"Candysound‘s Past Lives is the sort of garage rock that seems born of good-natured experimentation, a genuine sense of joy in creation, and a dedication to writing catchy songs. This isn’t four-on-the-floor chord mashing–the trio makes lithe, lively, effervescent tracks full of rhythmic, melodic, and textural diversity." -Independent Clauses 

"The American trio play a bouncy style of alternative indie pop that makes Past Lives the perfect soundtrack to your summer. Alongside some lovely clean cut electric guitar riffs, there's even a nice acoustic number thrown in for good measure." -11 is Louder Than 10 

"The band's songwriting is top notch; they get pop and rock and the mingling of the two better than most, and the recording quality and production choices reflect that on this album." -What's Up! Magazine

"A Bellingham-based guitar/drum duo, Candysound's songs are rife with super-catchy melodies and carefully crafted pop rock hooks. Tom Fitzgibbon's shuffling drum beats are a perfect match for Teo Crider's jangly guitar and charmingly subtle vocals." -EMP Sound Off! Panel (Seattle)

"...the result is a fabulously original sounding “thing” coming from these fellows. The title track [Million] was certainly one of the best songs I’ve heard this year, Crider’s Stratocaster and Fitzgibbon’s skin working like a fine oiled machine..." -Boris Budd, What's Up! Magazine (Bellingham)

"[Candysound] write almost-instantly-hummable pop songs of understated beauty that suggest immersion in the Zombies' Odessey and Oracle and some of those underrated Merge bands from the '90s, like Butterglory. Candysound's handle could lead you to expect twee OD, but thankfully they're more about nutritious fruitiness than that teeth-rotting junk." -Dave Segal, The Stranger (Seattle)

"Candysound are adorable. They're fresh-faced, mop-topped youngsters from Bellingham whose MySpace page says they've "been lucky enough to share a variety of stages with some rad bands/people including: Parenthetical Girls, Evangelicals, PWRFL Power, the Lonely Forest," and much more. So humble. Adorable! But they use their adorableness as a kind of judo to flip your expectations at every turn: When you see them take the stage, you half expect some kind of cushy, fluffy boy band that sings chaste ballads about holding hands. And then they play and it's rock that alternates from jangly, mopey heart-tugging choruses to balls-out murder riffs in the same song, and suddenly they're not adorable anymore; they're just really, really good." -Paul Constant, The Stranger (Seattle)

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