JUDGE MANKIND bootleg Rough draft ATOS BLUE PRODUCTION

ATOS-BLUE-God is On our Side(Rough) Feat- onE.voic3.

Hi everyone, it's been a while how are you? With our friend LaBstro we put together a mixtape just the way we like it, boombap hiphop beats. We are both on an Mpc One and frankly what a machine. Enjoy listening, the rest is coming.

6_L&L Outro By LaBise

Equipment

Apple MacBook Pro, Apple PowerBook G4, Audacity 2.0.2 Free Digital Audio Editor, BIAS Deck 3.5 DAW, BIAS Peak 3.0 Stereo Editor, Bontempi B9 Chord Organ, Drum Workshop 5000 Series Pedals and Hardware, Farfisa Mini-Compact Organ, Grado SR-125 Headphones, Griffin iMic USB Audio Interface, Ludwig 16 x 18″ Floor Tom, Ludwig 18 x 24″ Bass Drum, Pearl 4 x 10″ Snare Drum, Pearl 7 x 12″ Snare Drum, Rhodes Mark II Stage Piano, Rode NT3 Condensor Microphone, Roland BOSS Dr. Sample SP-303, Roland MC-303 Groovebox, Sony ECM-MS907 One-Point Stereo Microphone, Sony TCM-200DV Standard Cassette Voice Recorder, Unknown 10″ HiHat Cymbals, Zildjian 13″ Azuka Latin Crash Cymbal, Zildjian 13″ K/Z HiHat Cymbals, Zildjian 20″ Ride Cymbal, Zildjian 20″ Pang Cymbal with Rivets, Various Pitched and Un-pitched Percussion Instruments, Vic-Firth Drumsticks, …

Acknowledgements

Matthewdavid, Jesselisa, and LEAVING RECORDS, dakim and audopilots, DELOFI and DIRTY TAPES, DIBIA$E and Green Llama, Ahnnu, Jonwayne, Ras G, Samiyam, Teebs and Brainfeeder, CULP, DTCPU, Lord Beatjitzu, SENSEI HIMSELF, Shogun Warriors, TWIN GALAXIES, etc., Bryant Canelo, LAMPGOD, and bootleg tapes, Perry Trollope, brrd, and Psalmus Diuersae, J. Gordon Faylor and Gauss PDF, Apsirs Group and Skylark Quartet, HOSE and hibari music, Masahiko Okura and gnu, Jneiro Jarel and Shape of Broad Minds, 0PN and Hudson Mohawke, Q-Tip and ATCQ, ?uestlove and THE ROOTS, J Dilla and Slum Village, Madlib, Quasimoto, YNQ, DJ Rels, Jeff Jank, Stones Throw, and Rappcats, Odd Nosdam, cLOUDDEAD, and BoC, Karriem Riggins, Chris Dave, …

RIP

DF, DL, DM, FU, GF, JF, JY, MU, OM, SP, TG, TW, …

SP-MOLD - 2005

armleg

TRACKLIST:
1: splinter [feat. Duro] - 0:00
2: brawlers - 1:40
3: everything but/teardrop - 3:10
4: serenity [feat. aerate] - 5:11
5: faded grain - 7:15
6: automatic - 8:54
7: concept [feat. aerate] - 10:05
8: strangers [feat. Lordt $txn] - 11:24
9: source code [feat. IndescribableINDY] - 12:42


bandcamp: https://achilleer.bandcamp.com/album/brawlers
spotify: https://open.spotify.com/album/4fQlYovlwhJWklqRRj2JQr?si=cGLTIzWSRvKWwxzv5i2mPg
apple music: https://music.apple.com/us/album/brawlers/1829236997
youtube: https://youtu.be/_QRSXBzmM-4?si=x771tc4PyLNBhJIW


Duro: https://soundcloud.com/duromkl

aerate: https://soundcloud.com/aerateloops

Lordt $txn: https://soundcloud.com/stxn_x

IndescribableINDY: https://soundcloud.com/indescribableindy


cover art by achille

brawlers [full tape]

selfcon(k-mix)

Iron palm theory (Virtua Fighter Beattape)

11:10 PM

❘mpala °°°Sad𒆙𒆙 <2>

Design

Basically, I'm a child of 90's hip-hop. I always have been and always will be. Don't get me wrong, there's plenty of dope hip-hop on the market today (mainstream and underground), but to me, the eight-year period spanning from 1990 - 1998 was a hip-hop Renaissance that will probably never be duplicated. And DJ Stretch Armstrong and Bobbito Garcia (AKA Cool Bob Love, AKA DJ Cucumber Slice, AKA the ten thousand other nicknames this dude has) were probably two of the most influential people in the game at that time. I'm not gonna go into a long history regarding their show on WKCR, but from 1990 - 1998, during the hours of 1-5 AM every Thursday night / Friday morning, these two, for lack of a better term, "smashed the airwaves" of the New York metropolitan area. Their show was responsible for launching the careers of Nas, Mobb Deep, Big L, Jay-Z, Big Pun, Fat Joe, The Notorious B.I.G., A Tribe Called Quest, The Beatnuts, Black Moon, Redman, The Wu-Tang Clan, and the list goes on and on. Since I was too young during the show's heyday, I've had to feed my addiction for this show by scouring the internets for uploaded tapes from listeners from back in the day. What I did with this mix was try to showcase some of the joints that were spun on their show beginning in 1990 and ending in 1998. I compiled all the tracks to make it seem like you're listening to an actual taping of the show. All of these tracks were played on WKCR at least once (some more than others). I even threw in some of my favorite freestyles and exclusives, which were taken directly from old cassettes. I've got a ton of these old recordings, and it was really difficult to decide what to include/exclude, but hopefully, you'll get a sense of their legendary show and the evolution of classic hip-hop over a legendary eight-year period. Also, shout out to the good peoples at <a href="http://Philaflava.org" rel="nofollow" target="_blank">Philaflava.org</a> for supplying me and the rest of the Stretch &amp; Bob fiends with hundreds of old tapes. Turn that shit up....

