Name: nomos by Kliwadenko
Duration: 13 min 23 s
Description: Compañía de Música Contemporánea: Beatriz Lemus (cello), Julio Torres Vergara (piano)

Wenchi Lazo: Guitarra eléctrica y voz
Amanda Irarrázabal: Contrabajo y voz
Del disco "Máquina Solar" grabado en Santiago de Chile, Enero del 2013.
Link del disco: www.panyrosasdiscos.net/pyr091-maquin…r-de-escamas/

De Escamas - Dúo De escamas (Wenchi Lazo - Amanda Irarrazabal)

para flauta Paetzold contrabaja en fa, flauta baja, clarinete bajo y electrónica
Paola Muñoz, flauta Paetzold
Karina Fischer, flauta baja
Dante Burotto, clarinete bajo
Electrónica, Antonio Carvallo
Estreno en el XXXI Festival de Música Contemporánea UC
Centro de Extensión Oriente de la Universidad Católica de Chile
22/11/2022

In Basso (2022) - Antonio Carvallo

Disputatio (2023), for 16 instruments

"venus" was performed at the Phoenix Cultural Centre in Sydney on 30 September 2023, by ELISION: Peter Neville, Marshall McGuire and Ben Ward, conducted by Tristram Williams. Recorded by Richard Hundy and mixed/mastered by RB.

"venus" is a component of the ensemble composition "elsewhen", which itself forms part of the conglomerate composition "PSYCHE". The title refers to the prehistoric figurines with stylised female forms (like the well-known “Venus of Willendorf” in the illustration). It isn’t known whether they were sculpted by men or women or both and for what purpose, although they do seem to embody the origin of what subsequently evolved in human culture as a sense of aesthetic beauty. This composition is so to speak “sculpted” from a musical material which remains mostly consistent in terms of pitch-range, placing the contrabass in its extreme high register almost throughout.

venus (2018-19) for percussion, harp and contrabass

For two or more string instruments. this version is recorded using acoustic guitar and oud.

Oud- Juliano Abramovay
Guitar- Josué Amador

Listening And Listening Again

"L'horizon s'obscurcit et la virtuosité instrumentale s'accroît avec Vertiges suspendus pour flûte, clarinette, trio à cordes et piano, commande de Court-Circuit passée au jeune compositeur chilien Matias Fernandez Rosales. La manière, pour le moins musclée, explore le champ spectral des fréquences que libèrent les basses résonnantes du piano (Jean-Marie Cottet) avec une intensité énergétique qui ne laisse d'impressionner. Cette musique de trajectoires réamorce sans cesse le mouvement, ménageant des instants d'une belle incandescence à la faveur des multiphoniques somptueux de la clarinette basse (Pierre Dutrieu). Les timbres fusionnent en un méta-instrument puissant qui porte le son jusqu'à saturation."  Michèle Tosi

https://www.resmusica.com/2024/02/29/les-delires-de-dedales-de-lensemble-court-circuit/

Ensemble Court-Circuit Dirigé par Jean Deroyer 
Jérémie Fèvre flûte 
Pierre Dutrieu clarinette 
Jean-Marie Cottet piano 
Alexandra Greffin-Klein violon  
Laurent Camatte alto 
Julien Decoin violoncelle

Valentin Leverrier enregistrement
Fred Appfel mastering

Vertiges Suspendus

Guasábara - Attacks done by the Taíno warriors who resisted Spanish conquest and oppression. 

Guasábara

Four internationally-renowned musicians come together in an original ensemble. These veterans of free improvisation will reformulate the emblematic instrumental formation of the jazz quartet. Exploration and instant creation are the playgrounds of these strong musical personalities, who draw their inspiration from a multitude of genres including jazz, free-jazz, contemporary classical music and noise.

Margaux Oswald, piano.
Rodolphe Loubatière, drums.
John Edwards, double bass.
Albert Cirera, tenor saxophone.


Quatre musiciens de renommée internationale se réunissent dans un ensemble inédit. Ces vétérans de l'improvisation libre reformuleront l'emblématique formation instrumentale du quartet de Jazz. L'exploration ainsi que la création instantanée est le terrain de jeu de ces fortes personnalités musicales, qui puisent leurs inspirations dans une multitude de genres tels que le jazz, le free-jazz, la musique classique contemporaine ou la noise. 

Margaux Oswald, piano.
Rodolphe Loubatière, batterie.
John Edwards, contrebasse.
Albert Cirera, saxophone ténor.

Oswald - Cirera - Edwards - Loubatière

Contrabajo: Amanda Irarrazabal
Grabado el 11 de Diciembre de 2015

Contrabajo solo

Compañía de Música Contemporánea: Beatriz Lemus (cello), Julio Torres Vergara (piano)

nomos

Catalysis (/kəˈtælɪsɪs/): 1. Dissolution, destruction, ruin. 2. The causing or accelerating of a chemical change by the addition of a catalyst.

The Catalysis cycle is conceived as a series of duets, each of which is composed of identical instruments. The focus in these series lies on the unique acoustic properties of the instrument pairs, with which the cycle addresses how the processes pertaining to such inner workings can be projected to the exterior, and simultaneously generate sonic-temporal images transpiring between micro- and macro-spaces.

Being the first of the series, Catalysis (a), is composed for two guitars. In order to realize the task mentioned above, a digital wave-guide model was designed. Consisting of digital filter and delay line networks, this model displayed specific acoustic activities such as absorption, damping, compression and expansion ratios per unit-time as transfer function parameters, through which the partial decay rates that are akin to various plucking locations were studied in order to engage with sonic-temporal morphologies observed at micro- and macro spaces.

Catalysis (a) is dedicated to Brian Ferneyhough and Murat Sezen with gratitude for their friendship.

©Turgut Erçetin 2010-2024 (All rights reserved).

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This performance is by Oh Mensch:

Kobe Van Cauwenberghe, classical guitar
Matthias Koole, classical guitar

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Also featured on:

Microtonal Music for 2 Guitars by Oh Mensch
Seminal Records 051
released December 20, 2017
https://seminalrecords.bandcamp.com/album/microtonal-music-for-2-guitars

Catalysis (a),  for two guitars

music
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nomos

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