“Caught Up In The Fire” ft. JONAH 🌹 
Out Now: https://benbohmer.lnk.to/caughtupinthefireSO


North & South America bookings:
Alex Becket alex.becket@caa.com
Evan Greenberg evan.greenberg@caa.com

Rest of World bookings
Roman Trystram roman.trystram@caa.com

for old times' sake..

remember?
Mirissa Beach, Sri Lanka / Rote Sonne, Munich / Beatfreakz@Ritter Butzke, Berlin / Kong, Munich / Grüne Sonne Festival, Hohenpeißenberg / Isle of Summer, Munich / Maedchen Open Air, Munich / ...

contact/booking
maedchentechno@web.de

Booking
WW: ben@radiusartists.com
GSA: damian@book-kings.de

Please save new single Vienna, available worldwide July 3rd 2020.
https://linktr.ee/seanjoneill
New Video for debut Single I'm Here
https://youtu.be/eYI4LgnyESs

Management: james@lyricom.co.uk

Indie Shuffle; "The music he's created here is absolutely stunning, with his heartfelt vocals and strummed guitar backed up by an eclectic mix of sounds. By creating a musical landscape that really captivates its audience, he's done what a lot of folk musicians try and fail at -- beautiful stuff".

Of Finnish descent, but born and raised in California, TIN MAN now has a home in Vienna, a town perfectly suited to his deep and moody productions. TIN MAN launched his Global A label project in 2005. The first two releases, 'Places' and 'Acid Acid', weighed in at three pieces of vinyl each, and showcased his two major musical passions: fragile deep electronica and acid house. TIN MAN has acclaimed releases on the Finnish record label Sähkö / Keys of Life, Cheap Records from Vienna, and continues with new releases on his own imprint, Global A . While TIN MAN's output is diverse in its references, certain underpinnings can be heard throughout. There is always a strong reference to Acid House music, as well as a strong reference to Ambient and Electronic Pop music from the past 30 years. TIN MAN's newer output features his voice and follows a "concept album" format. Thus, complete records are as important as individual songs. The songs tend to follow a simple structure with changes that grow slowly within motifs. Mood construction and story telling are both equally important. And with each new record, there are new historical references to tell different stories. TIN MAN also continues with his passion for Acid House by continuing to produce retro-acid tracks and playing live shows regularly. These live shows celebrate early house music, its hypnotic charm, and its blissful raw energy. To find out more about TIN MAN please visit www.tinmanmusic.com


Booking & Mgmt Requests : stephen@deepbloe.com


French producer Watermät has been one of the breakthrough house music stars of the last few years and a key part of the wildly successful Spinnin’ Records roster. Taking a refreshing approach to the genre that blends unconventional sounds with the more familiar, he’s won fans far and wide, including a key supporter in Pete Tong.

The arrival of Watermät followed a decade of Arriau building up his skills and producing music for other artists. “I have never done anything else other than produce music and I never worked anywhere else” he explains. “Since I was 18, I’ve been doing music. If I wasn’t making music I would probably be a science guy working in a laboratory.” Growing up on a diet of hip-hop and house music which both enjoyed a golden age in France at the time, he soon discovered deeper shades of house and techno. 

After having honed his craft so long in private, he decided to step out the shadows of others and into his very own spotlight. Not even he was expecting quite how well things went so very quickly. After the lush sounds and intricate melodies of his 2013 debut Sparks, Spinnin’ snapped him up to begin a long and successful relationship with him. His first release on the label, the joyous Bullit in early 2014, was a huge hit at Miami Music Week, reached the DMC Buzz Chart #1 spot and was chosen by Pete Tong as his Essential New Tune. 

Many wouldn't be able to live up to the pressure of this initial success, but he took it well in his stride, following up with a remix for Years & Years, the fist-pumping piano banger All My Love with TAI and Rudimental collaborator Becky Hill and the rolling techy bruiser that was Portland with Moguai. More recently Spherik brought a summery vibe to the table while Empire indulged a little of his love for French house sounds. 

He takes a quality-not-quantity approach, choosing to release only his finest material rather than putting music out for the sake of it. It’s certainly been reaping rewards, with millions of plays and downloads for his tracks, and sets everywhere from Tomorrowland to Amnesia Ibiza amongst an incredibly busy DJ diary.

Despite all this success, he remains a truly grounded person who has his priorities in order and is doing this for all the right reasons. “I don’t have really high expectations. I’m so grateful for all the love and support I’m getting. I like making the music that I like and want to make. Let’s see what happens. If I can play at huge festivals around the world, it’s great. If not, no problem—I will keep on playing my music.”

Armin Kohlberger is following