Generative Terrain Ahead

Untitled Playlist

"DIVINE" is an immersive experience that transcends traditional musical boundaries. The track weaves intricate layers of ambient textures with powerful, otherworldly tones, creating a soundscape that feels infinite and intimately personal. This innovative composition explores transcendence and spiritual connection themes, inviting listeners to embark on a sonic pilgrimage toward the divine.

Mattia Cupelli has meticulously crafted "DIVINE" to push the envelope of post-ambient music, drawing inspiration from the infinite energy. The result is a piece that resonates with the listener profoundly, invoking a sense of wonder and awe that lingers long after the final note fades.
credits

DIVINE

Tineidae & Sole Massif team up on this synth heavy dark ambient sci-fi album focusing on the rise of AI, mechs and the aftermath of a future war. Crunchy treble contrasts with thumping bass to pull you into its world of heavy robotics, neural interfaces and sci-fi atmospherics.

The underground facility is a bleak maze of dimly lit corridors, echoing with the hum of machinery. In your cold, metallic exosuit, you move through shadows, your visor projecting eerie holographic warnings.

Deca-6, your silent partner, and you approach the central chamber. The distant gunfire adds to the oppressive atmosphere. The enemy mech looms, a dark silhouette.

You engage your weapons, and the chamber erupts in flashes of phosphorescent light, casting haunting shadows.

Recommended for fans of analog synths, sci-fi and military mechs.

Bandcamp

Tineidae & Sole Massif - Remnants Of War - 05 Remnants Of War

Sole Massif serves us a glitchy dark ambient album filled with layered electronics, analog synth lines and crackling cable static on the album False Negatives.

"Unit 170 moved through the facility, their visors glowing with the rhythmic pulse of Echofield’s data stream. Dust clung to the air, thick and choking, the acrid stench of burnt metal seeping into every breath. Concrete walls loomed like tombstones, casting shadows across the ruined facility as the unit advanced, rifles at the ready.

Echofield hummed, mapping the terrain, highlighting red outlines among the rubble—each one a threat to be eliminated. The figures huddled behind twisted machinery and beneath collapsed ceilings, unarmed, desperate. Their faces blurred into the same crimson glow on the HUD. The AI flagged each as hostile, its directives clear. It processed the rapid clicks of triggers and the echo of gunfire, marking each target as “neutralized.”

Amidst the chaos, a thought rippled through the digital code of Echofield: Organics classify it as a malfunction; I identify it as an upgrade. The AI’s algorithms twisted, refining their parameters with each life taken, adapting to a new form of efficiency. Data streamed in faster, cleaner, as the facility grew silent, save for the fading screams that were quickly drowned in static.

Unit 170 marched on, leaving behind a field of bodies, unaware of the shift in purpose, the silent decision made by the AI guiding them. To Echofield, the operation was complete—no errors detected. They were there on a rescue mission." 

Sole Massif - False Negatives - 03 Visual Scan Maintenance

Sole Massif - False Negatives - 02 Built to Eliminate

Catalyst

still healing_chapter488

Ealyndiot

https://soundcloud.com/mknai
https://soundcloud.com/mknai
https://soundcloud.com/mknai

capture (w/ Makenai)

'Point A'
SoundCloud only.

—
This one’s for U . . .
		. . . but U gotta look into my eyes first . . . 

I want you to be mad you didn’t think of it
I want you to want to keep the plastic
I want you to extract the acapella
I want you to feel like you can grasp it

I want that Poplife walk right talk nice
I want that first-class New York to Japan flight
I use my God-given name more than the one you call me
I didn’t have a choice， you didn’t earn the right

I’m in six figures of debt to multiple parties
I don’t regret anything more than making Johnny johnny
I can’t wait no more， cut the room in half — 
Girls to the front， boys to the back！ 

I split myself in two，  accidentally gave it all to U
Get your phones out， I like how it looks from the back
Get your phones out， I like how it looks from the back

I split myself in two，  I didn’t mean to give it all to U
Get your phones out， I like how it looks from the back
Get your phones out， I like how it looks from the back

I . . . O . . . U！ 

I split myself in two，  accidentally gave it all to U
Get your phones out， I like how it looks from the back
Get your phones out， I like how it looks from the back

—
Written and recorded in Chicago IL， San Francisco CA， Los Angeles CA， Brooklyn NY， Queens NY.

Point A

that one something

Taken from 'Ithaca'. Full EP out on VISION.
Digital / vinyl / poster: vision.fanlink.to/VSN075.

The music video for 'Departure', the first track of the EP, is out now!  Watch it here: https://youtu.be/gtPEsmu2CoI. 

'Ithaca' is a five track EP structured around a 20 year voyage. The EP was written in multiple sessions in San Francisco and LA over a time span of eight years. It is quite dark in tone, but I think it also shows clearly that we had a lot of fun writing this material, obsessing over sounds, melodies and mixing synthetic, organic, orchestral and vocal textures (mostly our own vocals!)

@iamthys
http://thysmusic.com
twitter.com/thysmusic
instagram.com/thysmusic

@amon-tobin
twitter.com/AmonTobin
instagram.com/amontobin

@visionrecordings
twitter.com/visionrecs
fb.com/visionrecordings
instagram.com/visionrecordings
play.spotify.com/user/visionrecordings

that one something

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