcloud and every week on Patreon.

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

The Cathedral in the Pines Radio Hour broadcasts on the WSYN Radio Network at 162.525 Megahertz from the summit of Mount Monadnock in Jaffrey, New Hampshire.

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