So beautiful the trumpet goes vsolutrly crazy

A warm and soothing tune. Great instruments. Lovely ambience. Good work! Have a sunny and productive day and feel free to leave me some love as well. 👋🏽👩🏽

love the jazz influences on this track, super creative!

this just sounds beautiful. I guess it's all electronic, but the sounds ae really good, especially the trumpet

This is a really awesome sound. I love the acoustics

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𝔑𝔢𝔴 𝔇𝔞𝔶

Die In My Sleep

Audio Music Library for Videos – FREE DOWNLOAD!

***
Track name: Soulful Streets
Music by Michael Herter
Free Download: https://bnd.link/sibviolin
Video: 

"Soulful Streets" is a captivating jazz lofi track that combines the smoothness of jazz with the laid-back vibes of lofi music. With a tempo set at 90 bpm, this track creates a perfect backdrop for relaxing, studying, or simply enjoying a cozy evening. 

Featuring a blend of classic jazz instruments like the piano and Rhodes synthesizer, along with the rhythmic elements of kick, hi-hat, claps, and a grooving bass line, "Soulful Streets" immerses listeners in a nostalgic and soothing ambiance.

This track's name, "Soulful Streets", carries the essence of urban elegance and heartfelt melodies. It evokes imagery of strolling through atmospheric city streets, basking in the warm glow of streetlights, and embracing the soulful melodies that echo through the night. An enticing mix of jazz and lofi elements, "Soulful Streets, will appeal to both music lovers and content creators looking for the perfect soundtrack for their videos, podcasts, or other creative projects.

The music awakens curiosity and appeals to listeners interested in jazz, lofi or a mixture of both and makes this music track an ideal choice for licensing as it can enhance a wide range of visual and artistic projects by establishing an emotional connection with the audience and providing an unforgettable audio experience.

Сis-Dur; 4/4; 90 bpm

► Support my Creativity: https://bnd.link/sibviolin

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Soulful Streets

Straight Madness

Friendly Universum (free download)

AGNON ANTE

SANITÄTER!

du hast gesagt: "gib nicht auf, denn du bist 10 millionen dollar wert!"
ich hab geglaubt, ich hätt' vor 10 jahre aufgehört.
die ganze zeit ging wirklich nichts von den dingen,
keine atmo keine crowd und keine vögel die singen.
die zeit verging und ich war meistens zuhause,
kein wort davon, dass ich noch an irgendwas glaube,
lebensmüde in den tag hinein
und wieder raus in eine nacht.

das haben wir alle nicht verdient, dass ich down bin,
wir reden verständlich und kriegen den sound hin.
es ist: als wäre ich  wieder da, wo ich mal war
ganz genau dieser platz, dieser tag dieses jahr:

du musst mein sanitäter sein
denn ist alles wieder gut
gut genug
für alles.

und den rest vermiss ich halt hin und wieder
aber es ist schon ok.

hörst du die lieder? und die strasse ruft wieder
meinen namen ins licht.

in neonschrift
in neonschrift
in neonschrift

du musst mein sanitäter sein
denn ist alles wieder gut
gut genug
für alles.
du musst mein sanitäter sein
denn es ist alles wieder gut
gut genug
für alles.
und den rest vermiss ich halt hin und wieder
aber ist schon ok, hörst du die lieder
und die strasse schreibt wieder meinen namen ins licht.

für murschel. 
.. and some lucky moves.

in english words:
 You said: “Don’t give up because you’re worth 10 million dollars!” I thought I had stopped 10 years ago. Nothing was happening with the things all the time, no atmosphere, no crowd and no birds singing. Time passed and I was mostly at home, not a word of believing in anything anymore, lifeless into the day and out again into a night.

We don’t deserve that I’m down, we talk understandably and get the sound right. It’s as if I’m back where I used to be, exactly this place, this day this year:

You have to be my paramedic because everything is good again good enough for everything.

And I miss the rest from time to time, but it’s okay.

Do you hear the songs? And the street calls again my name into the light.

In neon writing in neon writing in neon writing

You have to be my paramedic because everything is good again good enough for everything. You have to be my paramedic because everything is good again good enough for everything. And I miss the rest from time to time, but it’s okay, do you hear the songs? And the street writes my name into the light again."

All sounds / beat / words / produced by Kolkhorst 2022
℗ Schatten Der Kleinen Stadt 2023

sanitäter

A song inspired by Shane Beck - "The Last American Poet"... 
Spoken Word Musician

Listen to "Poem for the Shadow King" for a full spoken word version.

Duet For The Shadow King

Dream Walking

From our upcoming album Funk Odyssey Vol. 4 due sometime in 2025

The NTT - These Fleeting Moments

The Devil's Mill

The Devil's Mill - Józef Hofmann

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Duet For The Shadow King

Kluane Takhini

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