SXSW 2019 Jonny Owen's Garage Rock Psych

Be Cool Cowboy - Animals
https://www.youtube.com/watch?v=mhDIJXzsXV4

Titubant Tenue

INDIE/March2019

Rockster

ATSIUSTI

Den of Testosterone

2019}*{

Get the debut album from Seattle's The Head and The Heart on iTunes: http://apple.co/1RBWxW7

iTunes

Lost In My Mind

Please Don't Tell My Lover

Clockwork is the debut album by Black Rain Again.
Available on 
https://itunes.apple.com/album/id1032858835?ls=1&app=itunes
www.blackrainagain.com
www.facebook.com/BlackRainAgain
info@blackrainagain.com

TRACK LIST:
1) No Cheat For Us
2) Hypnodisco
3) This Love
4) 1984
5) Feel The Rain
6) Black Rain Again
7) Not Even Once
8) Disappeared
9) Into The Nightmare
10) Inferno
11) Orion

EXECUTIVE PRODUCERS
Illo Mozzato, Emanuele Esposti, Marco Stranieri, Alessandro Rimoldi and Lorenzo Cattaneo.

RECORDED AND MASTERED
by Oskar Righetto at Borderlights Studios, Paderno Dugnano, Italy. Assisted by Daniele Giambrone, Fabio Sagliano and Paolo Rebellato.

ALL SONGS WRITTEN AND ARRANGED BY BLACK RAIN AGAIN

All lyrics written by Illo Mozzato except for:
NO CHEAT FOR US - Marco Stranieri
NOT EVEN ONCE - Marco Stranieri and Illo Mozzato
DISAPPEARED - Emanuele Esposti
ORION - LORENZO CATTANEO

GRAPHIC DESIGN
Lorenzo Cattaneo

9 - Into The Nightmare

'Bros' from Wolf Alice's debut album, 'My Love Is Cool'. 
Out now on iTunes: po.st/MyLoveIsCool
Double heavyweight vinyl po.st/MLICvinyl
CD: po.st/MLICcd

Wolf Alice - Bros

Dull Gret

FACEBOOK: /JakkyOfficial

<a href='https://theartistunion.com/tracks/013120'>Download for free on The Artist Union</a>

Ferris Feat. Benson - Up All Night [Luca Schreiner Remix] [Jakky Bootleg]

Upcoming single from Be Cool Cowboy's new fuzz rock album, Wild Lies.
http://becoolcowboy.net

Premiere @ Cereal + Sounds:
http://www.cerealandsounds.com/2016/12/28/premiere-cool-cowboy-believer/

Believer

Low End

Yes Your Love

Paranoia: A True Story

Found A Way

feat. Black Kat Sylvesta on rhodes and extra sounds

John Lennon - Working Class Hero (Wick-it Remix feat. Black Kat Sylvester)

Roach Going Down

Roach Goin' Down

"a love song dedicated to all those things they told us not to love: the late nights, the painted nails, the rolling eyes, the cheap perfume, the pain in your chest as you approach a stranger. Giving in to the freedom of letting go. Chasing and not caring about where it takes you.”

Taken from Whale City, Pre-Order: http://bit.ly/WhaleCity

---- 
www.warmduscher.co.uk
twitter.com/warmduscherr
facebook.com/warmduscher77/
@yolkbunsusa

Whale City

Standing On The Corner

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Buy on iTunes

Atlas Genius - Back Seat

Pre-Order/Save Cursive's album "Vitriola" out October 5th: https://ffm.to/vitriola

Vitriola

Cursive - It's Gonna Hurt

Afterglow

The Booyah! Kids are Aidan Ludlam, Emma Lee, and Julian Kaufman. All songs off “Bedroom Headroom” were written and recorded by The Booyah! Kids with the exception of “Firefighter,” which features lyrics and melodies written by Emma Fernandez. “Bedroom Headroom” was recorded over a span of 9 months in Julian’s dorm room, Julian’s bedroom, Julian’s living room, Aidan’s dorm room, and Aidan’s bedroom.  “Bedroom Headroom” was mixed by Julian Kaufman with the exception of “I Can’t Find It,” which was mixed by Aidan Ludlam. “Bedroom Headroom” was mastered by The Booyah! Kids with the help of Santiago Coto. The cover art for “Bedroom Headroom” was created by Aidan Ludlam and Emma Fernandez.  : ) giving credit where credit is due

idwtgtbt

Walking Backwards

The Coathangers 'The Devil You Know'
Out March 8th, 2019 via Suicide Squeeze Records.

