Fresh classical and orchestral music for an ultimate chill session. Updates every Wednesday with popular tracks in Spain and Portugal.

Orchestral Unwind

The June Hydrangeas

April Waltz

This is a track we help promote because we find it pleasant! https://open.spotify.com/playlist/0J7EFptNh6K6Qebrsrcx8d?si=ae32df247fdd4a1d


Idlewild

A road, straight ahead, beauty all around. 
You can smell and pick the flowers or… why not leave them there grow and bloom cause that’s the nature’s way isn’t it?
Does everything have to have an end? Or there is an everything to an end too?!

Whatever and however it is, the time is now, not later, as later doesn’t exist, or it at least not yet!
Did we learn something from our past, did we applied what we learned, or better, how many did we in the practicality put the beautiful and oh so wise theory we blessed the others ears so many times!

We all did  s**t in our lives I think and I believe someone can really change after they truly and ultimately accept that and move on like a bird leaves it’s crib to learn and to grow and than? 

What is next? What is next…


Bon chance!

Bon Chance

Abingdon Crossing

Doubt..... everyone knows or should know what doubt is. A truth among truths, two or more. When you doubt and it goes on and on, take action, decide with all your courage. The best decisions are those that remain AFTER a long period of making choices in your mind and are stronger than other choices in your mind! You are allowed to exist!!

In Dutch: Twijfel..... iedereen weet of zou moeten weten wat twijfel is. Een waarheid tussen waarheden, twee of meer. Wanneer je twijfelt en het duurt en duurt, onderneem dan actie, beslis met al je moed. De beste beslissingen zijn degenen die blijven NA een lange periode van keuzes maken in je hoofd en sterker zijn dan andere keuzes in je hoofd! Je mag er zijn!!

Twijfel 250702

Mendelssohn Op.85.No4 (performer Ad van Nederpelt)

Aurora Introitus

めぐる pf

Eternal Ascent for Reed Quintet

Eternal Ascent portrays the Greek myth of Sisyphus, who was punished by the Gods and sentenced to roll a large boulder up a hill every day, only for it to fall back down when it neared the top.

This constant and arduous task symbolizes the more frustrating side of learning to play an instrument, the stretches of time where no progress is being made or even periods of regression. The music reflects this anguish through its dark and somber tone, with moments of ascending hope anticlimactically returning to the same introductory material, starting this relentless journey over once more.

Though this myth can be a daunting one, we can all be hopeful that we have the ability to push the metaphorical boulder to the top of the mountain with enough work and persistence.


Eternal Ascent

Recorded at Zion Community Commons, August 21, 2025

Laura Harada, violin
Aaron Kerr, cello
Rebecca Hass, piano

About “Ad Parnassum” (Ad Parnassum, 1932)
The dark outline of a pyramid-shaped mountain glows beneath a warm orange sun while an open archway invites the viewer to take the first step on their journey towards enlightenment. Inspired by the pyramids and temples of Egypt, Paul Klee’s pointillistic masterpiece from 1932 is built from contrasting blocks of color built up brick by brick in a style that he called “divisionism.” In the same way, the music takes the form of a rondeau as repeated musical progressions are developed through textural variations. In Greek mythology, Mount Parnassus is associated with Orpheus and the home of the nine muses and “a step towards Parnassus” (gradus ad Parnassum) came to define the gradual process of pursuing mastery in scholarship or the arts through diligent, repeated practice. The climb towards any summit begins with a single step and although that journey can be defined as a series of steps towards a goal, there is no guarantee that the path will be straightforward. The path may be winding, or may double back on itself, or seem to disappear altogether – it is built from small victories, epiphanies, frustrations and defeats – and by the end you have come full circle, stepping through the door towards Parnassus once again, both an exit and an entrance.

Ad Parnassum (1932) - No. 144.1 from Paul Klee : Painted Songs

Intermediate Level - Piano Solo - Romantic calm melody

I Miss Her

Daisy Fields

Since I was a child, Christmas Eve has always been a magical time for me. Gathering with relatives and putting on little shows, where I often played, with my cousins ​​are indelible memories. There was that enchanted atmosphere where everything seemed possible, even the arrival of Santa Claus!

With "Christmas Eve," I tried to convey that very emotion I felt as a child, when the magic of Christmas made everything possible.

For the song, I drew inspiration from three classics that have always represented Christmas for me, not only for the Christmas spirit they convey, but also for the sense of family they evoke. I'll leave you to discover them…

Christmas Eve

Wanted- Hunter Hayes (piano)

Solo Piano.  Created in Real-Time LIVE in Concert.

Photo by Greg Carr, my brother.

Year of Music: November 16, 2025

These are all my original compositions. 

For any questions, please email: 
kocosaur@gmail.com

Daisy Fields

Kocosaur

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