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Mixed by S'Express 1989
(Taken from the LP "Original Soundtrack")
Remixed by Kommissar Keller

S'Express were an English dance music act from the late 1980s, who had one of the earliest commercial successes in the acid house genre.

"Theme from S'Express", which contained elements from Rose Royce's "Is It Love You're After", was one of the earliest recordings to capitalize on a resurgence of sampling culture. The song went to number one in the United Kingdom for two weeks in April 1988. It also made the Hot Dance Club Play chart in the United States, (also scraping into the U.S. Billboard Hot 100 at number 91).

The main player in the act was disc jockey and producer Mark Moore. In 1989, the group released its debut album, Original Soundtrack, which featured a line-up of Moore, Pascal Gabriel, Jocasta, Mark D, Linda Love, and Michellé. The album consisted of slightly longer versions of S-Express's "Theme", its follow-up hits "Superfly Guy" (UK #5) and a cover version of Sly and the Family Stone's "Hey Music Lover" (UK #6; its b-side was remixed by minimalist composer Philip Glass), along with an album's worth of new compositions.

By the release of the second album Intercourse, the act was reduced to a duo of Moore with new vocalist and DJ Sonique. Although not as successful as its debut, Intercourse spawned several mid-charting UK singles and club hits, including "Nothing to Lose", co-written with Martin Gordon, as were several other tunes on the record. Sonique, already a successful DJ, eventually embarked on a solo career and produced one of the biggest club hits of the late 1990s ("It Feels So Good"). Moore went on to release many singles, remixes and albums on his own and also formed the band Needledust

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S'Express - Pimps, Pushers, Prostitutes (Kommissar Keller's Broadway Club Edit) FREE DL

DJ - Producer - Remixer - Editor - Ghostproducer - Art Maker - Mastering service for Demo Tracks
*** Radio München *** Pulverschall 

Space Disco Underground, Cosmic Trips, Electronic & Mystic Techno Adventures, Bubble Gum Wave Pop, Indie Funk Dance, Breaks, Italo Synth, Hyperdub, UK Bass & Future Garage.

All good mind-expanding music is united in the audio portfolio of the Kommissar. The search for the extraordinary is always in the foreground. 

It is important to me that the respective piece of music unfolds its full capacity of effect. Be it through the holistic story that the song tells, an emotional bridge that helps to evoke a small satori effect to let negative thoughts fade away. It can also be pure monotony that completely grips you after 10 minutes, a string melody or simply a gripping bass that makes your body vibrate. All in all, my sets are a trip. Music for those who understand it. Welcome to the cosmos of Kommissar Keller.

Check out my https://linktr.ee/kommissarkeller for more fantastic Edits, Remixes and Productions on Bandcamp.

Radio Speaker, mixed produced and Deejay from Zaragoza (Spain) 

Growing up on punk rock and influenced by eccentric alternative sounds of distorted choppy electric guitars and driving bass lines along with rolling drumbeats,
aduti (A Decade Under The Influence) was taken from
a track by american rock band - Taking Back Sunday.

With a decade of playing the guitar and performing in bands, his love for music expanded to DJ ing and exploring the underground, deeper and darker sounds of electronic music, aduti found his leftfield mix of sound from Disco to Techno and everything eclectic in between during his adventures in San Francisco.

aduti got his major break in 2018 at the legendary after party club - Elysium, making debuts with Modec and  Haresh K, alongside the “DICTATORSHIP” crew 
(antype / Ed dix / kubika / Slutski / Xes Xes Loveseat).
Since then, aduti has been regularly invited to play in Pisco Bar, Rex KL, the Crane KL, BATE, Cheong Somm, Jiro KL, Ren, Le Noir, The Iron Fairies, Sinners KL.

Underground, Deep, Acid, House, Techno ...