This track is released 4th April on Traum on vinyl and digital as part of the Metaphysical EP. It's quite heavy on the effects, with a long wierd noise intro just for the craic! I've been starting quite a few sets with it recently, but if you want to mix it I guess you just have to start a couple of minutes in.

Solace (Clip)

<p>Martin Eyerer and Rainer Weichhold are very proud of this beauty from Italian duo Pizeta. Can a house track be more timeless and sensual? Perfect for the summer season are also the bassheavy remix from the two Belgians Ramon Tapia &amp; Stavroz and Ninetoes&#8217; techy interpretation of &#8216;Remedios&#8217;. Kling Klong is ready for Ibiza!!</p>

Pizeta - Remedios (Ramon Tapia & Stavroz Remix) [Kling Klong]

Motor City Drum Ensemble - Escape To Nowhere

🔥„A dark alt-pop track built on a steady, driving beat and deep bass that mirrors the tension of city nights. Lyrics evoke neon lights, shadows, and desire, blending whispered intimacy with cinematic intensity. The atmosphere is nocturnal, hypnotic, and charged with mystery.“🔥


CITY ⌬ LIGHTS

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📱 *Listen on the Steyoyoke APP* : https://steyoyoke.com/share?type=track&release_id=63&title=Cosmos

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Artist: Nick Devon
Title: Cosmos
Label: Steyoyoke Black
Format: Digital
Digital Release Date: December 28th, 2015
Cover Art: BLANCAh
Cat No: SYYKBLK011


Nick Devon returns to Steyoyoke Black with this hard-hitting ethereal techno EP featuring two original dance-floor bangers: Cosmos and Metis. The sharp, distinct synths and the groovy bass lines create a creeping aura accompanied by canorous sounds that complete this spooky, sexy EP. 
‘Cosmos’, staying true to it’s title, catapults you into space with auspiciously strange, unfamiliar sounds. A new take on what it means to make techno, Nick Devon’s ‘Cosmos’ is an out-of-this-world track. The cyclical bass line accompanied by multiple complex synths showcase Devon’s passion for creating a modern sound. 
‘Metis’ takes on a more rugged, brutally honest tone with a kick strong enough to shake rooms. The Gregorian-style chants shyly mingle with the mids and highs as Nick Devon builds up to impeccable breaks and drops in this aural climax. An immaculate compliment to ‘Cosmos’, ‘Metis’ makes the perfect partner in this EP. 
No stranger to Steyoyoke and Steyoyoke Black, Nick Devon delivers another robustly stunning EP packed with dulcet melodies produced with such precision and care, that is it impossible not to feel like you’re on another planet!


TRACKLIST

01. Nick Devon - Cosmos (Original Mix)
02. Nick Devon - Metis (Original Mix)

#etherealtechno #techno #melodictechno

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Nick Devon - Metis (Original Mix) | Steyoyoke Black

Gus Gus - Deep inside - Kölsch Remix

this is my liverecording from the Nachtgeschichten Mini Fesival in memory of a good friend!!! I hope you like it. R.I.P. Andreas Otto...

Booking Requests:
booking@micrologue.de

FOLLOW MICROLOGUE

Micrologue @ Nachtgeschichten Mini Festival // Meißen (Liverecording)

Discover the best Melodic Deep House to Techno with us ! From Paris with Love <3

PREMIERE: Mike Tohr & Remcord - Opal [Atmosphere Records] 

Our dear friend Remcord is back on the amazing Atmosphere Records with a track which sounds more progressive and techno and is running in our headphones these days ! Just listen to it and you'll see why 😉

Notre cher Remcord est de retour avec Mike Tohr sur l’excellent label Atmosphere Records avec un track aux influences Progressive Techno qui tourne en boucle dans nos players depuis une semaine ! Ecoutez, vous comprendrez pourquoi. Ca sort demain, enjoy <3 

Support the Artist : 
https://soundcloud.com/remcord
https://www.facebook.com/Remcordmusic
https://soundcloud.com/miketohr
https://www.facebook.com/miketohr/

Support the Label: 
https://soundcloud.com/atmosphererecords
https://www.facebook.com/atmosphererecords

PREMIERE: Mike Tohr & Remcord - Opal [Atmosphere Records]

Some artists have the ability to perform together perfectly, such is the case for Olivier Weiter and Miss Melera. The Amsterdam based artists mesmerised the Queen's Stage crowd during Loveland van Oranje 2017. Enjoy! 

