New: 
A Field Guide to Phantasmic Birds
https://room40.bandcamp.com/album/a-field-guide-to-phantasmic-birds

Kluge - is one man project from Saint-Petersburg. He started to make field records and collect different sounds since he was 16 year old and lived on Kola peninsula in that time. Kluge starts with sound experiments, audio montages and other manipulations with sound in 2004. Kluge is using field records, guitar, flute, metalophone, different objects and digital synthesis.


…when i saw 
you among myriad stars 
that’s when i started my flight. 
i waved my hand to greet you 
you’re the light upon my path 
i love this dance 
i want it to be forever. 
i understand 
i’m heading into space 
i understand 
i’m waving to you… ‘Goodbye’

Andrès Garcìa is a polymorphic, genre-bending artist, whose music sprawls over club-oriented electronics, stage music for theatre and dance productions and lushly arranged pop songs, Andrès Garcìa was born in Geneva, Switzerland, in 1971.

During the two decades of his career, his work toured internationally with the Alias, L’Alakran and Teatro Malandro companies; he published a string of dancefloor-suited gems on some of the best English and German electronic labels (Crosstown Rebels, Connaisseur, Treibstoff, Kalk Pets, Alphahouse); and he set up duos with some cult figures of the electronic scene (AG/BG with Detroit Grand Pubahs, John Keys with Dandy Jack).

His latest project, Andrès Garcia & The Ghost, came into being in 2011 with the release of Haunted Love, an album spanning between lusciously melancholic, electronic pop, funky romanticism and a hint of jazz. A multimedia live show stemmed from the record, premiered at the prominent Geneva festival La Bâtie on the same year. In 2014, along with Nic Ulmi he produced Facial (VII), a multidisciplinary show between pop songs, ethnographic conference and video.

I like to be introduced as a "MUSICAL TRAVEL-AGENT".
ONSTAGE I'm mostly playing an Easel K (Buchla Modular Synth) and The Pipe (from SOMA Lab) which allows mouth-synthesis... I also manipulate unique vinyls with my sounds/musics, assaulting turntables to take advantage of the vinyl material to fondle released sounds, raking the needle across the record's grooves, rubbing their stylus on paper, cardboard, metal to process unusual noises and textures. I have a physical relation to my recordings and envision my live sets like performances. 
Gesture is also a very important part of my compositional process... While composing I am also relying on the use of real instruments such as Cymbalom, Pianos, Guitar and Percs that I play like a kid discovering a new toy, improvising and attaching great importance to gesture and stressing dynamics. My moves aren’t consensual, not cozying up potential listeners. A Punky approach even if throughout the past years I have been following courses of Composition + Electroacoustic Music at the Conservatory, specializing in Modular Synthesis. 
Pushing further my research in bringing together the Human and its Machine into a tapestry of sound which creates a deep sound assemblage of exotic Musiques Concrètes which guarantees to grow on you with repeated listens, slowly revealing its detailed richness…

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