Astrix has been one of the leading trance producers and DJs in the world for more than a decade, carrying his musical message of psychedelic emotional uplifting trance to every corner of the world, to the biggest urban clubs and far away beaches, huge festivals and underground events. Devoted to his art and a true perfectionist, Astrix is known for his massive hypnotic explosive sets on the dancefloor and for his precise detailed production in the studio. Both always laced with tons of feel and musicality. His music has been topping the charts and his albums are considered milestones. Astrix fourth studio album, “He.art” will be released early in 2016

Detailed Bio:
Astrix is a unique phenomenon in the trance world, a leading DJ & producer, who came from the underground psychedelic scene, have been performing in the biggest festivals and venues, reached # 18 on the DJ Mag poll, and yet, chose to always stay true to the underground trance movement.

Avi Shmailov has been dividing his life is for more than a decade already between constant studio work and non-stop touring around the globe. With more than 15 years of releasing music and more than a 1000 concerts all over the world, he continues to bring his musical message of psychedelic emotional uplifting trance to the leading festivals such as EDC, Burning Man, Escape From Wonderland, Beyond Wonderland, Summer Music Festival and Dreamstate (USA), SW4 and BoomTown Fair (UK), Tomorrowland (Belgium), OZORA (Hungary), Psy Fi and Dance Valley (Netherlands), Weekend Festival (Finland & Estonia), Airbeat One (Germany), Universo Paralello,Tomorrowland, Tribe & XXXperience (Brasil), Solstice Music Festival, Discovery, The Gathering (Japan), Emmaboda (Sweden), Inox (France), BAT (Argentina) and to the world's top dance clubs such as Brixton Academy, Alexandra Palace, Ministry of Sound, O2 Arena, Pacha, Privilege, Exchange, Avalon, AgeHa, Zepp Tokyo and many more.
 
Devoted to his art and a true perfectionist, Astrix is known for his massive hypnotic explosive sets on the dancefloor and for his precise detailed production in the studio. Both always laced with tons of feel and musicality. His music has been topping the charts and his albums are considered milestones.

Astrix broke into global consciousness in 2002 with his debut album ‘Eye to Eye’, defining him as a trance music anthems producer. In 2004, he released his second album ‘Artcore’, igniting fire all over the global trance scene and is considered by many as the perfecttrance album. The album’s effect was followed in 2005 by the impressive entry to the world's top 100 DJs list of the famous Dj Magazine, where he took the respectful climb to the 18th position in 2007. His third album ‘Red Means Distortion’ was released in 2010 and since then he continues to release many tracks on various compilations and digital EP’s to delighted fans, who according to his Facebook page are over 900,000 and going on strong
 
Astrix 4th studio album, “He.art” will be released early 2016





In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Behind Paskman’s name we find the DJ and producer who has managed to generate his own style by mixing great classics from countless genres with prominent Tech House beats.
Born in 1995, although Paskman’s name was created in 2019, he has pioneered a unique way of producing and understanding music. His productions are regularly played by world-class artists such as Wade, The Martinez Brothers, Michael Bibi or Cloonee.
With more than 4 million streams on Spotify, ‘Smoking I Wait’ was the track that brought the electronic music scenes attention to this young Spanish producer. His Talent as a producer is comparable to his quality as a Dj. Versatile mix of styles and his DJing technique make Paskman a surefire on any dance floor.
If you have not heard of Paskman yet, you can now prepare all your senses to receive one of the future stars of electronic music. Paskman has arrived, and he did it to establish his position among the big names of the scene.   
 
Management -paskmandj@gmail.com

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

‘WORK’ out now:
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