Part of @FATALAz ❤️‍🔥

Booking Request: booking.nurmiri@web.de

Upcoming:

11.10.25 Lift, Bremen /w DJ Balzi <3


Past: 

Alte Münze Berlin
Amt für Alle Lübeck
Breminale
Ein außergewöhnliches Ereignis Oldenburg
Entropie Festival
Fusion Festival
Funkloch Festival
Gängeviertel Hamburg 
Glocksee Hannover
Habitat Festival Hamburg
Hafenklang Hamburg 
Karneval der Kollektive Köln
Kater Blau Berlin
Klunkerkranich Berlin
Legal Club München
Lift Internetcafé Bremen
Meeresrausch Festival
Metro Oldenburg
Mensch Meier Berlin
MS Dockville Hamburg 
MS Treue Bremen
Moyn Festival
ost:end Leipzig
p.ara Bremen
Polyester Oldenburg
Rakete Stuttgart
Renate Berlin
Schrödingers Hamburg 
Sektor Evolution Dresden
Skalar Festival 
Station Endlos Halle
Südpol Hamburg 
Turtur Hamburg 
Waagenbau Hamburg 
Zugvögel Festival

Get your festival-ticket for the Amsterdam Dance Event:
https://store.amsterdam-dance-event.nl/tickets

Königsberg is a Copenhagen based composer and producer of melodic electronica, house, chill and techno often blended with world music elements. Königsberg celebrates diversity including different musicians and singers. 

Contact: koenigsbergmusic@gmail.com

Südpol Resident
Booking & Contact: https://www.suedpol.org/residents/

Future:

Past

Festivals:
Fusion
Bucht der Träumer
Dockville
3000° 
at.tension
Praerie
Moyn 
Planet:B
Meeresrauschen
Habitat
About You Pangea
Simsalaboom
Klangtherapie
Off the Radar
Sehr Schøn
Hartböhm
Secret Island Nation
Because we are friends
Brandshof
Open Flair Festival
...

Clubs:
://about blank Berlin
Sisyphos Berlin
Katerblau Berlin
Goldengate Berlin
Rummels Bucht Berlin
Ritter Butzke Berlin
Bahnwärter Thiel München
Renate Berlin
Ruigoord Holland
Natmaskinen Kopenhagen
Kit Kat Berlin
Kapitel Bern
Cross Club Prag
Chapeau Rouge Prag
Kabinett der Kuriositäten Frankfurt a.M
Kesselhaus München
Jaz Rostock
Peter Weishaus Rostock
Bunker Kiel
Helga's Stadtpalast Rostock
Soho Stage Augsburg
Insel der Jugend Magdeburg
Muk Gießen
Ms Treue Bremen
Klangkulisse Jesendorf
Kühlhaus Flensburg
Fusion Club Münster
Zucker Bremen
UKW Kraftwerk Rostock
Techno Disco Wetzlar
AK 44 Gießen
Schmitz Katze Freiburg
Hetten Hohenpeißenberg
Hallo Werner Augsburg
Strandkatze Ostsee ☺
Jonny Knüppel
...

Clubs Hamburg:
Moloch
Waagenbau
Docks/Prinzenbar
Übel&Gefährlich
Klingel3
Edelfettwerk
Hafenklang
Fr. Holle
Baalsaal
Catonium
Tur Tur
Gängeviertel
Moire
Fundbureau
Stubnitz
Rote Flora
Yoko
Häkken
Knust
Grüner Jäger
Kurhotel
Universum
Jupiter
...

TESH(Ciobanu Arian-Leontin) was born in 1993. Don't waste time reading bio, listen my music.

Founder of Thievery Corporation.

In a time where much of the world is confined and fearful comes Thievery Corporation co-founder Eric Hilton’s first solo record “Infinite Everywhere”, an elegant exploration of inner space that will leave listeners feeling replenished and centered. While Thievery painted with a broad musical brush, genre hopping across (and sometimes within) over 20 plus years of albums and live work, Hilton’s solo debut is distilled, focused, and more personal.  "I’m kind of the drum & bass guy in Thievery – I’ve never been much of a player of melodic instruments. “Infinite Everywhere” is me challenging myself to play more. I started work on a laptop and cheap midi controller; when my engineer Igor Garnier heard the rough tracks, he encouraged me to play more,” says Hilton. “I’ve always been a bit of studio rat, but I've found I really enjoy making music on my own, late night with just me and a keyboard – I’m kind of hooked on that. On this record I played nearly every instrument, which I’ve never done before.”

“Infinite Everywhere” was recorded at The Winter Palace in Washington, DC from September 2019 through March 2020. The album title and concept predate the current global crisis, but are remarkably prescient, conveying feelings of melancholia and optimism in equal measure. And while Hilton has incorporated exotic musical ingredients from diverse cultures on his previous work with Thievery Corporation, “Infinite Everywhere” is decidedly more European in feel. This influence came from an unexpected place, Hilton explains: “I took a tongue in cheek influence from prog rock – the best elements of it anyway. Prog too often goes off in a direction I don’t like. But some more mellow progsongs aren’t necessarily “rock” – at their best they’re explorations of space, organic, with truly gifted playing. That part of the genre appeals to me.” 

The meditative title track and first single, “Infinite Everywhere”, personifies Hilton’s humanistic and exploratory ethos. “Infinite Everywhere” is so simple, but it always gets me into my chakra mode – there’s a realignment that comes when listening to it,” he says. The song isn’t just a doorway to the album, but a potent rhythmical mantra for willing ears. “When I meditate, I become vapor, flowing free around the earth or the atmosphere – I let myself explore in my mind, pop up on a Tokyo Street, then in Prague, or on the Ganges in India. My mind decides on the time and space. “Infinite Everywhere" represents that experience of doing that."

But don’t make the mistake of thinking that descriptors like “exploratory” and “meditative” are code for a sleepy record. As an album, “Infinite Everywhere” is the ne plus ultra of elegant groove, which Hilton has been distilling for over two decades. It kicks, and it sounds amazing. “In Thievery, we always wanted to make music that was electronic but sounded real, -that’s what I’m into. I love making real sounding things with an unusual process.”  We are living in strange times – perhaps the strangest in our lifetimes. The album’s second single, “This Strange Daze” featuring Puma Ptah, is something of an outlier, being the only song on the record with vocals, and more of a Jamaican feel. “Strange Daze” was a strong instrumental sketch, but something in me said it would be more powerful
with a vocal. I’ve been working with the incredible Puma Ptah for many years, he’s done some tracks and toured with Thievery and is the main singer for The Archives. He’s such a great writer, so I hit him up to collaborate on the track. He wrote the song about week one of this current crisis, riffing off the title, powerful lyrics about anxiety and worry eating at you, how to deal with it and cope. It occupies a very special place on the record, another point of connection.”

KÖNIGSBERG is following