The Devil You Know

Step Back

Words and music by Josh Charles, Ethan Allen and Steven Davis 

All instruments played and produced by Josh Charles and Ethan Allen
Additional drums by Brian MacLeod 

Mixed By Ethan Allen
Mastered by Dave Collins 

ALL YOURS ALL MINE 

Take no comfort in the ways they try to feed you 
I’ve lost my appetite somewhere late last summer 
All the money all the riches on the earth now 
Reach out for them but they’re much further than they seem 
A hunger for change
Being driven insane 
Tossed around like animals 
Locked inside the cage 
Whatever they’re after 
We re pawns in the game 
They don’t know our faces 
They don’t know our names 


We’re on worst behavior 
We keep acting out our lines 
It’s a great big world out here 
It’s all yours it’s all mine
It’s all yours it’s all mine 


We wait inside the waiting room
The doctor never shows 
We fill our own prescriptions and decide to change our clothes 
I think the boat is leaking so let’s have another smoke
When the thieves are breaking in 
We keep buttering our toast 

Asking for change 
Avoiding the blame
Tossed around like animals 
Locked inside the cage
Whatever we’re after 
We’re just pawns in the game
They don’t know our faces
They don’t know our names

ALL YOURS ALL MINE

All Yours All Mine

Twin Tribes - Shadows

In Your Mind

Turn It Up

"Dans les strass", extrait de l'album "Nuits sans sommeil" de Cléa Vincent 
Single : https://msr.lnk.to/strass Full album : https://msr.lnk.to/clealp2

------------------------------------------ 

En concert à la Cigale le 9 avril 2019
https://www.weezevent.com/clea-vincen...

------------------------------------------ 

Dans les strass 

Ecrit et composé par Cléa Vincent et Kim Giani 
Réalisé par Raphaël Léger et Clément Roussel 

Sur la liste avec « plus un »,
Caroline, Laëtitia, Séverin,
Surligné au stabilo,
Le flipper claque un max,
Et les néons ça flashe,
Vodka tonique pour tout le monde !
Le blues il fait surface,
Faut pas croire que ça passe,
Dans les, dans les, dans les,

Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce que t’imagines,
Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce qu’il se passe, 
Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce que t’imagines,
Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce qu’il se passe. 

La fête elle bat pas son plein,
Caroline, Laëtitia, Séverin,
Faudrait choper un tacot,
On s’éclate pas un max,
Et Caroline est schlass,
Déprime, prozac, dodo,
Tu vois maintenant je suis d’ac’,
T’avais compris l’arnaque,
dans les, dans les, dans les,

Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce que t’imagines,
Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce qu’il se passe,
Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce que t’imagines,
Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce qu’il se passe.

Dans les, dans les, dans les,
Dans les, dans les, dans les,
Dans les, dans les, dans les,
Dans les, dans les, dans les,

Dans les, dans les, dans les, dans les strass,
c’est pas du tout du tout ce que t’imagines,
Dans les, dans les, dans les, dans les strass,
c’est pas du tout du tout ce qu’il se passe.

Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce que t’imagines,
Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce qu’il se passe, 
Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce que t’imagines,
Dans les, dans les, dans les, dans les strass,
C’est pas du tout du tout ce qu’il se passe. 
------------------------------------------ 

Midnight Special Records / Château Perdu Records 2019

Cléa Vincent - Dans les strass

http://thezolasmusic.com
http://www.lightorganrecords.com

Purchase "Knot In My Heart" on iTunes, here - http://itunes.apple.com/ca/album/knot-in-my-heart-single-single/id563638627

After debuting with Tic Toc Tic in 2009, The Zolas scaled the precipice of cult status across Canada, thanks to a loyal fanbase carried over from Zach Gray (vocals, guitar) and Tom Dobrzanski’s (piano) earlier years as Lotus Child.
With Ancient Mars, their second album, The Zolas are set to continue their legacy of postmodern pop. Armed with poetic lyrics, Ancient Mars trades in the cabaret glitz of Tic Toc Tic for reverbed pianos and hard, minimalist beats.
In “Strange Girl” a sunny guitar riff blasts into the perfect mid-‘90s summer jam, while title track “Ancient Mars” is bouncy and nostalgic, with heaping spoonfuls of Montreal and Brooklyn avant-pop. If John Lennon and Kanye West met later tonight at a hotel bar, “Escape Artist” is the song they would write. It’s these kinds of pairings that Ancient Mars is full of: The Zolas write classic pop songs and then fuck them up until the hooks have to fight to get out.
As if to offset Ancient Mars’ aesthetic diversity, the lyrics are raw and focused. The Zolas’ tumultuous songwriting captures the zeitgeist of being in your 20s, on the cusp of youth and real adulthood. In each song Gray builds a skeleton of a setting – from outer space to a college library to a Victorian jail cell – and tells stories fleshed out with the listener’s own history.
In October, The Zolas teamed up with Winnipeg’s The Liptonians to release a 7” split single “Cultured Man”, a quixotic snack in between the two full-length albums.
Dobrzanski is the band’s on-board producer, having worked with names in indie-rock royalty like Said the Whale and We Are The City, but for Ancient Mars production duties were handed over to Chuck Brody (Phantogram, Wu-Tang), much like how 2009’s Tic Toc Tic was produced by Howard Redekopp (Mother Mother, The New Pornographers).

Released by: Light Organ Records
Release/catalogue number: 25396 03532
ISRC: CA-B39-12-00819

Turn It Up

KOLARS