Note: I let some of the freestyles run for an extended period since some of them are just too legendary to cut short. 

1. Intro from WKCR
2. Main Source - Live at the Barbecue (Feat. Nas, Akinyele, &amp; Joe Fatal)
3. A Tribe Called Quest - Spirits
4. Lord Finesse - The Funky Technician
5. Showbiz &amp; A.G. - Party Groove (Instrumental)
6. Showbiz &amp; A.G. - Soul Clap
7. A Tribe Called Quest - Footprints
8. Masta Ace - Jeep Ass Niguh (Bizcappella)
9. Gang Starr - B.Y.S.
10. Dr. Dre - Puffin on Blunts and Drinkin Tanqueray (Feat. Daz, Kurupt, &amp; Rage)
11. Akinyele - The Bomb
12. Wu-Tang Clan - 7th Chamber (Original Demo Version)
13. Hurricane G - Milky (WKCR Exclusive Demo)
14. Company Flow - Juvenile Techniques
15. The Beatnuts - Reign of the Tech
16. Kool G Rap - F@#$ U Man
17. Pete Rock and CL Smooth - One in a Million
18. Kurious Jorge - Walk Like a Duck
19. Nas - WKCR Freestyle (10.28.93) (PRE-ILLMATIC)
20. A Tribe Called Quest - Mr. Incognito
21. The Notorious B.I.G. - Dreams
22. Jeru Tha Damaja - Come Clean
23. Outkast - Southernplayalisticadilacmuzik (Diamond D Remix)
24. Artifacts - Flexi Wit Da Tech (Nique)
25. The 45 King - Brainstorm (Feat. Latee)
26. Group Home - Supa Star (Instrumental)
27. LL Cool J - No Airplay (Dirty Promo Version)
28. Das Efx - Microphone Master (41st Side Remix) (Feat. Mobb Deep)
29. Redman - How U Get Down?
30. Lord Finesse, KRS-One - WKCR Freestyle (11.02.95)
31. The Fab Five - Leflaur Leflah Eshkoshkah
32. Smif-N-Wessun - Bucktown
33. Raekwon - Incarcerated Scarfaces
34. Big L - Put It On (LG Remix)
35. Jigmastas - Beyond Real
36. Big L, Bloodshed, Ma$e (yeah, the same Ma$e who made this) - WKCR Freestyle (04.18.96)
37. Natural Elements - Shine
38. Large Professor - Ijusswannachill
39. O.C. - What I Represent
40. Big Noyd - Usual Suspects (Stretch Armstrong Remix)
41. Mobb Deep - Street Life (Feat. LES &amp; ACD)
42. CNN (Capone-N-Norega) - LA, LA (Kuwait Mix) (Feat. Mobb Deep)
43. Juggaknots - Clear Blue Skies
44. DITC - Dignified Soldiers
45. Slum Village - Players (Instrumental)
46. Eminem &amp; Royce da 5'9' (Bad Meets Evil) - Scary Movies
47. Eminem &amp; Royce da 5'9' (Bad Meets Evil) - WKCR Freestyle (08.20.1998)
48. Outro (DJ Spinna Instrumental)



Stretch Armstrong & Bobbito Mix

Knablinz (BORN & RAISED BY BIRDS) the cosmonaut from the Multiverse is here to share all the collections of frequencies collected through channels and signals. taking what is heard mixing them with natural occurrence. only you can let knablinz know what the sound is... i am here to listen to knablinz also and investigate and solve the riddles of space time welcome to the travels of knablinz. Who is Knablinz i don't know do you? they are something someone hmm... not sure 

- Once upon a time, in a distant universe, there lived a cosmonaut named Knablinz. Knablinz was an extraordinary being, with a deep passion for music that spanned across multiple universes. He spent most of his time exploring the vast expanse of space, seeking out new sounds and musical styles that he could bring back to his own universe.

As Knablinz traveled through space, he encountered all sorts of different beings and civilizations, each with their own unique musical traditions and styles. He collected recordings of these sounds, taking great care to document each one and preserve it for future generations.

Over time, Knablinz's collection grew to include thousands of different musical styles, from the hypnotic rhythms of the Andromeda galaxy to the haunting melodies of the Dark Nebula. He became known throughout the universe as a musical gatherer, a master of the art of collecting and preserving the sounds of the cosmos.

But Knablinz's love of music wasn't limited to collecting and preserving the sounds of the universe. He was also a talented musician in his own right, with a gift for creating otherworldly sounds and sonic landscapes that were unlike anything anyone had ever heard before.

Using his collection of sounds as inspiration, Knablinz began to create his own music, blending together elements of different genres and styles to create a truly unique sound that was all his own. His music was ethereal and mesmerizing, with deep, pulsing rhythms and haunting melodies that seemed to transport listeners to another world.

And so, Knablinz continued to explore the universe, collecting and creating music that transcended the boundaries of space and time. He became a legend in his own right, known throughout the cosmos as the cosmonaut musical gatherer of multi-universal sounds, a true master of the art of music.