See you at:
12/08 Loveland Festival | goo.gl/0JuoRm
19/10 Afterlife x Loveland ADE | goo.gl/wrd8b8
20/10 Diynamic Showcase at Loveland ADE | goo.gl/ZtLrnn
21/10 Circoloco x Loveland ADE | goo.gl/PVbeqA
22/10 Gem x Loveland ADE | goo.gl/4EwXUm

Olivier Weiter b2b Miss Melera | Loveland van Oranje 2017 | LL077

As the New Year opens its doors on 2018, full of hope and promise, Proton Music uncovers another gem from the jewel-encrusted rock face of underground dance music. A beautifully polished sound now sees newcomer, Rudy, sparkle and shine with his "Time / Spirit" EP.

An artist who made an instant splash with his debut release on Subjekt Recordings, Brighton based producer, Rudy Dubé, scored an instant hit from his base on the English south coast with "Transformation". Released with remixes from fellow south coast resident and global star, Kris Davis, alongside Berlin based icon, Martin Roth, Rudy hit the ground at quite a pace in mid-2016.

Going on to release "Monday" on Chouette Music in late-2016, the "Qualia" EP for Los Angeles based imprint, Oleeva Records in May 2017 showcased Dubé's penchat for Deep House as the track lit up the scene, also appearing on James Warren's "Visceral" compilation series. With his flair for blending rhythm and melody in exciting and innovative fashion, a further remix for Nie Wieder Schlafen saw a sublime interpretation of Quatri's "Ozora" that hit the number one spot in "Proton Pack 149". A subsequent debut on Proton Music then saw Rudy taking on David Calo's techno monster, "Chronomatic" in December 2017.

Now Rudy returns to the label with a wonderful triptych that epitomises his unique and compelling sound. Opener, "Sea Change" hypnotises with its strong kick backbone and evolving arpeggio line that shimmers in delayed glory. A whispering hi-hat shuffle emerges at the mid-point while a rich sub-bass fills the low-end and rasping analogue bass stab commanding attention with its Moog-like characteristics. A beautiful organ interlude sees creates an intelligent pause in proceedings before arps and rhythm combine once more in the final movement.

The strong rhythmic qualities of its predecessor are fully to the fore in "Time" as a complex percussive cadence supplies the framework for a collage of sublime melodies and chord progressions to float effortlessly across a seven-minute voyage. Contemplative in tone, the track title is well-suited to the musical narrative held within. Capped by a trademark warm, rasping bassline. Rudy's skill and craft is in full evidence.

The final offering sees, "Spirit" take centre-stage with its elegant and free-flowing melodies and storming bass line. Fully reminiscent of the Moog-inspired work of Stephan Bodzin's "Powers of Ten", the beautifully crafted bass-lead supplies an astounding work that could have been crafted by the legend himself. The soaring strings and chord progressions add further depth and texture as a driving beat and triplet shakers create a genuine sense of dynamism.

Firmly on the underground map with his stunning brand of music, Rudy has the "Time" and "Spirt" to succeed at the very highest level.

Directed by Jay Epoch
A&R by James Warren
Mastered by Cid Inc.
Design by Rudy Dubé
Text by James Warren

Time / Spirit

Spirit (Original Mix)

Buy on Beatport

Mezclado, Pt. 2 is on the way. For the second edition Einmusika teamed up with Jonas Saalbach and SKALA.

"Immerse" is a dark and floating track with choppy hihats and a filtered clap. Effect sounds blend in and out next to deep drowning brassy synths.

"Carnival" has housy chords and some crazy lead synths. During the break an 80s style arpeggiator opens up with the typical Einmusik progression.

Einmusik & Jonas Saalbach - Immerse [Snippet]

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Gus Gus - Deep inside - Kölsch Remix

Kölsch

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