Simon is the name that comes to mind when conversations turn to who might be the  ‘DJ’s DJ’. A veteran of more than 20 years, Simon has been pushing his brand of melodic house to dance floors across the globe, reading crowds perfectly to build memorable sets that keep them coming back for more. It is a name that is synonymous with the Sydney electronic music scene, with achievements that keep on piling up.  
Not only has Simon conquered the Australian scene, but he has successfully crossed the seas into Asia, The USA and Europe, playing at some of the biggest clubs (Chinese Laundry in Sydney, House of Blues in Las Vegas, Bow4 in Austria, and more), in support of some rather large and greatly revered names such as Sasha, John Digweed and Steve Bug. His career highlight, however, was when he played in support of his biggest influence, Danny Howells. 
Not one to sit idly by, Simon is hard at work in the studio, producing a follow-up to his hugely successful ‘Glitch EP’, which climbed to the coveted 1st position in the charts after only a few weeks’, keeping his sights firmly set on winning over the rest of the world with his well-thought-out sets and superb and outgoing charm. Focusing on quality performance, not just a straightforward head-down faders-up DJ set.

Thavy Ear is a passionate musician and songwriter who grew up in a migrant family from Cambodia in Dandenong, Melbourne. After losing her mother at nine, she turned to music as an emotional outlet, teaching herself to sing and write songs.

Balancing life with long hours in a sewing factory and unable to go to school that often, Thavy found solace in crafting melodies, channeling her struggles into her art. Her experiences, including homelessness and family challenges, have shaped her unique sound and perspective.

With a scholarship to RMIT University for music, Thavy embraced the opportunity to pursue her dreams, driven by the inspiration of her mother’s voice. Today, she continues to create music that resonates with resilience and hope, fueled by a passion that has never faded.

I think I put in synch my first two vinyls a long, long time ago…
Let me think a bit, I can remember what they were… 
Yes, I remember them well… Everybody's Free from Rozalla and the other was This is Your Life from Banderas.
Wow! 
Two tracks that made me shake like mad.
We're talking about the 80's
Was a disco in a small mountain village at 1,000 m of height where I spent my holidays every year.
A real heaven on Earth… It was a garden, I believe it was the only disco with fruit trees in the middle, ready to be eaten *Yummy*
You'll ask yourself "How old is Dirtyangel"?
Don't you believe in angels?
Well, I am an angel so I wouldn't know how to answer to your question…
I don't know how many of your years
I can tell you that I have always been around, since a very long time
I was born and raised in discos, by day, by night and by early morning.
Obviously I took part in all the other Paradises spread across the planet… 
Ibiza and the different festivals around: Street Parade in Zurich, Love Parade in Berlin and so many rave parties (my daily bread) :)
Since 5 years, I live with my friends happily on Second Life!
I don't think I belong to the generation of the new Digital DJs
I know about many of the issues against them…
But i want to tell to everyone who already has spread all its poison against Digital DJs to keep cool and relax and enjoy the power of music, because war is always tough…
There are hordes of meta DJs within the Metaverse and you have seen nothing yet xD
My life is in between In-world and Out-world Clubs!
Leaving apart all non-musical related matters, here you can listen to my mixes and soon also to my tracks…
If you own a Club or if you organize events, you can contact me from here (https://www.facebook.com/DJ.DIRTYANGEL) and ask me all you like!

Don't forget..
* We can do anythings. No thought is dirty when the heart beats music time*


When i was kid playing video games
... imagining the lives of the characters in the game!
Today I am a character in video games .... and.......

*YES! I'M AN HAPPY AVATAR* DA ^O^

-ENJOY THE MUSIC-

Dyan K was born in Cuba on february 1986, he was very interested in music since childhood. When he was 10 years old his parents moved him to Costa Rica, there he felt in love with electronic music and that involved him as a DJ in local clubs & lounges. In 2016 he had the opportunity to have a set in Frisky Radio. He also had the chance to play at important Costa Rican parties/clubs and he did the opening for a recognized international female DJ in Torre Geko. His producer career started since 2007, combining electronic music with percussions & ethnic sounds from around the world. He is interested in projecting an outstanding sound quality on his labels/productions and create healing beats for the crowd to release stress and problems from daily life. In 2015 Richie Hawtin featured on his twitter a mastering done by Dyan K on Bruno Furlan's track "Better than carnival" from his label Side B Underground and nowadays you can find him on the organic & afro beatport tops, some of his releases still come back to the tops even a year after releasing.

Spotify:

https://open.spotify.com/artist/0XSfQMzI1E2x9esLxn8HWt

Promo & Contact email:  ethinicrecords@hotmail.com

For remix, production and general management enquiries please contact: eidriannajera@gmail.com

Slow Codes is music full of personality and contrast, with an extensive discography that reveals beautifully balanced soundscapes.  There is a life story told through art.  Thematic twists and turns dare to be dissonant, yet stay sincere throughout.  In listening, we hear a presence and sense of self that paints a portrait from an artist who knows that what they do is meant to be. It’s a production and possession conducted with all of their being. Despite a prolific repertoire, there is continuity through songs to tell tales straight from the heart.  There may be no purer expression than that, regardless of medium.

