Ten years ago, ‘We Are Your Friends’ reached our ears and pushed Justice to the front of the scene, a young French duo signed by Pedro Winter on the label he had just created: Ed Banger Records. The record that followed,✝, was an album of condensed jerky electro, of disco reminiscences and heavy metal energy, with unstoppable tunes like ‘D.A.N.C.E’, ‘Stress’ and ‘Phantom’, and its videos, allowed Justice to follow the 90’s French Touch and its filtered disco loop. 

Since the release of their debut album in 2007, Justice has been tirelessly touring the world by bus, road festival to festival and concerts all over throughout the planet. Since their first tour, the band developed a powerful stage design that they polished and magnified throughout the years and the gigs. The wall of vintage Marshall amps front of the stage, an imposing cross, impressive light shows, and the sound of Justice totally revisited for the live shows. 


Links - https://drop.cobrand.com/d/Elderbrook/Links

UK and European Bookings: Simon@primarytalent.com
North American booking: JMOSS@TEAMWASS.COM

Giles is a pianist and composer.  He is a regular composer for film and TV, best known for his famous Dead Island Trailer Score which was a viral sensation.  He as work on some seminal films such as Valhalla Rising which was released as a collaborative album with Scandanavian composers Peter Peter and Peter Kyed by Belgian Label WeME who included one of Giles Lambs tracks on there 10 Ans Anniversary collection.  most recently Giles Scored the TV series Slow trains through Africa with Griff Rhys Jones and the cult Feature Documentary 'Holy Hell'  currently on US TV.

The blog Fragileorpossiblyextinct.com summed Giles music up perfectly when reviewing his album 'Before the Birds' - “a collection of tracks that are beautiful, engrossing, and suitably aspirational. In the manner of many of today’s more pop-oriented composers (like Arnalds, Frahm, Wenngren, Kenniff, et al), Lamb sticks to a simple style that hovers around the intersection of modern classical and ambient music. “ 


'January Never Dies' ALBUM OUT NOW
https://balmingtiger.ffm.to/januaryneverdies

INQUIRIES & BOOKING:
mgmt@balmingtiger.com

LOST IN THE FIRE FEAT. THE WEEKND: http://smarturl.it/LostInTheFire

Just some random korean

※CAUTION! Repost songs pretty randomly※

hi
my name is 마미손
i love pink
i like to play with animals

Beautiful Noise / Gang Gang

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

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