Sounds amazing, I love the strings and the tension it builds

i love it !!! very cool production and epic sound

oh..Fire and rain and mysterious Mead of musical Poetry...so exiting sounds of pure nature...

Intense and deeply absorbing sonic delivery... :)

Autumn Beauty

Someone who has 'Gone By' haunts you but makes those memoirs of her worth reliving differently, leaving a sense of a little wonder. Making up the way to release 'Gone By', this time featuring a talented pianist and friend Analise Mifsud.  
📸📹Cher Camilleri
🎬🎧Mirko Galea

Gone By

Gone By - Franco Tartaglia ft. Analise Mifsud

Lunar Hypnosis

this is another tune recorded by @earth-Patriot in July 2024. In use are Marshall heads and bc rich guitars.
pls share and comment !

https://soundcloud.com/earth-patriot/white-lies

white lies and alibies
no more sacrifices
last drinks and final smokes
tried to cut you out of my life

Dreams from Elmstreet 11

Whiet Lies

White Lies

While I was composing my F-sharp minor Fantasy, I found myself stuck on a particular middle section, struggling to find the right variation to complete the piece. Eventually, I succeeded, but before that happened, I wrote numerous segments that didn’t quite fit into the piece.

Fortunately, some of these discarded variations began to resonate with each other, leading to the creation of smaller pieces that I grew very fond of. The first of these became my Prelude in F-sharp Minor, and the second, the Moment Musicaux in A Major.

These two compositions share some motivic figures down to the note, yet in feeling and meaning, they couldn’t be more different. Despite the brief scope of the Moment Musicaux in question, I believe there is much to discover within it, with every new small section providing something unique and unexpected.

Moment Musicaux for Piano, A Major

Cantucky - Combstead & Robert Grigg

Thanks to my friend Charlie for rocking this collaboration 
more of his music @ https://soundcloud.com/charliewillz
photo by Ashley_Minkus

Supper - Charlie Williams

you want to tell me

You Want To Tell Me

Welcome to the second in the musical series "Of Fire and Ice", where we explore the mysterious world of ancient Norse Myths! What did the Gods hear in their minds during their adventures? Listen to the distinct sounds of pagan frame drums and soaring targelharpa ‘fiddles’, flutes and the harp-like lyre. All this blends with orchestral instrumentation, sounds of nature, harmonies and the soaring sounds of the trumpet of James Hill.
Video: https://youtu.be/LUZZAIqfW1s?si=2UTzLkz6QgLLKLQJ

Episode #2:  “The Mead of Poetry”
After war between the Aesir and Vanir gods, a peace was sealed by creating a being named Kvasir from their combined saliva. However, two dwarves, Fjalar and Galar, killed Kvasir and mixed his blood with honey to create the ‘Mead of Poetry’, which granted anyone who drank it the ability to compose poetry and gain wisdom.
The dwarves later killed a giant named Gilling and his wife, attracting the wrath of Gilling's son, Suttung. To save themselves, the dwarves offered the mead to Suttung, who hid it in a cave guarded by his daughter, Gunnlod.
Odin, seeking the mead, embarked on a complex quest, using trickery and disguise. He worked for Baugi, Suttung's brother, and eventually convinced Baugi to help him reach the cave. Odin seduced Gunnlod, spending three nights with her in exchange for three sips of the mead. However, Odin drank all of it, transformed into an eagle, and escaped back to Asgard. Odin distributed the mead to the gods and the most talented poets, although a small portion was lost, thus becoming the source of poetic inspiration.

The Mead of Poetry - Music of Norse Mythology

New York Stories (Piano/vocal)
Music by Robert Paterson | Libretto by Briana Elyse Hunter
Written: 2024
New York Stories Duration: ca. 60'
Chamber Ensemble Version Instrumentation: soprano, baritone, and chamber ensemble (flute, oboe, clarinet, percussion, piano, violin, viola, cello), or soprano, baritone, and piano
Percussion Instruments Needed for Chamber Ensemble Version: small drum set (snare drum, bass drum, hi-hat, crash cymbal, ride cymbal) vibraphone, glockenspiel, bar chimes, temple blocks, medium wood block, high wood block, medium triangle, small triangle
Librettos for five scenes commissioned by Robert Paterson. Crossing The Hudson (lyrics and piano/vocal score) commissioned by the Five Boroughs Music Festival
World Premiere (Piano/vocal Version): 
World Premiere (Chamber Version): Mostly Modern Festival, Modern Vocal Projects, Skidmore College, Arthur Zankel Music Center, Saratoga Springs, NY, June 16, 2024.
World Premiere (Piano/vocal Version): American Modern Ensemble, Opera America, Marc A. Scorca Hall, New York, NY, May 24, 2024.
Publisher: Bill Holab Music
Piano/vocal Version Video Playlist: https://youtube.com/playlist?list=PLUOHtooUK6OjL8UP6SAsfZhKWhxYS3mKO&si=0c5BaBXoShH1zVvY
Chamber Version Video Playlist: www.youtube.com/playlist?list=PLb…AlaPLl69TU_ffF2cd
For More Information: robertpaterson.com/new-york-stories

New York Stories - Rules In Effect (Piano/vocal)

Your my Hero, touches the heartbreaking topic of children battling disabilities and disease. Inspired by my grandson, who battles cystic fibrosis. He faces each day with determination and courage.

https://youtu.be/Jqkt-ymsiVc

https://soundcloud.com/bryan-scott-261530594/eagle-on-fire-bryan-scott-mp3

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https://soundcloud.com/bryan-scott-261530594/bryan-scott-im-gonna-party

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https://soundcloud.com/bryan-scott-261530594/bryan-scott-you-stood-in-the

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https://soundcloud.com/bryan-scott-261530594/count-your-blessings-final-mix

Musician | Bryan Scott
https://www.bryanscottmusic.com/

Your my Hero

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

The Mead of Poetry - Music of Norse Mythology

Kluane Takhini

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