 

The honest vulnerability and aggression of Slow Codes is equal parts private journal entry and formal production.  It is impossible to talk about the person without the music.  Almost entirely self produced and performed, Dustin layers his vocals over loops, samples, synths, guitar, bass, and drums to weave a narrative of shadowed beauty.  Shyness is heard in frequently filtered vocals, the tool to expose a devil may care attitude full of deeper thoughts and feelings.  He pursues his vision of expression, and seems hellbent on achieving release through music.  

 

Slow Codes has a wide variety of inspiration and influences.  Dustin professes his admiration for the work of Bowie and Visconti, but sonically stays true to jilted, post-modern guns a la Trent Reznor, Marilyn Manson, or Maynard James Keenan.  From Slow Codes extensive repertoire, you hear many strains. Radiohead, Deftones, Massive Attack, Portishead, The Pixies, Rammstein, Sneaker Pimps, Depeche Mode, INXS, Duran Duran, Joy Division, Linkin Park, The Beastie Boys, Butthole Surfers, Primus, KMFDM, Bauhaus, Skinny Puppy, Ministry, The Cult, Killing Joke, Revolting Cocks, Gwar, Siouxie, Placebo, The Tea Party, Our Lady Peace, The Chemical and/or Dust Brothers, Rob Dougan, Stabbing Westward, and so many more others subtly or unconsciously manifested. 

 

There is a signature and underlying sound, formings a natural pocket of frequent experimentation where Dustin feels most at home.  It also reveals a contradictory and complex soul, upon closer inspection.  There are oppositional themes of lightness and dark, humour and despair, or speed and pacing.  The ability to explore these dualities signifies musical maturity.  Often brutal synth riffs and pulsing industrial drums round out vast wall-of-sound choruses, with a sense of space to complement engaged intensity.  The songs are progressively arranged and thoughtful.  Collaborators include his friends as frequently as professional musicians, easily adapting to his egoless approach.

 

Slow Codes is inseparable from Dustin as an artist, and a shining example of a passion project.  A labour of love, a way to create, and full of confessional overtones as if reading another’s diary.  Dustin is not scared to share, if you’re willing to listen.  His is a fusion of melancholy and deep personal expression, juxtaposing gothic noir with lighter levity.  While seemingly serious, there’s also sneaky humour to be found throughout which further endears one to his persona.  Make no mistake -  this is a rare and precious trait.  Essential in an era obsessed with disposable and plastic over-productions, this is a living rebellion through personal music that means something.  Dustin inspires those who would be prolific in their own way.  It is an ongoing, living testament that was already adjusted to a world turned upside down.  Perfect for us as imperfect people.

Klipspringer is a brand new label born and raised in México.. The main goal is to provide elegant tunes with the best quality, groove and emotions. Trying to impulse local talents and always open for virtuosos all around the globe.

Launched along with PROTON RADIO, Klipspringer seems to be very focused on releases such as deep house, tech house, dub techno and all those groovy beats that will make you leave your body and stay in a higher level.

Since September 2011, Soon on Beatport!!

DEMOS: demo.klipspringer@gmail.com



Maxtee formerly known as Max T, is an avid Mexican DJ and producer versed in the genres of Techno and House, classed with a charismatic persona he illuminates audiences everywhere. From stepping onto the music scene in 2010, he performed at several venues and made his mark with his energetic explosive sets. In crafting original tracks, Maxtee ventures into themes including various sounds he loves, his memories of different places, new people he meet and the nostalgia feel from rocking parties. His aptitude for incorporating diverse complexities into his sound is outstanding and is embellished with fat bass-lines and dynamic percussion. Having a strong presence within his social circle, Max’s natural leadership, soulful and humorist characteristics shine through on stage and off. With over 15 EP releases worldwide on different labels, he is ready to take on a fresh new project. Max's persistent drive reflects his endurance of spinning turntables for 12 hour long sets, while his intense passion fuses with his music, compelling the crowd into hypnotic vibe. Maxtee's music serves as an inspirational outlet allowing him to fully express his inner-self, feelings and emotions, appeal and relate to fans, while simultaneously bridging a connection with the louder generation.    

Tuna Beat&#13;
Zenzontle Records (CAN)&#13;
Re:Sound (UK)&#13;
Benny Records (GER)&#13;
Berlin Aufnahmen (GER)&#13;
Raccoon Records (MX)&#13;
Hutman Records (GER)&#13;
6n7 Music (CAN)&#13;
Strawberry Digital Made Recordings &#13;
7Stars Music (NLD)&#13;
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For any kind of contact:<a href="mailto:wtfmaxT@gmail.com" rel="nofollow" target="_blank">wtfmaxT@gmail.com</a>&#13;
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For Remixing, Bookings and Promos feel free to send and e-mail to:<a href="mailto:pue@tunabeat.net" rel="nofollow" target="_blank">pue@tunabeat.net</a>

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