@rommel-norales-857608529: Thanks so much!!!!!!

this song remind sme of might and magic VI

Great poetic and ethereal atmosphere my dear friend, well done!

I believe a sweet female voice reading the beautiful text would fit perfectly, bringing even more emotion.

Stuff I Like 9

Expressing strong emotions, such as anger and frustration, but also calm acceptance, Robot86 releases his 2 track album, 'Last Night On Earth.' Reminiscent of atmospheric techno giants, Floating Points and Aphex Twin, Robot86 has captured his feelings and poured them through old breakbeats and cinematic soundscapes.

Robot86 is from a desolate planet where war has been raging since the beginning of time. Electronic music is his escape from reality, what makes him different from the rest of the inhabitants. Released in memory of his grandmother passing away due to Covid-19, 'Last Night On Earth' represents Robot86's inescapable and suffocating dread that he felt.

Last Night On Earth

Space Fly

Lyrics

You lose yourself in bad memories  
Of a time that you wish no one
You feel the cold coming up inside you
Your heart breaks in full longing
You want to order your mind
In a chaotic world but it doesn’t work
Yeaaaar
Scream
Scream
Let it Out
Let it Out
Were’s my quest
Were’s my quest
Let it Out
Let it Out

Let it Out
Let it Out
Let it Out

Bad Mamories

Bad Memories

Aboard The Ship Rocinante

Digital Universe

Willaume Theme

Galloping in the Mongolian Steppe

Galloping In The Mongolian Steppe - KRT Production

A song about persistence with the ones you love

LYRICS:

Try to lose
your California blues
But your walking shoes
are tied too loose
Find the loose end and pull it through
You don't need to be cool
Just need to be true

You don't need to be cool
Just need to be true

Three words are spoken too soon
Two hearts are broken by the moon
To fill the void in
We're drinking poison
Untended flowers never bloom

Duty is a poor motivator
Duty is a poor motivator
I'm gonna try

So gimme that lift-in-the-chest-
eyes-up-to-the-sky
version of 'ok,
I'm gonna try'

Gimme that lift-in-the-chest-
eyes-up-to-the-sky
version of 'ok,
I'm gonna try'

I'm gonna try

Duty

A story of love and loss and beauty.
Poem by Shane Beck, known as The Last American Poet, spoken words from the heart that never once let go.

Composed and Performed by Kluane Takhini
Spoken Word & Inspiration – Shane Beck
Featuring James Hill (trumpet)

"Poem For the Shadow King"

We were rising & falling through the moments of solitude & a dream
Remnants of a better time when I could rest calm & laugh & play
Here on display you will see the man child who dug his mental grave
Was there a purpose for the games of the heart now broken in two?
Poem For the Shadow King, the story of the one who waited for only you

Standing on hollow ground as my eyes seek to separate the false light
Trial & error of the perpetual play where darkness had chosen to stay
But we begin to recognize the mental loop & the haunting of the self
By the Gods of nature & all the beautiful birds in flight, I call on you
Poem For the Shadow King, this infinite gazing stare still upon you

And the false praise of one soul mate who was guided to the flames to burn
Every single word written in the book you received, those pages still turn
Poem For the Shadow King, the ignorant heart which refused to learn

Poem For The Shadow King

Maybe Blame Your Demons' by Humans & Computers is an incredible vocal melodic track that seamlessly blends elements of electronica, melodic soft pop, and easy listening to create a mesmerizing listening experience. The song is a true testament to the power of music to convey emotions and tell stories, with its emotive lyrics and soaring vocals.

From the very first note, the track captures your attention with its catchy and melodic intro. The electronic beats are delicately layered with soft pop elements, creating a perfectly balanced sound that is both energizing and relaxing. The song's melodic structure is masterfully crafted, with a perfect balance between the verses and the chorus.

The vocals on the track are simply stunning. The lead singer's voice is rich and warm, perfectly complementing the electronic and pop elements of the song. The harmonies are equally impressive, with the backing vocals providing a lush and atmospheric backdrop to the lead vocals.

Overall, 'Maybe Blame Your Demons' is a testament to the power of music to convey emotion, tell stories, and inspire. It is a masterfully crafted track that seamlessly blends elements of electronica, melodic soft pop, and easy listening to create a truly unforgettable listening experience. Whether you're looking for a song to lift your spirits, inspire you, or simply make you feel good, this track is a must-listen.

Maybe Blame Your Demons

Listen On Spotify

Humans & Comuters - Maybe Blame Your Demons

Ballade Triste

Nova

Aldos Birthdaysongs for weird Celebrities

Apache Samosa

My Heart

LAST OF THE MONTH

It Happens Once

We Will Meet Again

MUSIC FOR THE THINKING FEW.

(NOTE for RepostEx users: I don't repost AI if I can detect it, and I only repost songs I like or show some level of competence or promise...and they usually don't involve an 808, misogyny, Autotune or singing off key over a prerecorded track...and at my age I'm FAR more interested in quality connections with listeners than going "viral". ALSO: mostly an aging rock/folk/prog/indie guy...can't really judge or really relate to Hip-Hop, Auto-Tune and other more modern styles...sorry.)

John Ludi is a musician/singer-songwriter/cultural relic with a diverse and "arty" array of influences and lyrical interests who was "Indie" before the term even existed. Working outside of the music industry by choice has given Ludi the ability to release songs of a level of lyrical depth that are anathema to the current culture.  Ludi lives off-grid in a yurt in the woods of WI and finds the materialistic priorities of our civilization incredibly wrong and destructive.

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Poem For The Shadow King

Kluane Takhini

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