(E)
Debuting on Kompakt with a masterfully twisted remix of Gui Boratto's "Take Control" (KOMPAKT 302) in 2014, Miami-based DJ/Producer DANNY DAZE had already made himself a name with outings on tastemaking labels like Maceo Plex's Ellum Audio, Ultramajic or Miami's very own Omnidisc - but it was the raw and muscular SPEICHER 80 that really opened up our receptors. Danny's recipe for bendy, electro- infused techno turned out to be insanely catchy and ripe with bass, a bold, futuristic and funky vision for the dancing floor that finds a brilliant follow-up in his latest outing: two new exercises in off-the-cuff mayhem grace SPEICHER 91, with face-melting uber- jam SWIM kicking off a weird and wonderful parade of synth riffs, belting beats and pure arpeggio anarchy - while the flipside is held hostage by the razor-sharp, robotic funk of MACHINE, Danny's second collaboration with TRANSLUCENT for Speicher after the hard-hitting "Speaker Language" (KOMPAKT EXTRA 80).

(D)
Schon vor seinem Kompakt-Debüt mit einem meisterhaft verzwirbelten Remix für Gui Boratto's "Take Control" (KOMPAKT 302) hatte sich Miami's DANNY DAZE mit Veröffentlichungen auf so illustren Plattformen wie Maceo Plex's Ellum Audio, Ultramajic oder Omnidisc einen Namen gemacht - doch es war die rauhbeinige und muskulöse SPEICHER 80, die unsere Rezpetoren erst so richtig durchgepustet hat. Dannys Rezept für biegsamen, Electro- durchwirkten T echno entpuppte sich als unglaublich mitreissend und basslastig, eine kühne, futuristische und funkende Vision für den tanzenden Flur, die ihre Fortsetzung in einer brillianten neuen Scheibe findet: zwei frische Blaupausen für den Rave im Handumdrehen beglücken uns auf SPEICHER 91, mit der Gesichtszugkernschmelze SWIM als Auftakt zur völligen Arpeggio-Anarchie - während die Rückseite dem rasiermesserscharfen Robofunk von MACHINE zum Opfer fällt, Dannys zweiter Kollaboration mit TRANSLUCENT für Speicher nach dem knallharten Durchstarter "Speaker Language" (KOMPAKT EXTRA 80).

Danny Daze - Swim (Snippet)

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When he was 14 he bought his first Techno CD from Bonzai Records.
This style of music inspired Alexsis that much that he was infected from that time on.

In the year 1995 he bought his first record player and started to mix his own Techno Music in private.

1997-2002 he made music at private party's.

After a long break he started again and more professional.he bought all the professional gear needed and started producing at his own Homestudio for himself.
--news are on Stimulanz too,and all other..................

I like Afro house, tech house. Only good vibes 😜