영기획YOUNG,GIFTED&WACK
YOUNG,GIFTED&WACK is a local underground media collective and label to introduce young and gifted wack music. Originally Wack means very odd but In our collective we strive to redefine the word. YOUNG,GIFTED&WACK introduces new music, makes albums, promotes shows to build a new wave in the underground scene. Contact YOUNG,GIFTED&WACK for young, gifted, and wack music sooner than others. Also we have a coffee mug. 

영기획YOUNG,GIFTED&WACK은 젊고 축복받은 왝 음악을 소개하는 로컬 언더그라운드 미디어이자 레이블입니다. 왝은 본래 매우 이상하다는 의미지만 영기획에서는 끝내주는 음악을 말할 때 씁니다. 영기획은 새로운 음악을 소개하고 음반과 공연을 만들어 새로운 흐름을 일으키고자 합니다. 영기획에서 젊고 축복받고 왝한 음악을 만나세요.



Oslated & Huinali Recordings. Independent labels sharing one platform, born on the peaceful island of Jeju, South Korea.

Podcast mixtape of Electronic / Experimental music from Korea (Locals+Expats+Korean record labels). 이 팟캐스트는 한국의 전자/실험적인 음악을 당신에게 소개합니다. Submit tracks 당신의 음악을 보내주세요: futuresoundskorea@gmail.com  
FB: www.facebook.com/groups/futuresoundsfromkorea

follow me on Youtube: https://www.youtube.com/channel/UCqgY9ElkUfiMTFdL7JND1Gg

Being a practicing architect, I think in terms of organising matter within space permanently.
Making music, I feel the intangbile and temporary nature of everything.
To my mind, both realms a part of an even mind.

After having improvised happily for a long time, I´m currently working on a longer musical piece. This is to become more of a composition than a jam, aiming to bring more structure to my music. 

I´ve been producing electronic music for a decade now under the names elektronade, fReu, Faba Reu and eventually even mind. My pieces vary from melodic solos, experimental soundscapes to tracks driven solely by rhythm. To describe my music, I cannot find a better genre than „space“ which isn´t a genre really.

My love for music grew on the musical tradition of my family. At the age of six to twelve, I played the cello – not always keen but it certainly was a decisive step in developing an understanding and feel for music. In my teenage years, I developed an intimate relationship to the piano which really opened up the realms of music to me; especially in terms of improvisation.  In my twenties, after having condemned electronic music as „not actually being music“ (there´s nobody playing an instrument here, right?!), I discoverd this genre and started loving it for its endless timbral possibilites and its high potential of energy. In 2010, aged 20, I started producing electronic music myself using only a computer. From 2014 on, I started gathering small-sized hardware electronic instruments (first samplers, later drum machines and synthesizers) which gave that tactile feel of an actual instrument back to me. In 2018, I ditched the computer for producing music alltogether as to limit the possibilities and to focus more on improvising rather than arranging music. Now, in 2020, I´m on the way from pure improvisation back to more of a composition.

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