Total Annihilation Beach is the latest collection from Caveman LSD, one of the handful of monikers of Special Guest DJ / uon / sometimes just shy. Their releases under this name have always had the character of sonic transmissions – crushed sine-waves hurtling out of a wormhole, remote pirate radio bandwidths, whale-song picked up on radar, and so on. Here, the signal seems to come from a place whose remoteness is not defined by distance, but adjacency: these are alternate reality bops.

Pre Order 12"
https://rubadub.co.uk/products/total-annihilation-1
Pre Order digital
https://isla.bandcamp.com/album/total-annihilation-beach

ISLA29 - Caveman LSD - Total Annihilation Beach (Previews)

Louis Vogue – Things Take Time

Sunday 2​:​40 a​.​m.

Saps /h

Out on Twin System. From 'Visual Snow / Between Cold & Wet', a split release with Nosewise.

@lewiboome 🎺
@twinsystem 🎩

BUYVILLE: https://twinsystem.bandcamp.com/album/visual-snow-between-cold-wet

Fear is inescapable. It's not enough to learn, prepare, steel, quell, defend, anticipate. Your cowardice is ingrained. Pathetic. They don't pity you, because you're beneath sympathy. Fear. Fear that you won't listen to and like and engage with and share Lewi Boome's 'Visual Snow', out on Twin System and premiered by Madjestic Kasual. The fear, the terrible and horrible fear. The fear! The fear. And then it fades.

buyville

Lewi Boome - Visual Snow [MK PREMIERE]

Despite its conceptual framework, there's a mischievous playfulness lurking beneath the surface of van Herpen's latest sonic investigation. Drawing from extremely reduced free jazz and skeletal compositional structures, Derivatives presents pairs of pieces that exist in dual states: "Sources" - electronic and electro-acoustic compositions that serve as germinal materials - and their "Derivatives" - transformed through a process that's both rigorous and playful.

The methodology itself hints at van Herpen's sly approach to experimental music. Each Derivative emerges through a series of solo improvisations, recording one instrument at a time in response to a source's characteristics, but deliberately isolated from previous takes. When these responses are finally combined, with their inspirational Source removed, the result is a phantom ensemble performance that manages to be both deeply experimental and quietly humorous in its unlikely instrumental conversations.

This playful deconstruction of group dynamics yields music that's refreshingly unpretentious despite its experimental pedigree. Van Herpen's multiple instrumental personas interact in ways that subvert expectations, creating unconventional combinations that challenge traditional approaches to space, sound, and noise while maintaining an undercurrent of subtle wit.

The album becomes a kind of musical puzzle box, inviting listeners to match Sources with their Derivatives while experiencing how reduced electronic structures can birth organic, breathing improvisations that dance between the serious and the joyous.

All music, instruments, compositions,
performance, mix and master
by Raoul van Herpen

Instruments:
Japanese Shakuhachi, Daxophone, Toy saxophone
Clarinet, Tenor saxophone, Flute headpiece,
Indian Bansuri flute, Western concert flute,
Piano, Wurlitzer piano, Electric Guitar,
Serge and Modular synthesizers, radio,
Diy Ciat-Lonbarde instruments, Modified guitar pedal,
Bastl Kastl synthesizer, Arp Axxe synthesizer.

Raoul van Herpen - Aerial Dance

scuffed

Always Reacting

csb - death valley skry

Wave Track #7 comes to us from St Celfer, a Korean-American sound artist and musician who splits his time between Sao Paulo and Seattle. His track, Fifty One, wastes no time announcing itself, beginning with a sequence of machine-like, harsh sounds that rise in volume before slowly giving way to a melancholic rhythm, interspersed with soft tones that combine to create a nostalgic, almost cinematic quality. In just under three minutes, St Celfer manages to elicit a strong yearning for elsewhere, a sensibility that encapsulates–and communicates with–the other works presented in Infrasonica’s Wave #7. We hope you enjoy listening. INFRASONICA.ORG

Bandcamp

Fifty One

frogpaper

KARA-LIS COVERDALE
...

Grafts//
https://boomkat.com/products/grafts 

Sirens // 
http://www.umor-rex.org/portfolio/ur078

Aftertouches // https://sacredphrases.bandcamp.com/album/aftertouches

A 480 // https://ctatsu.bandcamp.com/album/a-480

Bookings
regina@frontporchproductions.org

https://www.kara-liscoverdale.com/

what is yr idea 
klis.coverdale@gmail.com