This is different 🔥🔥😈 i like and fw

Rock 3

“Madame Colère” is a dark and emotional French electro-pop track blending cold-wave influences, poetic lyrics, and 80s-inspired synth textures. The song portrays the inner battles of a fragile yet fiercely alive woman — a “porcelain fortress” shaken by waves of pain, tension, and volcanic emotion. Through expressive French vocals and atmospheric electronics, the track paints the portrait of someone forced to retreat into herself, caught between moments of clarity and sudden storms, between strength and exhaustion.
A dramatic, intimate piece for listeners who connect with deep feelings, introspection, and the darker edge of synth-pop.”

Madame Colère

jazzy beat with a trap twist 💃

The Ross Available in all digital stores: http://li.sten.to/TheRoss

Produce unknown !!! 😭 Please come forward whoever made this beautiful beat 🥺💖

✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨

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The Ross Ft. XancheryBlvck

My friend and I jamming in 1980 with a mic up to each of our amps into a tape deck.
Greg Michalski - Right Guitarist
Ron Snyder - Left Guitarist

DIRECT TO POINT (Michalski & Snyder - 1980 JAM)

Bonsoir amis insomniaques,
Ce soir, nous allons parler du brutalisme, ce mouvement architectural que tout le monde semble connaitre sans vraiment savoir le nommer. Eléments centraux de nos paysages urbains, leur complexité est cependant moins évidente qu'il n'y parait...

Merci à Tony Beaufils pour avoir prêter sa voix. 

Image générée par IA (Microsoft Bing).

Le Brutalisme

Website

Truce (Instrumental)

Blekstar

Plivam

So it begins in 2/4 then the usual 4/4. First time trying out just a D vamp although the bass line does begin with E. I’m using a 70’s funk clav that Stevie Wonder probably uses a lot and some more simpler funk piano rhythmic variations than my WeChat piano instructor.  Then a chord progression where I pretty much follow the chords with the melody. For the E7#9 at the end I learnt that if you play an E9 half a step higher before it it sounds good so I tried that and I do think it sounds good. Chorus goes to D Dorian with a bit of ii-V in the first phrase. Horn section for the chorus is done based on feel. For the last line of the chorus I tried an ascending whole tone run where it went D-E-F# paired with a more diatonic horn run  but I don’t think the mixer liked some of the dissonance of the whole tone on the root notes so he emphasised the more diatonic notes. I was OK with that. For the guitar solo the first couple of bars contain the melody I sang in my head. Then I played a 4th degree dom9 arpeggio over the Dm giving it a dorian feel. Then some shred wank (tapping) that I improvised. Then my signature (note - xxx - note -xx - note - x) lick and another line I sang in my head to end the BPM back to something in the 90’s. There are some bebop notes played by this effect called ‘cinematic funk’ in the last chorus. I did prefer the previous mixer but only by a little.Better groove than the previous funk song but probably not better melody. Hopefully we’ll get both right on the next attempt.

Lyrically, just being naughty. Putting a positive spin on things.  I don’t particularly enjoy this role but a positive spin on things makes all things …positive.

I’ll be your backdoor man
Just don’t leave the condom in the bin post  a 1 night stand. (Some element of truth where this woman used to call it a 套套。a ‘Dom Dom’ if you will. I think it’s definitely your first time cheating on your husband when you leave it in the bin like that.)
You have love. To Offer me.
And I return it to you with dignity

Who’s that man with the croissant knocking on my door
The ashes from his cig fallin’ on the floor
And if I pay for dinner will my husband find out?
That his bank account is ebbing today 

I think one of the lines in the chorus i am singing is do you remember when I kissed your trauma twofold


Backdoor Man

Pirilampos Malditos - Sanatorio Salesianus

Sanatorio Salesianus

Pandora's Box.mp3

Jingle Bells

opal

Kadosis present their first single: Window Eyes, an organic track that meets a few electronic elements to provide a laidback vibe to easily listen to. Bassline and Guitars are as immersive as they can be combined with a reggae reminiscent main drum section and a catchy arp synth, keeping it a fresh auditive experience.

Window Eyes

Born on a Train

Fat Rambo

KOIKOI is a fusion of sonic eclecticism and unstoppable energy. Unburdened by genres, they've playfully cherry-picked the most vibrant elements from rock and pop into a danceable juggernaut of sound, all spiced up with enchanting female-male vocal polyphony singing in Serbian. In their case this mess works brilliantly and their music transcends language barriers and is resonating worldwide. In the last 2 years KOIKOI are captivating audiences with their high-octane energetic live performances that magnetizes crowds all around Europe. KOIKOI was nominated at ESNS for Music Moves Europe Awards 2023 as one of the top 15 emerging bands in Europe and was included in IMPALA’s ‘100 Artists to Watch’ in 2022.

»An explosion of pure energy, it is like the band have cherry-picked the biggest, most vibrant moments from rock and pop and combined them into a danceable juggernaut of sound. The fact that this mess worked brilliantly is testament to how good they are as musicians.« (Under The Radar)

I'm a Freelance Music Producer who is also into Holistic Healing through music and sound

Blekstar

KOIKOI

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LoNeWolF (Inc.)

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