In the cultural cosmos of the Fusion Festival, the Dubstation is its own planet. A place where reality takes a break and time forgets itself.
This hybrid DJ set, dedicated to a midsummer morning dream, was created there.
Re-edited songs, amusing samples and an aerophone, recorded with breath still fogged from the night, fell into place. No rush, no rules, just sound.

I’m so thankful to all those who made this magic possible:
Among them the dancers, who made the invisible tangible,
the technicians, whose hands moved across the controls faster than shadows,
and of course the travelers who stayed while time slipped away.

This is my gift to you, a fragment of that morning.

What a ride. After months of preparation, it finally happened.
Here are the first three hours of my four-hour set from Friday morning at Fusion 2025.
The last hour was a spontaneous reggae freestyle, which I’ll upload separately sometime soon, or send you a private link if you like.

Check my: https://www.instagram.com/neobeo_music/
Background Image by Frank Moth: https://frankmoth.com/

Tracklist is coming soon...

𝄢 𓃸𓅂𓃢𓆣𓃴𓆜𓅮𓅰𓃠𓆉𓆈𓃭𓅓𓅐𓆡𓃰𓄅𓆙𓃻𓆤𓅅𓅠𓆢𓄇𓆐𓆔𓄄𓃾𓆂𓃿𓆠𓆇

ɳeoƁeơ @Ꭰubstation - Fusion Festival 2025

nohub (live) @ fusion festival 2025 | freikörper küste

--Fusion 2025--

A magical place to play and share this artistic and sisterly connection with Amapola.
We’ve grown together through so many adventures, united by our love for music and festivals, and this moment was such a beautiful gift.

Thanks to everyone who listened, to the crew, and for this lovely invitation.
See you soon!

pd. Unfortunately we had some issues with the recording battery and there is 20min lost..

@amapola-sounds

With love,
Arnau Yuna & Amapola

Amapola & Arnau Yuna - Fusion 2025 (Dubstation)

Team Dach hat aufgedeckt. Viel Spaß beim Nachhören von unserem Sonntagsclosing an ƒernabs FreiKörperKüste - inklusive eingebauter Schnitzer, frei nach dem Motto: Erst sägen, dann messen.

1000 Dank an die tolle ƒernab Crew (<3333), an Eileen und Chris fürs Booking und alle, die mit dabei waren 🚀

Gedeck b2b @ Fusion Festival 2025 - FreiKörperKüste [SUN 20h-22h]

neeks(a) at Fusion- als ob. 

Music has given me so much love and bonding moments throughout my life. This set is a small selection of some old and new gems that have carried me through youth and adulthood, and that have touched me deeply. 

Some tracks have entered this set with a little giggle as they as well are connected to people and moments. So this set truly is a bit of a journey through time and moods. What other place could be better to play this diverse set of tracks than at DUBSTATION.  

When I was asked to play at Fusion Festival my reaction was - "als ob" ("As if").  Fusion has been one of the first festivals my older sister took me to in 2012. Since then a feeling of awe stayed with me. So playing at this incredible festival was overwhelmingly exciting.

I want to thank all the great musicians for sharing their art!!!,
my loved ones for supporting and inspiring me and for holding my shaky hands that day (special thanks to you Matz aka Simon- my biggest support and special love), 
the dubstation for welcoming me to their stage and the fusion festival crew for organising this incredible festival,
@ Judith for appreciating my djing and booking me, 
@ Malü for mastering and supporting even in stressful times,
@"bitte drehen sie durch" aka sunnyi for the patches and fun items she designes
and last but not least thanks to all the lovely supporters and dancers who shared this special moment with me <3



love and bussis, neeks or at dubstation neeksa ;)

neeks @ Dubstation FUSION 2025 - als ob.

Thanks so much Jens and Valerie for the invitation to play this beautiful after hours from 1:30-4:30 on sunday night. It was very juicy. And thanks so much to all the ravers! <3 

Jascha Hagen at Casino / Fusion Festival 2025 / Sunday Night / Afterhour

This set is something new for me – a step into unknown territory.
It’s experimental, intimate, and deeply personal. I’m exploring ambient textures, fragile rhythms, and layered soundscapes, blending them with field recordings and subtle emotional shifts.

It’s my first time performing this kind of music live, and it feels like opening a door into a quieter, more tender part of myself.

Let’s drift together for a while.

KL!T *live_Ambient @FusionFestival

After a successfull live debut at MS Dockville Festival 2024* in Hamburg and some inbetween club gigs by the likes of Golden Pudel Club w/ @bladehouse crew, here comes our first set recording, recorded at Fusion Festival 2025**. We usually play a good bit faster but it was a fun experiment.

Digitale Wärme is a Hamburg-based live project by Lukas Endhardt, Valentin Heinrich and Echoel. We jam live on stage with a setup of analogue gear: Vermona DRM, Roland MKS-50, Pro-800, Minilogue XD, Model D and more. We're heavily influenced by Minimal, House and Dub Techno. It's a true live experience and always an adventure. Thank you for dancing with us (^‿^)

EMBRACE THE STATIC
TRUST THE DUB GODS

Tracklist シ
///////////////
# Do It
# Klinge
# Sea
# Braindead
# More Dub
# Happy Nation
# Lake Stage Dub
# c. b. a. Intro
# Faith For Future
# Tree To Heaven
# No Way
# So Sorry (Samba)
# Halm
# Ventura
# Endstation

All tracks written and produced by Digitale Wärme
mastered by Lukas Endhardt

www.digitalewaerme.de
booking@digitalewaerme.de

@lukasendhardt @valentinheinrich @echoel-heinrich @tropicaldrones @anna-fup-bauer

*Thanks for your unconditional trust @willingwitness @dana_anderson
**Thank you @ju_nixe <3

live at Fusion 2025 Seebühne (Slow Sunday)

Digitale Wärme live at Fusion 2025 Seebühne (Slow Sunday)

kismet.

Quand t'es face au bord , tu réfléchis deux minutes .

L'Enfant D'la Plèbe- L'hymne d'un lâche

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II